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Making Sports Radio Better: Tackling The Issue of Diversity

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To make things better in life and business, we often have to tackle difficult subjects and be willing to engage in conversations that make us flinch. As a former programmer, I was taught to avoid three subjects which can divide an audience – race, religion, and politics. While I agree that those topics can be divisive in everyday sports talk conversation, I don’t think those subjects should be avoided when they apply to the progress or lack thereof in our format.

progress-is-a-processFor some in the media industry, this column will serve as a breath of fresh air and make them feel inspired to have deeper dialogue on ways to evolve our people and brands. For others, this trip into the land of the uncomfortable is going to make them uneasy and maybe even angry or dismissive. But it’s necessary.

Sharing our views on a subject such as race is often perceived as dangerous. Why? Because it’s a topic that gets people’s emotions stirred and when information is lacking or revealed, it can make us look uninformed, irresponsible or agenda driven.

While it may be complex and make the hairs on our necks stand up, it’s a conversation that shouldn’t be ignored when it comes to sports radio. We’re all adults and it’s 2015 not 1865. Anyone who works in this format should understand that we benefit more by reaching the entire audience, not just select demographics. You can’t do that though by only providing one side of the conversation.

Since the sports talk format was created thirty years ago, it’s been heavily targeted to white males between the ages of 25-54. Part of that stems from white audiences being more interested in the content. Some is a result of on-air lineups and station management being heavily caucasian and refusing to step outside of their comfort zones.

davidrobertsESPN Audio’s Vice President of Network Content David Roberts says those realities extend beyond the media business: “In many industries there’s still this comfort level to pick people who we identify most with. Diversity means being willing to listen to ideas and surround yourself with people who look, think, and act different than you do. If someone can bring a different perspective and help a company improve, then it only makes sense to explore hiring them.”

Although the format has grown, there are many sports stations today that don’t deliver big ratings. In some cases, brands finish between 10th and 20th place, and reach only 2-3% of the Male 25-54 audience. Yet, that is considered a success. To play devil’s advocate, one could argue that 97-98% of Men 25-54 DID NOT listen to those stations/personalities. It’s really hard to use the word ‘success’ when you look at it that way.

So why do sports stations struggle to generate bigger numbers? Is it because the programming is predictable? Is it due to a steady presence on AM radio which younger people listen less to? Is it because of poor measurement? Or is something else happening that prevents the format from reaching the largest pool of people?

That ‘something’ I’m referring to is a lack of diversity on the air. And let’s be clear, that doesn’t mean black personalities – it means Black, Asian, Hispanic, Indian, every ethnic background that is non-white.

I’ve programmed in San Francisco, Philadelphia, and St. Louis – three different pockets of the country, and in each case, the percentages of white males to non-white males who listened were between 70-90% white, and 10-30% non-white. There are a few markets where the percentages are different, but overall, this is a regular trend.

What that tells us is that the content appeals to a select group of people (white males 25-54). Attracting interest from minority audiences remains a bigger challenge.

stewOne of the first diverse shows to expand the audience in a local market were the “2 Live Stews” who broadcasted on the now defunct 790 The Zone in Atlanta. Doug and Ryan Stewart were the hosts, and they debuted in 2001 and grew from late evenings, to mid-days, to afternoon drive, and became The Zone’s highest rated show. That led to appearances on ESPN, a show on ESPN2, a syndication deal with Radio One, and a national slot on Sporting News Radio.

Despite all of that success, the pair have had a tough time gaining another opportunity in Atlanta, or anywhere else for that matter. They currently host a 1-hour program on Saturday morning on WGST in Atlanta.

Doug said “The diversity in Sports Radio almost 15 years after the debut of the “2 Live Stews” is very disappointing. We were lauded for being the first (all) black show in sports radio history and you’d think it would open up doors right? Not. We don’t have a job (or real interest for that matter) and not many other black hosts have been given opportunities either. Factor in that just about all of our station contemporaries are working in the industry, and add to the equation the “verifiable” success that we had concerning numbers and national success, and it’s disheartening to say the least.”

audiencesIt’s common to gravitate to those who think and sound like us and share a similar upbringing. When we hear someone speak differently and approach topics from an unfamiliar place, we usually reject it. What makes that problematic is that for someone like myself, who’s 41 and a white male, I can still put on a sports radio station and hear 80-90% of people who I stand a chance to connect with. For a minority listener though, they’re treated to 15% of people who share a similar background. That means that if they want to listen to sports talk, they have to listen to hosts who they may identify with less. The only other option is to not listen at all.

I went through the top 20 markets and the stations in each of those cities that operate this format. I also analyzed 5 national sports networks and SiriusXM’s key sports channels to look at the total amount of regular weekday on-air personalities who are white vs. non-white. I’m not including update anchors, fill-in hosts or reporters – just the people who occupy positions M-F between 6a-Midnight.

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Now take a look below at each market’s demographics and how they compare to the talent mix in each city.

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For additional observations on the information I presented above, click the following link.

Key Takeaways

If you were to create a headline from the data above, it would say “sports radio stations over deliver on white personalities and under deliver on non-white personalities“. 85% of the on-air people in this study were white. That’s 22% higher than the percentage of people in these cities who fit the same description. The only demographic in line with its statistics are African Americans. They make up 15% of the population among the Top 20 cities, and are represented by 14% of Black on-air personalities.

What’s more alarming is the shortage of Hispanics who are hosting sports talk shows. I counted five in top 20 markets and across all national platforms. That means only 1% of our key on-air talent are Hispanic, yet they make up 22% of the population in these markets. Hispanics love sports as much as everyone else, and they are a larger group of people than even African Americans. Still, they are the most underrepresented group in our entire format.

Altogether, minorities (Black and Hispanic) represent 37% of the population in these cities but only 15% of the format’s On-Air personalities come from minority backgrounds. This is a major issue that needs to be corrected, but it’s one that I’m not sure we’re prepared right now to fix. Here’s why. Did you know that of the entire list of stations above in top 20 markets, only 1 has a Program Director who isn’t a white male (Terry Foxx at 92.9 The Game in Atlanta)? If you look at the 5 national sports networks, only ESPN Radio employs a minority Programmer (David Roberts). They also employ two female programmers (Amanda Gifford and Louise Cornetta). No other network does that.

If we expect to expand our thinking, and reach more people, it has to start up top. I’m not privy to the braintrust of each group and why they make the decisions that they do, but the disparity I see on the air is not in line with the makeup of the audience. If you look deeper, the same challenges exist with market manager positions, corporate executive jobs, and ownership. In the NFL, the Rooney Rule was introduced to encourage organizations to consider candidates who weren’t white. I’m not sure if that type of approach is necessary or if it would even work, but clearly something has to be done.

As true as it may be that we have work to do in hiring minority managers and on-air talent, there is also a problem with getting them interested in our business, especially Hispanics. That doesn’t mean there aren’t great non-white candidates out there who are worth investing in, but the options to choose from are definitely less.

maddogIn May 2014, Chris “Mad Dog” Russo addressed this subject on his national radio program when a caller asked him why his channel didn’t feature any minority personalities. He said “What would you like us to do? There are not a million candidates. Would you like us to put on a black host for the sake of putting a person on? If there is any person of any ethnicity who wants to get a job at ‘Mad Dog Radio’ and we feel he or she is capable of doing a national talk show at the highest level, I’d put them on in a second. Let’s just say we are not being overwhelmed by resumes.”

Although Russo’s comments were originally criticized, I appreciated his honesty. My only issue was that while he was absolutely right about a lack of interest, the solution is to go out and find people, not wait for them to find us. Most personalities don’t know the challenges that exist inside each radio company, and it’s the Program Director’s job to find talent, bring them in, coach them up, and give them the platform to display their skills.

To their credit, Mad Dog Radio solved the issue by partnering with ESPN Radio. That relationship resulted in Stephen A. Smith joining the channel and becoming the host of weekdays 1p-3p EST. As part of the agreement, ESPN Radio produces the program.

sasWhen Smith was initially named host of the program he said “I’m not just able to help myself but various African Americans within the radio industry that are looking for opportunities. I’ve got to be a trendsetter and make it happen because if I drop the ball, I not only drop the ball for me but I drop the ball for all of us.”

He’s probably right, and that in itself saddens me. No person should have to go to work feeling like they have the weight of an entire race on their shoulders. Can you imagine if a white on-air personality was faced with that responsibility and their success or failure determined whether or not other companies would employ future white hosts?

We can talk about these problems until we’re blue in the face but what our industry needs now are solutions. For starters, there should be a stronger emphasis on training and recruiting. It’s easy to tell a manager “go hire great people and get us ratings” but most radio stations don’t talk to their managers about the importance of being diverse, nor do they show them why it matters or how to find candidates from different backgrounds. If nobody else inside an operation thinks it’s critical, and the programmer is judged on their ability to deliver ratings, they’re not going to care as much about the makeup of a lineup, as they are its ability to produce results. They’re also more likely to surround themselves with people they relate to.

I asked a Program Director (who wished to remain anonymous) about this issue and he confirmed that it’s a problem. “I’d love to say that I’ve done a good job at promoting diversity but the truth is that I can do better and probably need to focus on this more than I have in the past. We can place blame on a lack of training but that’s a cop out. The bigger issue I believe is simply having a discussion about it. Very few people want to talk about race. I think it’s only natural for people in my position to hire talent who they connect with most. Our audience comes from a similar place. But to your point, we’re not going to grow the audience if we don’t make hiring minority talent a bigger priority and it all starts with increasing dialogue”.

Early in my career when I first started programming, building a diverse radio station wasn’t on my radar. I went to work, listened for great talent, reviewed the candidates that applied for an opening, and made decisions based on what I felt was good. However, when I built 101 ESPN in St. Louis, I took a different approach. I made a real conscious effort to make sure we had a unique mix of people to reach the entire community. I wanted younger personalities, and veterans. Male and Female. White and Non-White.

dftsDuring that time I hired D’Marco Farr and the late Bryan Burwell in weekday positions. I also hired Alvin Reid and Rene Knott as weekend hosts, Tony Softli as a Reporter, Rick Venturi as an Analyst/Host, Sara Dayley as an Anchor, and Michelle Smallmon as a Producer. The brand was unique and full of talented people from multiple backgrounds and together we enjoyed a lot of success.

In San Francisco I took a similar approach. NFL Network personality Eric Davis was part of our initial afternoon show with Brandon Tierney. As we grew I added others to the roster from different backgrounds including Henry Wofford, Daryle “The Guru” Johnson, Gianna Franco, Anna Kagarakis, Lorenzo Neal, and a program called “The Three Amigos” which featured Victor Zaragoza who was Mexican, and Rudy Ortiz and Brandon Santiago who were Hispanic.

While my previous two stations took diversity into account, and did a good job of making it important to the programming mix, one could still argue that we didn’t do enough. I can’t disagree but I can say that we did try and put a lot of thought into every decision we made.

espnradioOne group which I believe did a masterful job at making their programming more diverse recently is ESPN Radio. Dan Le Batard, Jorge Sedano, Bomani Jones, and Freddie Coleman are all non-white and talented, and they’ve been given the same chance to succeed on the network as Mike Greenberg, Mike Golic, Jon Weiner, Ryen Russillo, Danny Kanell and Jen Lada. Traug Keller, Mo Davenport, David Roberts, Amanda Gifford, Pete Gianesini, Ray Necci, Louise Cornetta and every other ESPN Radio manager who was involved in the talent process deserves to be applauded for taking steps to create change.

I asked Roberts how the hiring process worked and he said “We never select numbers for how many people will be given a position based on their background. As long as you operate by making sure that the best talent available is selected, then the principles and impact of diversity will take care of itself. The wider you make the net, the better chance you have at success. The more narrow the pool, the less likely you are to succeed.”

Let’s understand one really important thing on this subject. Just because a white personality hosts a show, doesn’t mean they can’t relate or connect with an African American or Hispanic listener. The same holds true for any minority host trying to connect with a white audience. If the content is great, and the topic, information, and opinion is intriguing, people will listen to it. But that doesn’t mean we shouldn’t strive to provide a better mix of on-air talent so we can appeal to all demographics.

To get a better read on the challenges our industry faces with regards to diversity, I thought it’d be helpful to talk to some non-white personalities who I respect a great deal. I think you’ll find this conversation to be very enlightening. Change can only happen when we recognize a problem and care enough to fix it. If a few people in our format in positions of influence read this and are moved to re-evaluate their approach and commitment to diversity, then that’ll be a step in the right direction. From where I sit, we could all benefit a great deal from it.

  • Jorge Sedano – Host of “Jorge & Jen” on ESPN Radio
  • Carl Dukes – Host of “Dukes & Bell” on 92.9 The Game in Atlanta
  • Newy Scruggs – Host of “Voices of The Game” on NBC Sports Radio
  • Freddie Coleman – Host of “The Freddie Coleman Show” on ESPN Radio
  • Carrington Harrison – Co-Host of “The Drive” on 610 Sports in Kansas City
  • Sean Adams – Co-Host of “The Bottom Line” on AM 1300 The Zone in Austin

How do you feel about the balance in sports radio today as it applies to presenting diverse on-air personalities and programming?

Adams: I don’t think it is diverse at all. People might look at the raw numbers and say things are better but many members of the mainstream media who also write and do television, are still pulled from a very homogeneous group of white men that lack the the most important part of diversity, experience.

Sedano: I think a market or a network should reflect its communities. At ESPN Radio, we have done a great job with diversity. Look at our weekday lineup. Mike & Mike, Dan Le Batard, Ryen Russillo & Danny Kanell, Bomani Jones, Jalen Rose & Dave Jacoby, Freddie Coleman, Jen Lada and myself. It’s a reflection of our society. That’s a testament to our leadership at ESPN, Traug Keller, Mo Davenport and Dave Roberts. They look for the most talented group of hosts who can provide different perspectives. It’s what the medium was built on – different perspectives.

carldukes2Dukes: I don’t think there is a balance. When you look around at the major market radio companies and stations and the major dayparts on those brands, how many African American are hosting shows? The balance is still very inadequate when you talk about sports radio today and how it applies to presenting diverse on-air personalities and programming.

Harrison: There is no racial balance in sports radio today. Look at the Talkers Top 100 list from any year, and count the number of non white people on that list. An even better exercise, count the number of non-white non athletes on the list. Sports talk radio is a middle aged white male platform so the hosts reflect that and largely speak from that relatable point of view and connect with the intended audience.

Is it better, the same, or worse than it was 10 years ago?

JorgeSedanoSedano: I came from Miami where 50% of the radio listening audience is Hispanic. When I worked in Miami there were only 3 Hispanic hosts in the weekday lineups. LeBatard, Orlando Alzugaray and myself. Now my ESPN colleague and long time friend Israel Gutierrez is doing drive time in Miami. 25% of Miami is African American. There are only three African American hosts on weekdays in Miami. Joy Taylor is a morning host on the Ticket, Leroy Hoard does middays there and Channing Crowder does afternoons on WQAM. There are 4 sports stations in Miami. The number of ethnic hosts don’t reflect the community there enough. I can say the same for most markets in America. For that matter, I can say the same for some radio networks as well.

Dukes: It is certainly better. Some doors have been opened for minorities but it’s still not as good as it should be. I think it has a lot more to do with guys like myself, the 2 Live Stews, Terry Foster in Detroit, and others having success when they do receive an opportunity. I’m a big believer that you have to see it to believe it. Once people can see us doing well, it will give more of them the courage to pursue their dreams too.

Scruggs: It’s better because you get to hear shows with hosts like Bomani Jones, Steve Kim, the 2 Live Stews or Mike Hill. You can actually give points and opinions from a minority perspective and not be afraid you’ll be pulled off the air. Some PD’s don’t want you to sound too “urban”, the code word.

Coleman: Definitely better because there are more minorities who are a part of sports talk radio. For the longest time, there weren’t any to listen to nationally or locally.

In sports radio, many of the on-air talent who aren’t white, have a background in professional sports. Why do you believe that stations will take a chance on a former athlete but not as much on an individual from a different background who is simply well educated or a good broadcaster?

seanadamsAdams: Historically those from non-white backgrounds have had to have more credibility than their white counterparts. In some ways it worked almost like television where one was the play by play (radio guy) and one was the color. Non-whites filled the second role and their credibility came from former players.

Sedano: I’m not in those other guys heads so I can only speak for myself. I was the PD/Host at WQAM for one year (Sept 2012-Aug 2013). In that time, I put on Channing Crowder who played in the NFL, and on the weekends I hired Ed Freeman & Jeff Fox who were broadcasters. I tried to hire Bomani Jones. I texted him once to gauge his interest, but he had bigger things on the horizon. Obviously, we see what that was.

It’s easier to hire a former jock because they have name value. It takes more of an investment to give a broadcaster that same opportunity. Most PD’s are under pressure to produce ratings and help sales staffs to meet numbers. So they don’t want to invest the time and effort it takes to coach a good, young broadcaster.

Dukes: The reason why is because the formula has always been that you needed a former professional athlete on the station to attract an audience. I don’t believe that formula is true anymore. My partner (Mike Bell) and I here in Atlanta didn’t play professional sports and we’re doing well. Toucher & Rich in Boston and Ben & Skin in Dallas are doing excellent and they didn’t play the game. I’ve worked with numerous former athletes, including Kordell Stewart here at The Game, and as knowledgeable as they are about the game, sometimes they can be limited in what they’re willing to say or do.

Scruggs: PD’s like names and get fooled all the time when athletes want to get into radio. The person hiring thinks they hit a 2-run homer: a former local player AND he’s black/Latino. Most players don’t want to put in the work that it takes to do sports radio at a high level. That is not a shot but it’s something I have seen.

Why is it important for sports stations to feature personalities who come from different backgrounds?

Dukes: That’s what life is all about. We should all strive to see what’s out there. When you include different cultures and ethnicities, then you can respect things more when certain stories come up. For example, when the Adrian Peterson story blew up last year, two white guys from Iowa discussing that topic versus an African-American with the same cultural experience, is a different deal. That viewpoint is going to be different and I think that’s beneficial and important to sports radio. As society continues to change, and we are truly one big melting pot, I think it’s important that listeners and fans get to hear as many perspectives as possible.

Scruggs: Just look at the world we live in. It’s important to bring viewpoints from women, gays, minorities and people of different faith. The world has changed.

carringtonHarrison: Talk radio is such a different type of medium because so much of your personality, upbringing, culture, background, and religious beliefs come out in how you portray your opinions. Since when is having different voices (not just black males) but a woman’s perspective too a bad thing? Can’t they provide a view that I don’t have? Isn’t that the point of open discussion?

If all the personalities are largely the same and essentially at the same point in life (married, two kids, house, etc.), how is the conversation ever truly unique? That’s not representative of the entire audience. I’m a 27 single black male, and on some levels it is impossible for me to relate to the middle aged white male, but doesn’t my story and the story of people like me also deserve to be heard?

Coleman: Because everybody isn’t the same and I’ve always believed that you don’t have to like people from different backgrounds, but you should be able to understand the differences. To me if you don’t, then you have a completely narrow view. Not every white person thinks the same, but a host has to understand, no matter their color or background, that understanding has to play a part.

If the majority of listening is done by white males between 25-54, and they relate strongly to white hosts in the same demographic, why should a company executive alter their approach?

Adams: Those same white males enjoy watching sports that are largely minority and the value of the diversity in former players (of any level) lends credibility to said host.

Sedano: Why wouldn’t you want to grow your audience beyond white males between 25-54? Are executives afraid that the white male audience will not be retained if there is a minority host? I think that’s a bit presumptuous. Good content is good content. People want good content. 

Dukes: A lot of guys are afraid to alter their approach because they’re afraid that people won’t listen. My approach has always been that I need everyone to listen to win. I am not solely dedicated to having just African Americans listen. I want the husband, the wife, the sports fan, the fringe fan, no matter what they look like, or where they come from, I need all of those people to win.

I never try to delegate my style or my delivery to one type of individual. I hope the audience likes who I am and what I do but I’m not trying to do something to attract a certain type of individual. How does it sound? Is it smart? Is it intelligent? Is it entertaining? If it checks those boxes, then it shouldn’t matter what you look like because people will listen, and that should be the reason why an executive should be receptive to altering their approach.

newy2Scruggs: So it’s OK to bring in the ex minority ballplayer for pre and postgame coverage of the station’s games but keep the host white so you don’t offend the white audience? That is hooey and 1990’s type of thinking. We live in a country where the voting public is overwhelming white and a black man was elected President of the United States twice. There are many talented non white male broadcasters that can bring compelling sports talk to the airwaves.

What is the #1 reason in your opinion of why stations struggle to employ more non-white on-air talent? (is it a lack of interest from minority candidates, programmers afraid to leave their comfort zone, listening audiences won’t listen as much, etc.)

Adams: Not only are programmers afraid to leave their comfort zones but they are also uncomfortable with communication styles and patterns that might work against non-traditional forms of diction and odd usage. Stuart Scott was popular and hated for a reason. He was different. That scares people.

carldukes3Dukes: This is traditionally a white male dominated field. It’s slowly changing though. When we can stop saying there’s one minority candidate on a sports station in an entire market occupying a major daypart as a lead host, that’s when we can say we’ve made real progress. Most stations are afraid that the listening audience won’t connect if they feature more non-white personalities, and I disagree with that. I think you connect through your experiences and your likes about sports and real life. I have children, I’m a homeowner, I own a car, I enjoy restaurants, those things apply no matter what you look like or where you come from.

We need to get past what a person looks like, and think about what they offer to the radio station and the listening audience. Here in Atlanta it’s very unique. Terry Foxx is the Program Director and Sean Thompson is the Assistant Program Director and both are African American. That dynamic isn’t anywhere else in the country, but it should be. But those doors haven’t opened as much. None the less, because there are not enough minorities

Scruggs: Sports radio PD’s are on par with baseball. I saw it two years ago when there was pushback from executives on a black talk show host who had strong opinions. The GM identified him as an up and coming young talent. The GM also had a young white writer with strong sports opinions who he felt was also an up and coming young radio talent. He wanted to hire both but he listened to his staff’s opinion instead of his gut.

The white male ended up getting a show and they passed on the black candidate. The black candidate now has a successful national show and has blown up with a different network. The white male has been very good and performed well, just like the GM predicted. The station could have had both.

Harrison: Lack of effort. Lack of development. Lack of trying. Everyone wants a job like this. You get to talk sports for a living. Sure like any job it comes with a certain set of challenges but it’s an incredible line of work. It’s what I always wanted to do. It requires someone taking a chance and believing that you can do it. More PDs have to believe that someone like me is capable of connecting with a large audience. It takes time and patience.

How do you feel non-white personalities are measured in sports radio?

Adams: It’s no different than what we see with non-white coaches being hired. While it is getting better in all parts of society, a smaller margin for error is usually in place.

Sedano: I can only speak to my own experience. Once you’re in the business, it’s the same. You have to make it on your own talent and some good fortune. Don’t get it twisted. We all need a few bounces to go our way in any walk of life. Especially, in this business. The issue for minorities is getting in the business. 

freddie1Coleman: I would say under the microscope more, but not as much as before. I think there are plenty of programmers that look at ratings and that’s enough. I could be wrong though.

Scruggs: You don’t see any minorities getting manager jobs without experience. Ain’t no Latino, Asian or Black Brad Ausmus’ or Scott Servais’. I’ll always remember this one guy told me in an email I was simply hired because I was black. Little did he know I had a longer resume and worked in a larger market than all of the white hosts who were at the station that he felt were more qualified than I was.

What do you attribute the lack of non-white station managers and programmers to?

Adams: Many folks in executive positions in radio stations studied radio, broadcast and television in college and planned on being in the industry on one way or another. Many non-whites join the industry trying to figure out a way to leverage their expertise and playing or coaching history. That leaves the technical side of the job wanting in most cases.

jorgeSedano: Most people hire people like them. We see it in all walks of life. I’ve had all different people manage me. White, African American, Hispanic, and women. Though, I don’t think I’m the norm in that regard.

Harrison: It’s a cycle and there’s a lack of talent. There aren’t many hosts as it is, let alone minorities who are training and developing to become PD’s. If they’re not around the radio business to see how it runs and works then they can’t be given opportunities to manage.

Coleman: It goes back to comfort level and how much of a chance they have to succeed as well as the resources invested. I think it’s as if they’d rather interview, but not hire someone from a non-white background so they won’t get in trouble for being discriminatory.

What can sports radio do to become a more appealing career destination for people from non-white backgrounds?

Sedano: Invest in young talent and people of all backgrounds. There are a lot of good young talented people out there and they need to be given opportunities. Not all of them are conventional broadcasters. Look for the local blogger who covers your local sports landscape. See what they’re made of. Stuff like that takes effort. I think a lot of managers in radio are on cruise control and take the path of least resistance. 

Dukes: I think we need to get into schools especially middle-schools and high-schools. We need to create programs, especially for under privileged children, and kids of color. They need to see that this is something they can do. The business has changed so much thanks to technology. You don’t have to work at a radio station to start practicing but those things have to be shown to people. I don’t think we’re doing enough in this business to create those opportunities for people who are going to come after us.

carrington3Harrison: I don’t think it’s non appealing to non white backgrounds. I think it’s a matter of seeing more minorities hired. It’s discouraging to some to look at the media and not see many people like them in places of power. That shouldn’t be a deterrent. You have a dream, chase it, and put the work in.

Coleman: It IS an appealing destination. I get letters all the time from young black broadcasters who want to do what I’m blessed to do. I don’t think the format needs to do anything to attract more interest.

What advice do you want to pass along to aspiring broadcasters who aren’t white and are looking to receive consideration for a future opportunity?

Sedano: This will sound totally cliche, but there is a reason it becomes a cliche. Knock on every door and don’t be afraid of rejection. It’s going to happen. Get over it quickly and move on. Don’t let that stuff linger. It’s a useless exercise. Also, network your behind off, but be respectful of people’s time. No one likes anyone who is overbearing or worse… annoying. And, if you get in the business… Be nice to EVERYONE. You never know who your next boss will be. 

Dukes: Be yourself. You don’t have to change or do anything different than what you’re doing. I was told by my mentor “don’t do it for the money, if you’re good enough, the money will come”. He was right.

The other thing, if you aspire to be, you can achieve it. Just because there may be no one who looks like you doing it in your town, doesn’t mean you can’t be the first to do it. Be a pioneer, be a trendsetter, and make it happen. Don’t let anyone stop you. I’ve been told many times “you don’t sound like the radio station, I’m not sure this is going to work, we might have a spot for you in a lesser daypart”. Those things didn’t stop me, so don’t let anyone try to steal your dreams.

newy3Scruggs: Work hard and continue to pursue your dreams. The big thing is to build your contacts and be in touch with decision makers. Go to conventions and conferences and get in front of people. I landed three radio jobs by going to the people who did the hiring and said give me a look. I made it happen. Now, it is easier for me because I’m a local TV sportscaster but you have to be willing to go grind and hustle to find work.

Also, be willing to move and work in a smaller market to get daily reps to become a good host. Never allow anyone to say you are not prepared. Too many guys in this business do ZERO prep work. Do the darn work. Build your contacts. Show up to events and games.

Coleman: Never give up or give in. There will be a person that will be advanced enough in their thinking to give you an equal chance. Once you’re in there, to use the old black adage, “be twice as good and never be afraid to be yourself”. That’s what got you in the door in the first place.

Barrett Blogs

Takeaways From The NAB Show and Six Days in Las Vegas

“I’m certainly not afraid to be critical but my enthusiasm for the NAB Show was elevated this year.”

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Six days on the road can sometimes be exhausting. Six days in Las Vegas, and it’s guaranteed. That was my world last week, as I along with more than fifty thousand people headed to sin city to take in the 2022 NAB Show.

The event didn’t draw as many as it had in the past, but after two years of inactivity due to the pandemic, it was good to be back. Judging from some of the vendors I talked to, the sessions I attended, and the feedback I received from folks I met with, though far from perfect, it was a solid return for an important event. Seeing people interact, celebrate others, and talk about ways to improve the business was a positive reminder of the world being closer to the normal of 2019 than the normal of 2020-2021. The only negative from the week, the consistent failure of Uber to appear in the right place at the right time. But that had zero to do with the NAB.

It feels like whenever I attend industry conferences, there are two different type of reviews that follow. Some writers attend the show and see the glass half full. Others see the glass half empty. I’m certainly not afraid to be critical but my enthusiasm was elevated this year. Maybe it was because BSM was a media partner or maybe it was due to the show not happening for years and just being happy to be among friends, peers, and clients and operate like normal. Either way, my glass was definitely half full.

For those who see events this way, it’s likely they’ll remember the numerous opportunities they had to create and reestablish relationships. They’ll also recall the access to different speakers, sessions, products, and the excellent research shared with those in attendance. The great work done by the BFOA to recognize industry difference makers during their Wednesday breakfast was another positive experience, as was the Sunday night industry gathering at The Mayfair Supper Club.

Included in the conference were sessions with a number of industry leaders. Radio CEO’s took the stage to point out the industry’s wins and growth, credit their employees, and call out audio competitors, big tech, and advertisers for not spending more with the industry. When David Field, Bob Pittman, Ginny Morris and Caroline Beasley speak, people listen. Though their companies operate differently, hearing them share their views on the state of the business is important. I always learn something new when they address the room.

But though a lot of ground gets covered during these interviews, there are a few issues that don’t get talked about enough. For instance, ineffective measurement remains a big problem for the radio business. Things like this shouldn’t happen, but they do. NBC and WarnerMedia took bold steps to address problems with TV measurement. Does radio have the courage to take a similar risk? That’s an area I’d like to see addressed more by higher ups.

I can’t help but wonder how much money we lose from this issue. Companies spend millions for a ratings service that delivers subpar results, and the accountability that follows is often maddening. Given the data we have access to digitally, it’s stunning that radio’s report card for over the air listening is determined by outdated technology. And if we’re going to tell folks that wearables are the missing ingredient for addressing this problem, don’t be shocked if the press that follows is largely negative. The industry and its advertising partners deserve better. So too do the reps at Nielsen who have to absorb the hits, and make the most of a tough situation.

Speaking of advertising, this is another one of those critical areas that deserves another point of view. Case in point, I talked to a few ad agency professionals at the show. Similar to what I’ve heard before, they’re tired of hearing radio leaders blame them for the industry’s present position. This has been a hot button topic with executives for years. I often wonder, do we help or hurt ourselves by publicly calling out advertisers and ad agencies? How would you feel if you ran an agency which spent millions on the industry and were told ‘you don’t do enough’? I’m a champion of radio/audio, and am bullish on spoken word’s ability to deliver results for clients, but having attended these shows for nearly seven years, it might be time for a new approach and message. Or maybe it’s time to put one of our CEO’s with one of theirs and have a bigger discussion. Just a thought.

Of the sessions that I attended, I thought Erica Farber’s ‘What Business Are You In?’ was excellent. I especially liked Taja Graham’s presentation on ‘Sharing Your Truth’. I also appreciated Eric Bischoff’s tips on ways to monetize podcasts, and am curious to see how Amazon’s AMP develops moving forward. My favorite session at the show though was “A GPS Session For Your Station’s Car Radio Strategy” led by Fred Jacobs. The insight shared by Joe D’Angelo of Xperi and Steve Newberry & Suzy Schultz of Quu was outstanding. Keeping the car companies on our side is vital to our survival, and how we position ourselves on the dashboard can’t be ignored. Other tech companies and audio operators take it seriously. We must too.

Sessions aside, it was great to check out the VSiN and Blue Wire studios, connect with a bunch of CEO’s, GM’s and Market Manager’s, and visit with Kevin Jones, Joe Fortenbaugh, Jeremiah Crowe, Jon Goulet, Bill Adee, Q Myers, Mike Golic Jr. and Stormy Buonantony. The NFL’s setup for the Draft, and the light show presented at the Bellagio was without a doubt spectacular, plus Stephanie had a chance to say hello to Raiders owner Mark Davis who was inside the back room of a Westgate restaurant where we were having a business lunch meeting. The personal tour we received at the Wynn showed off some of the best suites I’ve seen in Las Vegas, and I was finally able to witness Circa’s Stadium Swim in person, and meet owner Derek Stevens (heck of a suit game). What an outstanding hotel and casino.

Altogether, it was a productive trip. As someone who knows all about building and executing a conference, I appreciate the work that goes into pulling it off. This event is massive, and I have no idea how the NAB makes it happen so flawlessly. This was the first time my head of sales, Stephanie Eads, got to attend the show. She loved it. Our only negative, going back and forth between convention halls can get exhausting. Wisely, Stephanie and Guaranty Media CEO Flynn Foster took advantage of the underground Tesla ride to move from the North hall to the West hall. I wasn’t as bright. If that’s the worst part of the experience though, that’s pretty solid. I look forward to returning in 2023, and attending the NAB’s NYC show this fall.

Additional:

You’ve likely seen posts from BSM/BNM on Facebook, Twitter and LinkedIn promoting a number of open positions. I’m adding crew to help us pump out more content, and that means we need more editors, news writers, features reporter’s and columnists. If you’re currently involved or previously worked in the industry and love to write about it, send a resume and few writing samples by email to JBarrett@sportsradiopd.com.

With that said, I’m excited to announce the addition of Ryan Brown as a weekly columnist for BSM. Ryan is part of ‘The Next Round’ in Birmingham, Alabama, which previously broadcast on WJOX as JOX Roundtable. The show left the terrestrial world in June 2021 to operate as its own entity. Ryan’s knowledge and opinions should provide a boost to the site, and I’m looking forward to featuring his columns every Tuesday. Keep an eye out for it tomorrow, and if you want to check out the guest piece he previously wrote for us, click here.

Demetri Ravanos and I have talked to a lot of people over the past month. More additions will be revealed soon. As always, thanks for the continued support of BSM and BNM.

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Barrett Blogs

Six New Contributors Join Barrett Media

“These latest additions will make our product better. Now the challenge is finding others to help us continue growing.”

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Building a brand starts with a vision. Once that vision is defined, you identify the people who fit what you’re creating, lay out the game plan, and turn them loose to execute. If the product you’re creating is original, fills a gap in the marketplace, and the work turned in by your team is consistently excellent and promoted in the right locations, more times than not you’ll build an audience.

As you grow, the focus turns to studying what your audience wants, needs, and expects from your brand. Certain things you expect to be big turn out small, and the things you saw limited upside in create opportunities you never saw coming. It’s critical to be open minded and ready to pivot while also examining where and when people consume your product, which pieces of content do and don’t matter, and then use that information to direct your team to give folks more of what they value and less of what they don’t. Team members should want that feedback too. It tells them what is and isn’t worth spending their time on.

As I lay all of that out it may sound like I’m talking about a radio station or television operation. These are the things programmers do frequently to make sure the talent, shows, and brand is satisfying the expectations of an audience. But what I’m actually referring to is the brand you’ve made a choice to click on to read this column, Barrett Media.

I’ve mentioned many times on this website how I started this operation by myself, and didn’t expect to have a team of writers involved in it. I was focused on consulting sports stations, sharing my programming views on this website, and as I cranked out content consistently, I discovered others loved the business like I did and had a desire to share their insights too. Rather than sticking to my original plan, I pivoted and increased our content offerings. In return, the audience grew, clients grew, and it’s led this brand to grow beyond my expectations. Now we cover sports AND news media, we run an annual conference, feature a membership program, create podcasts, deliver a daily 8@8 and three times per week BNM Rundown newsletter, and work with various brands and companies across the broadcasting industry. I’m extremely fortunate to be in this position and don’t take it for granted.

But with growth comes change. We’ve been blessed to have a lot of talented people contribute to this site over the years, and as they produce quality work, and others across the industry recognize it, they earn interest for their services. That then leads to some having to sign off for bigger opportunities. I see that as a great positive for the brand. Would it be nice to have more consistency and keep a crew together for years? Of course. I know it’d make Demetri’s life a lot easier. If we’re losing people for the right reasons though, and they’re landing opportunities that help them advance their careers, I’m going to be happy for their success, and trust that we’ll find others to keep us moving forward. The success of our team helps make what we do more attractive to others because it shows that if you do good consistent work here, you can put yourself in a position to attract attention.

Over the past two months, I have challenged Demetri Ravanos to invest more time talking to people about writing for us. Expanding our Barrett News Media roster is a priority. So too is adding quality people to help us improve Barrett Sports Media. BSM has had just under seven years to earn trust with readers. BNM has had less than two. We’ve put out ads on our website and newsletters, social posts, an ad on Indeed, and we’ve reached out directly to people who we’ve felt may be able to add something interesting to our brand. Most of my time is spent listening to stations and talking with clients, but my eyes are always roaming looking for content, and my mind is always thinking about what we can create next to make an impact.

I don’t judge our brand’s success based on clicks, shares, breaking news before other outlets or showing up in the top three listings on Google. I care more effort accuracy, timeliness, passion, consistency, storytelling, insight, and being fair and non-agenda driven. We’ve found our niche being able to tell stories about broadcasting professionals, relaying news, and offering expert knowledge to serve those involved in the broadcasting industry. If we continue to excel doing those things consistently, I’m confident our audience will reward us by reading and sharing more of our content. It’s why we never stop recruiting to keep things fresh.

Having said that, I am excited today to reveal six new additions to the Barrett Media staff. Peter Schwartz is a name and voice many in New York sports radio circles are familiar with. Peter has spent three decades working with various outlets and I’m thrilled to have him writing weekly feature stories for us. Brady Farkas is a talented host and former programmer who now works for WDEV in Burlington, VT. Karl Schoening is a play by play broadcaster who has worked in San Antonio sports radio and has had the added benefit of learning the industry from his talented father Bill who calls Spurs games. Each of them will produce bi-weekly feature stories for the brand. Jason Ence is in Louisville and has written about sports betting for Twin Spires while also working for ESPN 680. He’ll be writing sports betting content for us on a weekly basis. Jasper Jones will help us by adding news stories on Friday’s. He’s presently in Philadelphia learning the business working for Audacy. Last but not least, veteran author, Brewers writer, and former radio professional Jim Cryns comes on board to help us with features on news media professionals.

These six additions make us stronger, and I’m excited to have them join the team to help us add more quality content to the website. That said, we’re not done yet. Demetri and I are still talking with others and I expect to make a few more additions in the weeks ahead. As I said earlier, we want to improve the news media side of our operation and continue adding people to help us make a bigger dent in the sports media space. Broadcast companies invest in us to help them, and I believe it’s important to invest back.

If you’ve programmed, hosted a top rated show, worked in measurement, led a cluster as a GM, sold advertising, represented talent or have worked in digital and feel you have knowledge to share, reach out. I can’t promise we’ll have room but we’re always willing to listen. I’m not worried about whether or not you’ve written for professional publications. Passion, experience and unique insights matter much more than a resume or journalism degree.

I appreciate everyone who takes time to read our content, like and share it on social, and all involved with this brand who help bring it to life each day. The latest additions of Schwartz, Farkas, Schoening, Ence, Jones and Cryns will make our product better. Now the challenge is finding others to help us continue growing.

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Barrett Blogs

Programming In Fear Is a Recipe For Failure

“The best programmers go to work focused on making an impact and thinking about what could go right not what could go wrong.”

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If you haven’t read Demetri Ravanos’ column this week, which included feedback from five programmers on whether or not they’d hire sports radio’s equivalent of Deshaun Watson, you should. It’s interesting, enlightening and sparked my interest to write a follow up column.

When it comes to decision making in the media industry subjectivity is at the center of everything. It’s not as simple as the NFL where wins and losses are often decided by talent and coaching. Instead, our business is judged by a small amount of meters and their activity using our products as determined by Nielsen, and personal relationships formed with advertisers and media industry professionals. All three of these areas may be less than perfect in determining if something is going to work or not, but it’s the way it is.

Let’s start with something I think most of us can agree on – listeners spend time with brands and individuals that cut through the noise. Most will also agree that advertisers value that too. If a talent can attract an audience and convert them into customers on a consistent basis, a company will employ them. Advertisers will ask to be included in their program too. If issues with a host’s track record or character exist it may turn off a few sponsors, but when there’s money to be made, the bottom line usually wins.

It’s similar in some ways to the NFL, which is why players like Deshaun Watson, Tyreek Hill, Antonio Brown, Michael Vick, Aldon Smith, Kareem Hunt, Joe Mixon and others are given second, and in some instances third and fourth chances to play. In a league where wins and talent impact the bottom line, executives care more about success than their morale standing. I know some folks would prefer that to be different but competition and business success drives many to look past certain situations.

In every business, there are people who are dirt bags. You may not want to associate with them or see them receive second or third chances, but if they can help a team win, make the franchise money, and excite a fanbase by helping to deliver a championship, owners are going to turn a blind eye to outside issues. They’ll even pay these players insane amounts of money despite their problems. Just look at the recent deals inked by Watson and Hill.

I know radio and television isn’t exactly the NFL, but as I read Demetri’s column I couldn’t help but think about the dilemma radio programmers face; to hire the best talent and run the risk of dealing with increased attention by inviting baggage into the building or play it safe and hire people with less problems even if their talent level is lower.

We work in the media industry. The job is to deliver audience, and ad revenue. If someone possesses the ability to help you do that, you owe it to your bosses to look into it. If you are going to pass up hiring someone with special talent because you value character more, I applaud you. It’s commendable and speaks volumes about who you are. But producing high ratings and revenue isn’t determined by who’s a better person. If your competitor loses to you in the morale department but wins consistently in those two areas, you may one day be calling me for advice on saving your job or finding the next one.

Audiences care far less about an individual’s behavior or the negative PR you have to absorb. They simply listen and/or watch people they find interesting and entertaining. Did the Chiefs and Bucs sell less tickets after adding Hill, Mixon or Brown? The answer is no. Fans wanted to see their teams win, and as long as those players helped them do that, far less cared about whether or not those guys were good or bad people. I’m sure Browns fans will do the same with Watson if he delivers a title for the city of Cleveland.

This issue is red meat for many in the media because it makes for great discussion, and generates a lot of reaction. However, as nice as it’d be to have good people in every enviable position, this is a business, and what matters most is the final result in generating audience and advertising. Sometimes that means adding people who bring baggage through the door.

Advertisers aren’t much different than fans either. They may voice concerns or reject being connected to someone initially who comes with negative attention, but if people start to listen or watch, they’re going to want to be involved eventually because it presents an opportunity to improve their bottom line. It’s why you don’t see a surge of advertising partners abandon NFL teams after they sign or draft a player with a troubled past. If it’s good for business, exceptions will be made.

Some may not like hearing this, but a brand manager is paid to improve their brand’s business not to manage the media’s morality department. I’d much rather work with good people who provide little drama. It makes work more enjoyable. But this is the entertainment business. Some high profile stars have ego’s, issues, ridiculous demands, and they create a lot of bullshit. Some are worth it, some aren’t. If they can help attract big dollars and a large audience, it’s an executive’s job to find a way to employ them and manage them.

I’m not suggesting that we should hire everyone with a prior track record of problems. I’m also not advocating not to do background checks, ask questions, double check with references, and feel as comfortable as possible with who you’re adding. It’s important to analyze the risks vs. the rewards when hiring someone who may cause some initial blowback. Not everyone is worth a second or third chance. More times than not, the HR department is going to prefer you add people with minimal risk who make the hiring process easier. But if a special talent is available and they come with baggage, you can’t be afraid to make a move that can grow your brand’s performance and bottom line.

For example, you may dislike some of the prior incidents that Howard Stern, Joe Rogan, Craig Carton, Dave Portnoy, and Ryen Russillo were involved in, but they’ve all shown a consistent ability to deliver an audience, revenue, and relevance. I used those 5 personalities as examples because Demetri specifically used Deshaun Watson, a QB who is widely recognized as a Top 5 QB in the NFL as the example. He’s seen as a game changer on the field just as these personalities are recognized as stars behind the microphone. If a programmer had a chance to hire one of those talents and bypassed them because they were worried about the ‘noise’ they’d have to deal with, I hope and pray their competition takes a pass too. If not, they’d be paying for it for a long time.

That said, I would not put my career on the line for a talent who has twenty two counts of sexual misconduct hanging over their head. I’d tell them to handle their legal situation first and then wait and see how the situation plays out. You can tell me how special a talent is, and I’ll tell you I’m all for second chances and I’m not afraid to put my job on the line to hire someone exceptionally gifted, but I’m also not stupid. Most corporate companies are going to want no part of that association and neither are advertisers. It’d be a bad bet.

But in Watson’s case, he was cleared of the criminal charges. That was decided in a court of law. Are we supposed to never hire him even though he was found innocent? This world is littered with examples of people who are talented, have been accused of wrongdoing, have prevailed legally, and have gone on to make the most of second opportunities. Yet social media is often seen as an approval ground where ‘noise’ matters more than facts.

Human beings are flawed and do stupid things sometimes. It doesn’t make them bad people or not worthy of being hired again. We also have a legal system for a reason. If one is accused of a crime, they have their day in the court, and a judge and jury decides if they are guilty or innocent. For some reason, whenever a high profile individual is linked to a situation, we have a tendency to react quickly, often declaring them guilty and permanently damaged. But that’s not right, and it often blows up in our face.

How did that work out with the Duke lacrosse case? Or when Rafael Palmeiro waved his finger at congress and said he never took steroids? Instant reactions were the Duke lacrosse team needed to be put away for life, and the media needed to leave Palmeiro alone. We later learned, both reactions were wrong. The same thing just happened again with Watson. In the court of public opinion, he’s guilty. In a court of law, he’s not. There’s something very wrong with that picture.

The minute you hire a person connected to controversy you have to know people are going to bring it up, and media outlets are going to draw attention to it. So what? If people listen/watch, and clients spend, deal with it. From the movie industry to politics to the world or sports and the media business, there are many examples of highly skilled people with imperfect records that were worth betting on. You have to have thick skin and be able to absorb negativity if you’re going to hire and manage people. You’re responsible for serving the audience, advertising community, and growing a business, not being the most liked inside your office or on social media.

Secondly, speaking of social media, I think we place way too much value on what listeners say on Twitter and/or Facebook. The majority of your audience isn’t living on Twitter. If they’re not happy with your product, they’ll change the dial or avoid pressing the button to stream your content. There is a lot of good that comes from social media, but when you make decisions for a brand that could raise a few eyebrows, your best move is to tune it out. Let people say what they want. If you’ve done your homework and added an individual who’s capable of making an impact, trust your gut that it’ll be proven right over time.

Third, when you’re talking to someone who has gone through a situation that can potentially create headaches for the brand you represent, remember that they’re going to act remorseful and tell you what you want to hear. They’re hoping to land a high profile job and recover from a setback. Talking to others who’ve been around them and have history with them is part of the process, and hearing them out is too. After you’ve gathered your facts and weighed the pros and cons, it ultimately comes down to whether or not you trust them, believe in them, and have the courage to handle the heat that will soon hit you when you enter the kitchen.

You can avoid all of that and hire someone safer. Sometimes that works. But in a business where talent ultimately wins, others eventually find ways to improve. If the brands you compete with have the guts to take the risk that you didn’t, you may pay for it later. Which is why you can’t dismiss star talent with blemishes on their resumes. It’d be great if we could all go through life, do the right thing, and never have to answer questions for controversial decisions, but that’s not realistic.

I’ve shared this story before, back when I was in San Francisco in 2013, I hired Damon Bruce. He had previously generated heat for comments about not wanting women in his sandbox. It was a bad take, one he endured a lot of negative attention for, and despite apologizing and serving a suspension, nothing seemed to satisfy the masses. When we started talking, I entered those conversations knowing if I brought him on board I’d have to deal with the noise. I got to know him, talked to others, and reviewed the facts. One thing that stuck with me, he had never been in serious trouble and he had spent a decade working for the same employer. More times than not, you don’t work somewhere for that long if people don’t value you and enjoy working with you.

Damon would be the first to admit that back then he could be a pain in the ass, and he came to the table with public attention that made him harder to hire. I chose to believe in his talent, trust my eyes and ears, and focus on how he could help us improve our business. There were emails, tweets, and voicemail complaints I had to deal with but typing this now nine years later, after Damon just signed a three year extension to remain in afternoons at 95.7 The Game, I know the right call was made. He had to own his mistake, learn from it, and I had to have the courage to give him a shot and support him. In the end, everyone benefitted.

One story I haven’t shared, took place in 2006. I had just been hired to program Sports Talk 950 in Philadelphia, which has since become 97.5 The Fanatic. Our roster was bare, our lineup had national shows occupying the majority of the weekday schedule, and we needed more top level local talent to get to the next level. As I reviewed local and external options, I put Mike Missanelli and John Kincade high on my list. Ironically, they now both host drive time shows on The Fanatic.

Well, as we were preparing to reach out and talk to people, Missanelli got fired by WIP for ‘violating company policy’. It was alleged that he got into a physical altercation with a part time producer. I wasn’t there so I didn’t know all the facts, but the noise from that situation affected our process. When I raised the idea of meeting with him it was quickly dismissed. I knew he was ready for the next step, would have a chip on his shoulder to beat his former employer, and had a ton of local relationships which could be good for business. I was willing to meet and learn more, and if during that process we felt it made sense to bring him on board, I’d have handled the heat that came from it.

It never even started though. Others worried about the ‘noise’ and decided to pass up the opportunity to add a difference maker to the lineup. The brand struggled to gain traction for the next few years, and when Matt Nahigian arrived in town, he wisely went and hired Missanelli. Almost instantly, the success and perception of the brand changed. Now, The Fanatic consistently competes against WIP, and Missanelli has helped deliver a lot of wins in afternoons over the past 13-14 years.

Each person who makes a decision to hire someone has a lot to consider. If a radio talent is seen in a negative light because of prior history with other professionals or because they delivered an insensitive rant that’s much different than being found guilty of twenty two counts of sexual misconduct. Having said that, I worry that some managers ignore the facts (Watson was found not guilty) and will add a solid talent with less negative attention than a more talented person with extra baggage. As a programmer, would you have had the guts to hire Craig Carton after he served time? Would you have the stomach to handle the heat if Dave Portnoy worked for you and the Business Insider story cast a dark cloud over your brand? Would you stand by Joe Rogan when others attack him for comments made in the past or as artists pull their music because of not agreeing with his views?

I’m not sure if I’m right, wrong, smart or stupid, but I know this, if I believed in them enough to hire them knowing that the noise would increase the second they entered the office, then I’d do my best to have their back. I’d also not think twice about my future or whether or not my corporate boss had a bullseye on my back. I think the best programmers go to work focused on making an impact and thinking about what could go right not what could go wrong. If you program in fear and play it safe to avoid the noise, you run the risk of hearing silence. And sometimes that peace and quiet comes when you’re sitting at home rather than dealing with headaches inside of the office.

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