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Is Cleveland Sports Radio Dying?



Everyone working in the Cleveland sports radio market thinks things are great. Well, everyone in management, anyway. The business is great, the ratings are the highest ever, the people of Cleveland love their sports like no other, there is more than enough room for two and a half stations talking sports from morning to night, maybe more, and the guys employed to do it now are the right guys to be doing it.

The millennials all listen to terrestrial radio sports talk through apps on their phones, the old timers sit on lawn chairs in their garages and drink beer and call in, the hosts have great personalities, and none of the teams ever complain to the bosses if a host says they think the team is more shitty than usual.

In reality, they have a steady but aging listenership, and they do make a little money if they keep their costs down. But because there is little to gain by trying new things, and the profits razor thin anyway, it’s best not to do something that offends the old farts who have nothing to do in the afternoon.

That’s why a four-hour show will usually get programmed like this: a few recordings of gangbang interviews from a locker-room (whether they say anything or not), a short interview with the station’s team expert (like ESPN’s Tony Grossi, on the high end, or a salesperson turned de facto beat writer, on the low end), a chat with a national blogger or an NFL Network guy who tweets vaguely about nothing quite often, and maybe Mary Kay Cabot dropping by to talk about what other people wrote. Fill in the time with the two hosts talking to each other and taking some calls that seem to come from the same few people who call all the shows. Rinse, repeat, see you back here at the same time tomorrow. What do you think the Browns record will be? Should Johnny be playing more?

Cleveland was at one time the center of sports talk experimentation. Pete Franklin pretty much invented the format in 1967, and people found him berating caller after caller entertaining. In the mid-1990s, WHK-1420 AM had a dedicated following that thought it was in a private club and the term “mother scratcher” was the password.

And that history in Cleveland helped ingrain sports talk radio nationally as a male tradition — killing time with nonsense, but nonsense men liked — and it became the place where guys hung out. Call it the man cave or the tree house or the he-man-woman-hater’s-club, but sports talk became a gathering place.

“We thought being funny and intelligent was more important than just breaking down a defense,” said Les Levine, who was the lynchpin at WHK for its brief three-year existence. The station was there when Browns coach Bill Belichick benched Bernie Kosar and the Browns left, and joked and cried through it all. The station ended quickly because of a sale of its parent company, not bad ratings.

But hardly anyone has tried to be the least bit clever since. Some say that wouldn’t work because Cleveland loses too much, and the fans aren’t in the mood for any sports hilarity or content that requires more than a sixth-grade education. And Cleveland seems to be in one of its moods where any putdowns of the teams or the players or the city — even done smartly and by locals — is not well received. And god forbid if the criticism comes from an outsider.

Rizzo, more than anyone else in the market, attempts, or attempted at one point, to have fun. It’s why The Really Big Show with ESPN Cleveland — which has led the station’s line-up since 2007 — has the following that it does and serves as WKNR’s cash cow. The dial is otherwise filled with some talented people, some not, and a whole lot of the same, indistinguishable except when the stations’ call letters are uttered.

Rizzo, for his part, offered to chat for this article but never ended up following through. A handful of hosts were offered up by 92.3 The Fan. Top men at both stations did chat, and they’re pretty damn proud.

“We have great talent who understand the fans here in Cleveland, and we are very satisfied with where we are,” says Keith Williams, vice president and general manager for Good Karma Broadcasting, which owns ESPN 850. “This is a football town, and we have the best coverage of the Browns.”

Tom Herschel, senior vice president and market manager for CBS Radio in Cleveland, which owns 92.3 The Fan, echoes his competitor’s sentiments. “One of the reasons we built and launched The Fan four years ago is the incredible enthusiasm and sports in this area.”

Both Herschel and Williams say the Northeast Ohio market is not oversaturated with sports programming, they both think that the interest in sports in the Cleveland market is very high right now, and they don’t expect any changes to their line-ups in the near future.

To read the rest of this article visit Cleveland Scene Weekly where it was originally published

Sports Radio News

Pat McAfee Defends His Intellectual Property on Show

A YouTube user had been using videos from McAfee’s show on his own channel and monetizing them.



Intellectual property is the most important asset a content creator has in the digital space. That’s why it should not come as a surprise when Pat McAfee took to his show today to defend his.

A YouTube user named AntSlant had been acquiring video from Pat McAfee’s daily show for a while and putting it on his YouTube channel as his own content for months. McAfee has been a hot commodity and it seems that the personality may have been alerted to this activity thru potential future partners and their social searches. McAfee apparently reached out and sent a warning and today he addressed the account in what he called a little “house cleaning.”

“I have funded everything that you see (referencing his studio),” McAfee began. “Whenever you talk about stealing people’s footage, stealing people’s content and putting it up on the internet – so you can benefit from it – I don’t know how you think that the person that created, funded and paid for the content, worked their dick off, and their ass off amongst their peers and did everything – how they are the scam artists in this entire thing and not the account.”

Pat McAfee started referencing the offending account’s ability to monetize the videos. “We looked it up because we have this ability, [they] probably made $150,000 off of our content – not remixing the content, not getting in there and speaking and being a content creator – ripping content from us. Putting it together putting it up as their own videos and marketing it as if they work for us. And never reaching out to us one time. Not one time.”

The value of this content is immeasurable especially considering the account using McAfee’s IP is on the same platform (YouTube) as he is. McAfee add, “no network would just let you take their shit and profit off it. Nobody on Earth would let you do that.”

McAfee then revealed that he would partner with another YouTube account Toxic Table Edits. That account, which was doing the same thing as AntSlant, created a community around the Pat McAfee Show image. Things went differently for Toxic because when contacted by McAfee, the owner of that account responded “like a human”. Now the two will partner on future projects.

A Twitter account with the name @AntSlant did tweet shortly thereafter saying that the videos McAfee discussed had been deleted from his YouTube channel.

Upon an inspection of a YouTube account named AntSlant, the videos are no longer.

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Sports Radio News

Parker Hillis Named Brand Manager of Sports Radio 610



Goodbye snow and hello heat! Parker Hillis is headed to Houston. Audacy has announced that he will be the new brand manager for Sports Radio 610.

“Parker is a rising star,” Sarah Frazier, Senior Vice President and Market Manager of Audacy in Houston, said in a press release. “He has impressed us since day one with his innovative ideas, focus on talent coaching and work ethic. We’re thrilled to have him join our Audacy team.”

Hillis comes to the market from Denver. He has spent the last three years with Bonneville’s 104.3 The Fan. He started as the station’s executive producer before rising to APD earlier this year.

In announcing his exit from The Fan on his Facebook page, Hillis thanked Fan PD Raj Sharan for preparing him for this opportunity.

“His leadership and guidance set the stage for me to continue to grow and develop in this industry, one that I absolutely love,” Hillis wrote. “This is a special place, one that I am honored to have been a part of and so sad to leave.”

Sports Radio 610 began the process to find a new brand manager in February when Armen Williams announced he was leaving the role. Williams also came to Houston from Denver. He started his own business outside the radio industry.

“I’m excited to join the Sports Radio 610 team in Houston,” said Hillis. “The opportunity to direct and grow an already incredible Audacy brand is truly an honor.”

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Sports Radio News

Schopp & Bulldog: NFL Has To Figure Out Pro Bowl Alternative That Draws Same Audience

“The game just could not be less interesting.”



After years of criticism and declining television ratings, NFL Commissioner Roger Goodell publicly stated this week that the Pro Bowl, as it is currently contested, is no longer a viable option for the league and that there would be discussions at the league meetings to find another way to showcase the league’s best players.

Yesterday afternoon, Schopp and Bulldog on WGR in Buffalo discussed the growing possibility of the game being discontinued, and how the NFL could improve on the ratings it generates with new programming.

“The same number of people [who] watched some recent… game 7 between Milwaukee and Boston… had the same audience as the Pro Bowl had last year,” said co-host Chris “The Bulldog” Parker. “….Enough people watch it to make it worth their while; it’s good business. They’ll put something in that place even though the game is a joke.”

One of the potential outcomes of abolishing the Pro Bowl would be replacing it with a skills showdown akin to what the league held last year prior to the game in Las Vegas. Some of the competitions held within this event centered around pass precision, highlight catches and a non-traditional football competition: Dodgeball. Alternatively, the league could revisit the events it held in 2021 due to the cancellation of the Pro Bowl because of the COVID-19 pandemic, which included a virtual Madden showdown and highlight battle, appealing to football fans in the digital age.

Stefon Diggs and Dion Dawkins of the Buffalo Bills were selected to the AFC Pro Bowl roster this past season, and while it is a distinct honor, some fans would rather see the game transformed or ceased entirely – largely because of the risks associated with exhibition games.

In 1999, the NFL held a rookie flag football game on a beach in Waikiki, Hawaii before the Pro Bowl in which New England Patriots running back Robert Edwards severely dislocated his knee while trying to catch a pass. He nearly had to have his leg amputated in the hospital, being told that there was a possibility he may never walk again. Upon returning to the league four seasons later with the Miami Dolphins, Edwards was able to play in 12 games, but then lost his roster spot at the end of the season, marking the end of his NFL career.

“You might not want to get too crazy with this stuff, but there’d have to be some actual contests to have it be worth doing at all,” expressed show co-host Mike Schopp. “Do you not have a game? I don’t know.”

The future of the Sunday before the Super Bowl is very much in the air, yet Goodell has hardly been reticent in expressing that there needs to be a change made in the league to better feature and promote the game’s top players. In fact, he’s been saying it since his first days as league commissioner in 2006, evincing a type of sympathy for the players participating in the contest, despite it generating reasonable television ratings and advertising revenue.

“Maybe the time has come for them to really figure out a better idea, and maybe that’s what’s notable [about] Goodell restating that he’s got a problem with it,” said Parker. “If there’s some sort of momentum about a conversation [on] creating a very different event that could still draw your 6.7 million eyeballs, maybe they’ll figure out a way to do something other than the game, because the game just could not be less interesting.”

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