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Personality Profile: Rob Ellis

Jason Barrett

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In the city of brotherly love, sports and passion go hand in hand. Having worked a short time there back in 2006, I learned how much sports talk radio means to people and how important of a role it can play in the lives of the listening audience.

wingbowlWhile the Eagles, Flyers, Sixers, Phillies and Big 5 colleges certainly matter to local people, what stood out even more during my short stay in Philly was how invested the audience was in the on-air personalities and local sports talk radio stations. Hosts were seen as larger than life celebrity figures and when public events were held such as WIP’s Wing Bowl, the response was as strong as any I’ve seen in local markets.

As the years have gone by, the interest in Philadelphia sports radio has only increased and it remains to this day one of the top performing markets in the entire country. One of those reasons is due to great programming from two top-notch stations, WIP and 97.5 The Fanatic. I am a firm believer that competition makes everyone better and there’s no doubt that both stations have had a tremendous impact on raising the bar in the Philadelphia market.

robellisThis week I have the opportunity to chat with someone who’s experienced both sides of the Philadelphia sports radio battle, WIP afternoon drive-time host Rob Ellis who works weekdays from 1p-6p opposite Anthony Gargano. Rob has been with WIP since May, 2007 and prior to his move to afternoons, he hosted nights and weekends. Rob is from Upper Darby, PA and a proud alum of Temple University and holds the distinction of being a four-time winner of WIP’s Great Birds Debate.

What makes this week’s chat a little different is that I’m chatting with someone who started his radio career under my watch. It was March 2006 when I received a call from Rob who at the time was working as a television producer for CSN Philadelphia and upon our chat I could tell quickly that he was smart, passionate, knowledgeable and hungry. I was in the market looking for talent to help the radio station and while his radio experience was non-existent, something about him stood out.

I took a chance and threw him into a 3-man show one night and as luck would have it, he came to the table with strong opinions, great information and an ability to click and form great chemistry with his partners. When you listen to Rob today, you’ll see those same ingredients still on display!

robellis5Since then Rob’s star has only grown brighter and much of that in my opinion is due to his commitment to continue working at his craft while taking advantage of every opportunity that’s come his way. I think it’s also important to point out the great job that’s been done by WIP Operations Manager Andy Bloom in helping Rob’s development. Every great talent needs a good leader who believes in them and by moving Rob to prime time opposite Anthony Gargano, Andy showed his confidence in Rob’s ability to make a difference.

I exchanged some notes back and forth with Rob on the challenge of doing a 5-hour show, working solo vs. on a team show and what he believes matters each day to his audience and below are the results of our conversation.

Q: Who did you listen to growing up that influenced you to want to pursue a career in this business?

A: I listened to a lot of national and local radio. Nationally I was influenced by Dan Patrick, Bob Costas, John Barr. Locally, Howard Eskin, Jody McDonald, Angelo Cataldi.

Q: What’s your prep process for each day’s show (what do you read, watch, listen to, who do you meet with, when do you get in, etc)?

A: I typically spend 2-3 hours minimum before each show. I read espn.com, philly.com, csnphilly.com, profootballtalk.com, deadpsin, aol.com, tmz.com to name a few. I watch ESPN’s SportsCenter, as well as local CSN, and Fox Sports1. I also will touch base with my contacts/sources with the teams depending on what is happening. And I speak to and or e-mail with my co-host and producer.

Q: You’ve worked solo shows, two-man shows and even three-man shows – what are the biggest challenges and benefits of each?

robellis8A: The biggest challenge of a solo show is you better be prepared. It is all on you, you cannot take a segment off. You could have a game plan that you think will work for a show and it goes no where, so you better have a “Plan B”. Conversely, you may stumble upon something that touches a nerve, if so, roll with it.

The challenge of a two-man is, if you are not driving to a certain extent you are at the mercy of your partner, which can limit what you want to do or how you’d steer the show. It can also be tricky if you agree too much. That can be boring. You need a balance. You cannot be afraid to voice your opinion to your partner if you want  to take things in another direction. Happy medium’s can be a challenge at times.

Three-man shows are tricky because you need to maximize your voice without stifling your co-horts. You must try not to talk over one another which is not an easy task if your are aggressive.

wingbowl2Q: WIP is known for venturing into lifestyle/entertainment subjects in addition to every day sports topics – why do you believe this concept works in your market?

A: I think mixing things up with lifestyle/entertainment is good because it simply breaks things up. Going at the same one or two subjects when doing a local show can become tedious which leads to changing the dial. If you can mix in something about your wife or kids that connects with your audience is a great tool to have. It’s relatable. It can’t be your driving force but it’s a nice change-up.

Q: You’ve climbed the ladder & landed in PM drive opposite Anthony Gargano. In making that jump to prime time, what have been the biggest challenges you’ve faced?

A: My biggest challenge in moving into afternoon drive from being behind the scenes in TV was making myself and my name a brand and a house-hold recognizable commodity. Establishing what my personality is and who I am. I made it a point when we had station debate with other on-air talent such as Angelo Cataldi and Howard Eskin, to go after them and not be afraid to mix it up. Respect but not reverential. I also had to prove myself in the toughest of time slots. 5 hour solo’s during Christmas, late night, delivering when given the shot in day parts from morning to afternoons.

Q: You’re on the air every day for 5 hours – what do you do to stay mentally focused and engaged in every segment?

robellis7A: The biggest key for me is pacing, if the show stays fresh for me by moving it along, it will stay fresh for the audience. I need variety, Topic branches, guests and different takes keep me engaged. Don’t get me wrong, 5 hours is a grind. But if you keep it moving it keeps you as the host mentally in it.

Q: Looking at the layout of a 5-hour program, how many guests do you like to have on during the course of a full show? What’s the reasoning behind your strategy?

A: This one really depends on the day. With 5 hours, I typically like to have at least 2 guests usually spread about two hours apart. But there are days when that varies due to guest availability and breaking news. It really is a feel thing. But with five hours I like to break up host banter and calls with some guests.

Q: How often do you recycle topics during the course of your show? How do you keep those stories/angles fresh?

A: I’m a fan of re-visiting subject matter if it warrants. If we do an interview in our first hour or two (non-drive time) I think it is vital to re-play it in say the five o’clock hour. That is one way. There are also plenty of twists you can put on a story. “How does the LeBron signing impact the 76ers”? As opposed to just five hours of LeBron talk tie it in locally. Pose a question you threw out there in hour two for folks who didn’t hear it or have a chance to react to it via a phone call.

robellis4Q: When it comes to interaction with your audience, why do you believe callers are so critical to the presentation in your market?

A: Calls are a great way to foster and further conversation but they cannot be a crutch. Anyone can be a call jockey. I want calls who give a new take or disagree or agree in an intelligent way. Calls aren’t a right they are a privilege. I do think they are necessary because folks want to have a voice and they want to feel like they are a part of what we are doing. Overall I think interaction is great.

Q: How important do you believe it is for an on-air personality to be accessible and engaged with the audience regularly on social media?

A: It is very important to be accessible but you have to be careful with social media. Always remember you represent your employer. Engaging in a pissing match with a knucklehead on Twitter or Facebook is a losing battle. And your paid to give your opinion on the radio so don’t give a ton out for free. But I think it is very important from a promotional standpoint to use those tools to your advantage.

The Anthony & Rob show featuring Anthony Gargano and Rob Ellis airs weekdays from 1p-6p on SportsRadio 94WIP. To stream the show or catch up on previous audio clips from the show click here.

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Steak Shapiro: Stuart Scott Was the Definition of a Talent

“He had the it factor.”

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Photo of Stuart Scott

As news broke this weekend of an upcoming 30 for 30 documentary on former SportsCenter anchor Stuart Scott, many have been reminded about just how talented and revolutionary Scott was. Steak Shapiro and Sandra Golden hit on that topic today during The Steakhouse on 92.9 The Game in Atlanta.

When Stuart Scott arrived on set, I’m telling you it was a gamechanger of all gamechangers,” said Golden. The show then played audio clips from a tribute SportsCenter ran on Scott the night of his passing featuring his unmatched delivery and his signature catch phrases such as “cool as the other side of the pillow.”

As the clips ended, Shapiro said, “That little montage, that is the definition of smooth. That is the definition of a broadcaster, a talent. Not just his writing, but his cadence…just listen to how smooth he is.”

Golden noted that much of what Scott did was unscripted and how she noticed the anchors who were paired with Scott looking at him with anticipation as they wondered what he would come up with next.

“He had the it factor,” Shapiro said. “…I’d put Patrick’s cadence up there with anybody, Olbermann’s flamboyance and Stuart Scott’s smoothness, if I’m thinking about sports anchors.”

Scott passed away at the age of 49 in January 2015 following a battle with cancer.

The 30 for 30 film will explore his rise up the ranks at ESPN, his influence on media and culture, the pain of a divorce and his fight with cancer that ultimately took his life. Scott’s daughters Taelor and Syndi will also lend their voices to the tribute to their father.

A release date has not yet been announced.

“I’m really looking forward to this because I think we’re going to learn so much…and he was the most beloved at [ESPN] and treated everyone with respect and dignity.”

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Mike Francesa: John Sterling Became “The Soundtrack of New York City”

“He’s like a character with a great booming voice. And he created his own style. Critics may have hated it, but you know what, the fans ate it up with both hands.”

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Photos of Mike Francesa, Chris Russo and John Sterling
Courtesy: SiriusXM/MSN.com

John Sterling, the legendary radio voice of the New York Yankees announced his retirement yesterday. Sterling spent nearly 65 years behind a microphone and called Yankees games for 36 years. Former WFAN hosts Mike Francesa and Chris ‘Mad Dog’ Russo got together on Russo’s High Heat show on MLB Network to talk about Sterling.

“I thought of you after I heard the news about John,” Francesa said. “First, let me wish John well publicly for his wonderful career and I hope he enjoys his golden years and has a nice time. I’m telling you, Dog, you should take a bow for this…the guy who really got those home run calls started was you. You were the one who started wearing out the Sterling calls and then he started doing these home run calls, and I remember you playing them one after another after another.”

As they talked more about their relationship with the legendary voice throughout the years, Francesa added, “Sterling’s a character…he likes Broadway, he likes theater, he likes bouncing around New York city, he likes piano bars. He’s like a character with a great booming voice. And he created his own style. Critics may have hated it, but you know what, the fans ate it up with both hands.”

Francesa and Russo hit the airwaves as Mike and The Mad Dog in September 1989, shortly after Sterling had taken over as the radio voice of the Yankees. Prior to that, he had worked for Turner Sports covering the Atlanta Braves and Atlanta Hawks. He had also called hockey and football.

Francesa said, about radio play-by-play broadcasters, in general is “the guy who is the soundtrack of a baseball team and he is the one fans remember, the one that the city remembers. In October the TV guys go away, network guys take over. They never have the great call; they never have the dramatic playoff call or World Series call. They don’t work those games, the radio guys work those games.

“And Sterling worked every one of those great Yankee wins and great Yankee World Series wins and all the dynasty years of the 90s and became the soundtrack of New York City.”

Sterling certainly had his own style and Francesa said, “Sterling described it differently; he had his own way of doing it. He left out a lot of the regular technical stuff…but he was very theatrical, he was very dramatic, and he was great at the big moment. He created a lot of stuff that the fans just absolutely ate up…I always got a kick out of him. He is a very unique personality…he is very entertaining.”

Russo said, “He has two things that are very important. He’s got a great voice and a great laugh…when he allows his partner to say something he contributes with a wonderful, big booming laugh, I think that goes a long way, too.”

“…He was blessed with a voice that he could take anywhere, to any octave and it never broke, and that’s the great voice. A voice like Nantz has, like Sterling has … that big, booming silky voice and he had one of those great voices. He used that as an instrument, he played it like it was an instrument. He knew he had that voice, and he played that voice all the time.”

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Greg Sharpe, Voice of Nebraska Football, Announces Cancer Diagnosis

“We are strong behind Greg Sharpe as he fights the toughest fight. The power of our Husker Nation is here to support him.”

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Graphic of Nebraska football with a picture of announcer Greg Sharpe
Courtesy: KLKNTV.com

Greg Sharpe, who has been the radio play-by-play voice of Nebraska Cornhuskers football since 2008 and also calls baseball games, announced he has been diagnosed with cancer. Sharpe revealed the news during Sports Nightly, a weeknight show he hosts with Jessica Coody.

“Tonight, my least favorite topic, it’s me and I don’t like to make much about myself,” he said. “…Sometimes when you have news and you don’t confront it, a lot of rumors and innuendos get thrown out there…so bottom line is, I have been diagnosed with cancer. I found out about a week or two ago. And so, we are getting close to the point where treatment will be necessary and so it’s going to disrupt my work here on Sports Nightly and probably some baseball broadcasts…I’ve got a great team of doctors that are putting together the plan…I have kind of had symptoms for a couple of months, it’s in the pancreatic region of the body…I didn’t want, night after night if I miss three, four straight [shows] for Jessica to have to answer questions…I didn’t want to go down that path.”

Sharpe talked about his wife being the leader of his support system and that his bosses have told him to do whatever he needs to do and miss games or shows when he needs to.

“I don’t like not completing my assignments…not doing my part of the job, so when I have to miss a show, miss a game, I feel like I’m not doing my work,” Sharpe said. “But I’ve been properly slapped on the wrist by co-workers…and family members saying, ‘Greg you have got to let us carry this for a while.’ That’s what it is. I’m not ready to walk away yet but I’m certainly going to have some disruption in my life in the coming months and just wanted to share that with all of you.”

Nebraska Athletic Director Troy Dannen sent out a message of support for Sharpe, saying, “We are strong behind Greg Sharpe as he fights the toughest fight. The power of our Husker Nation is here to support him.”

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