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Swimming In Digital Waters

Jason Barrett

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In most buildings, talent are conditioned to think about the here and now. They’re consumed with creating content, watching and reading about sports and other topical events, and forming emotional connections with their listening audience. Few are spending their time studying industry trends and changes or creating Plan B strategies to assure their brand remains relevant across multiple media platforms in the event of a catastrophic shift in audio consumption.

The same can be said of many programmers, sales managers, and account executives. Today’s tasks are what matter most and winning the next month or quarter helps determine if the boss remains satisfied and a future raise awaits.

But while we’re all caught up in our day to day responsibilities, it’s too important to stay informed on the way our business is changing. You may think that radio is bulletproof but one piercing of the skin could require much more than a band aid. I’m not talking about a competitor’s decision to adjust their lineup or the station’s largest client switching its ad agency and reevaluating how much business they want to do with your brand. I’m talking about change that can affect every single person and brand and the way our entire industry thinks and operates.

Now before you sound the alarm and start emailing copies of your resume to the real world, relax. Radio isn’t going anywhere tomorrow nor the day after. But if we’re not smart and strategic in the future, we could be in deep trouble because technology is moving at the speed of sound and it’s not going to wait around for anyone.

If you weren’t aware, last week the country of Norway announced that it was eliminating FM radio. The Norwegian government said the country’s high mountains and scattered population make it expensive to operate the Norwegian FM networks compared with other countries, and a growing confidence in digital audio was behind their reason to change course.

As a result of the change, the government estimates that radio stations will save 23.5 million dollars per year. They also feel that broadcasters will have access to more channels and better audio quality by operating in the digital space.

“Radio digitization will open the door to a far greater range of radio channels, benefiting listeners across the country,” former Minister of Culture Thorhild Widvey said in a statement in 2015. “Listeners will have access to more diverse and pluralistic radio content, and enjoy better sound quality and new functionality.”

Although Norway is the first to execute this strategy, other countries such as Denmark and the United Kingdom are said to be considering following suit. Switzerland has also pledged to shut down FM broadcasting by 2020.

There will certainly be some bumps in the road when making such a drastic change, but the digital audio space is seen as an open road full of possibilities. The surplus of content is enormous, listening and downloading of programming is available on each individual’s time, and broadcasters are treated to more reliable measurement. It also happens to be where the majority of advertising dollars are moving.

When Napster and other file sharing software became available in the 1990’s, the record industry didn’t take the threat seriously. That lack of concern resulted in the music industry experiencing years of agony and a whole lot of financial pain. Fast forward to today and the majority of music is downloaded and purchased online, and companies like Spotify, Pandora, YouTube and Apple have become very lucrative.

Here’s something to ponder that you may not have ever considered before, what would your brand identity be if your product was removed from the AM and/or FM dial? Many stations tie the name of their brand to their dial position and the frequency they broadcast on, but if those two things were eliminated tomorrow, how would you be identified?

The answer is many of you would be pushing the panic button because your entire brand history would be permanently altered.

Why does that matter? Because technology is changing the game. Many of us may accept the status quo with the dashboards inside of our vehicles, but the auto industry believes it can make the experience inside of your car better and more attractive. In doing so, they believe it will result in more sales and higher customer satisfaction.

If you didn’t notice, two of the hottest selling products on the market this holiday season were Alexa by Amazon and Google Home. Each have been a big hit with consumers and the auto industry has taken notice.

Case in point, Ford has formed a partnership with Amazon to make Alexa available inside of its cars, and voice activation is an attractive feature to automakers. Once the inside of your vehicle begins to offer this service, and the dashboard is no longer controlled by an FM and AM tuner, the only way you’ll stand out is through audience recall.

In order to do that, you must create a powerful brand. There are hundreds of thousands of digital audio options to enjoy, but if the consumer can’t remember you or isn’t familiar with what you offer, then you’re as useful as a white crayon.

Are these products good for radio’s future? I believe they can be. Except radio may have to rethink and expand its content and distribution strategy and pursue other areas of the entertainment business. iHeart and Townsquare have already done this by becoming event creators and marketers, and Hubbard and E.W Scripps have too through significant investments in podcasting.

In recent years, many in the industry have been skeptical of the growth potential of digital audio. Inventory counts are drastically lower, and consumers have been unwilling to foot the bill to enjoy consuming content, which means it’s financially unattractive when compared to radio’s current business model. But, if it’s where the audience is shifting, and distributors begin to introduce newer technology at the expense of the previous models which had been reliable and successful for previous decades, then the industry has two choices – adapt or risk permanent damage.

Our industry has done a great job building and sustaining its local awareness, community connection, and visibility. That approach has enabled stations to build bonds with the audience, making it easier for them to be remembered. Those type of relationships help a brand remain important to a consumer who has access to voice recognition software or a digital dashboard.

It’s true that innovation is happening lighting quick and what seems groundbreaking today could be old news tomorrow, but one thing we can’t take for granted is radio’s position in the car through FM and AM distribution. All it takes is one monumental change in the way audio is distributed, and the business as we know it would not exist.

I can’t see the United States of America abandoning FM and AM radio the way other countries have, but to think that in the next ten years there won’t be massive changes and a heavier focus on digital distribution is simply naive.

Throughout my career I’ve tried to prepare myself for the “what if” scenarios. What if my best talent retired tomorrow? What if my legendary play by play announcer had to step aside as the voice of the local team which my brand held the rights for? What if a new social media platform launched and the audience shifted away from Facebook and Twitter? What if the identity of my brand was changed?

Fortunately, I was able to avoid these situations, but I’m a believer that when chaos ensues, it’s the ones who are prepared beforehand who navigate the rough roads best.

I’ll share one small example with you about preparing for change.

When we were building what is now known to sports radio folks as 101 ESPN in St. Louis, we launched with the rights to the St. Louis Rams, St. Louis Billikens, and a partnership with ESPN. The ESPN relationship in particular provided us with an opportunity to align our on-air and online branding.

During our first two years, we gained strong traction in the marketplace using the name 101 ESPN and 101ESPN.com. But as many great brands and leaders do when they’re having success, we held open dialogue about some of the potential dangers that could face us down the road.

We heard whispers about the Rams potentially relocating. We realized there was a chance that a key personality or two could elect to leave in the future to pursue a different opportunity when their contracts expired. And there was this one longshot possibility that we didn’t give much thought to but could never be discounted, what if we lost ESPN?

We had zero control over the Rams future, confidence in ourselves to retain valuable people inside the organization, and a great relationship with ESPN, but we were also not privy to their future plans or opportunities in St. Louis. Although the likelihood of the relationship changing seemed farfetched, in the world of business, you can’t rule anything out.

As we analyzed our future, we determined that it’d be a wise move to change the website branding of the radio station and align it with something we had future control over – the 101 FM frequency. We continued to position the on-air brand as 101 ESPN, while getting the audience more familiar with the new name of our website 101Sports.com.

In taking that approach, we were able to keep the station on track and built around a powerful brand like ESPN, yet prepare ourselves for the future by positioning the website with a name that would become a logical and easy transition should the on-air identity be compromised. Having pounded that branding into the audience’s mind for the past five years, the station is now in good shape should it ever need to adjust.

You may work for a station which is identified by its call letters, dial position, or affiliation with a sports radio network. There is a reason why hundreds of stations following this strategy, it works under the current set of broadcasting conditions. But if tomorrow those conditions were to take an unexpected turn, how would you be defined? What would you do?

I’m not suggesting that you should freak out over Norway eliminating FM radio or other countries considering the same possibilities. I realize that we operate in a different part of the world with a different government and very different economic realities. But as we all know too well in business, change is inevitable, and if you’re not careful and aware of future possibilities, it can send you into a downward spiral that you may never recover from.

My advice is to stay up on the trends, prepare for “what if” scenarios, continue creating memorable brands and content, and make sure your digital strategy is strong and sustainable. It’s easy in 2017 to treat your digital presentation as the second most important part of your brand, but before you know it, it could be the very thing that defines your relevance and success.

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Barrett Sports Media To Launch Podcast Network

“We will start with a few new titles later this month, and add a few more in July.”

Jason Barrett

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To run a successful digital content and consulting company in 2022 it’s vital to explore new ways to grow business. There are certain paths that produce a higher return on investment than others, but by being active in multiple spaces, a brand has a stronger chance of staying strong and overcoming challenges when the unexpected occurs. Case in point, the pandemic in 2020.

As much as I love programming and consulting stations to assist with growing their over the air and digital impact, I consider myself first a business owner and strategist. Some have even called me an entrepreneur, and that works too. Just don’t call me a consultant because that’s only half of what I do. I’ve spent a lot of my time building relationships, listening to content, and studying brands and markets to help folks grow their business. Included in my education has been studying website content selection, Google and social media analytics, newsletter data, the event business, and the needs of partners and how to best serve them. As the world of media continues to evolve, I consider it my responsibility to stay informed and ready to pivot whenever it’s deemed necessary. That’s how brands and individuals survive and thrive.

If you look at the world of media today compared to just a decade ago, a lot has changed. It’s no secret during that period that podcasting has enjoyed a surge. Whether you review Edison Research, Jacobs Media, Amplifi Media, Spotify or another group’s results, the story is always the same – digital audio is growing and it’s expected to continue doing so. And that isn’t just related to content. It applies to advertising too. Gordon Borrell, IAB and eMarketer all have done the research to show you where future dollars are expected to move. I still believe it’s smart, valuable and effective for advertisers to market their products on a radio station’s airwaves, but digital is a key piece of the brand buy these days, and it’s not slowing down anytime soon.

Which brings me to today’s announcement.

If you were in New York City in March for our 2022 BSM Summit, you received a program at the show. Inside of one of the pages was a small ad (same image used atop this article) which said “Coming This Summer…The BSM Podcast Network…Stay Tuned For Details.” I had a few people ask ‘when is that happening, and what shows are you planning to create?’ and I kept the answers vague because I didn’t want to box ourselves in. I’ve spent a few months talking to people about joining us to help continue producing quality written content and improve our social media. Included in that process has been talking to members of our team and others on the outside about future opportunities creating podcasts for the Barrett Sports Media brand.

After examining the pluses and minuses, and listening and talking to a number of people, I’m excited to share that we are launching the BSM Podcast Network. We will start with a few new titles later this month, and add a few more in July. Demetri Ravanos will provide oversight of content execution, and assist with production and guest booking needs for selected pods. This is why we’ve been frequently promoting Editor and Social Media jobs with the brand. It’s hard to pursue new opportunities if you don’t have the right support.

The titles that will make up our initial offerings are each different in terms of content, host and presentation. First, we have Media Noise with Demetri Ravanos, which has produced over 75 episodes over the past year and a half. That show will continue in its current form, being released each Friday. Next will be the arrival of The Sports Talkers Podcast with Stephen Strom which will debut on Thursday June 23rd, the day of the NBA Draft. After that, The Producer’s Podcast with Brady Farkas will premiere on Wednesday June 29th. Then as we move into July, two more titles will be added, starting with a new sales focused podcast Seller to Seller with Jeff Caves. The final title to be added to the rotation will be The Jason Barrett Podcast which yours truly will host. The goal is to have five weekly programs distributed through our website and across all podcasting platforms by mid to late July.

I am excited about the creation of each of these podcasts but this won’t be the last of what we do. We’re already working on additional titles for late summer or early fall to ramp up our production to ten weekly shows. Once a few ideas and discussions get flushed out, I’ll have more news to share with you. I may consider adding even more to the mix too at some point. If you have an idea that you think would resonate with media professionals and aspiring broadcasters, email me by clicking here.

One thing I want to point out, this network will focuses exclusively on various areas of the sports media industry. We’ll leave mainstream sports conversations to the rest of the media universe. That’s not a space I’m interested in pursuing. We’ve focused on a niche since arriving on the scene in 2015 and have no plans to waver from it now.

Additionally, you may have noticed that we now refer to our company as ‘Barrett Media’. That’s because we are now involved in both sports and news media. That said, we are branding this as the BSM Podcast Network because the titles and content are sports media related. Maybe there will be a day when we introduce a BNM version of this, but right now, we’ve got to make sure the first one works right before exploring new territory.

Our commitment to delivering original industry news, features and opinions in print form remains unchanged. This is simply an opportunity to grow in an area where we’ve been less active. I know education for industry folks and those interested in entering the business is important. It’s why young people all across the country absorb mountains of debt to receive a college education. As valuable as those campus experiences might be, it’s a different world once you enter the broadcasting business.

What I’d like to remind folks is that we continue to make investments in the way we cover, consult, and discuss the media industry because others invest in us. It’d be easy to stockpile funds and enjoy a few more vacations but I’m not worried about personal wealth. I’m focused on building a brand that does meaningful work by benefitting those who earn a living in the media industry or are interested in one day doing so. As part of that process I’m trying to connect our audience to partners who provide products, services or programs that can benefit them.

Since starting this brand, we’ve written more than 18,000 articles. We now cover two formats and produce more than twenty five pieces of content per day. The opportunity to play a small role in keeping media members and future broadcasters informed is rewarding but we could not pay people to edit, write, and host podcasts here if others didn’t support us. For that I’m extremely grateful to those who do business with us either as a consulting client, website advertiser, Summit partner or through a monthly or annual membership. The only way to get better is to learn from others, and if our access to information, knowledge, relationships and professional opinions helps others and their brands, then that makes what we do worthwhile.

Thanks as always for the continued support. We appreciate that you read our content each day, and hope to be able to earn some of your listenership in the future too.

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5 Mistakes To Avoid When Pursuing Media Jobs

“Demetri Ravanos and I have easily done 50-60 calls, and it’s been eye opening to see how many mistakes get made during the hiring process.”

Jason Barrett

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I recently appeared on a podcast, Monetize Media, to discuss the growth of Barrett Media. The conversation covered a lot of ground on business topics including finding your niche, knowing your audience and serving them the right content in the right locations, the evolution of the BSM Summit, and why consulting is a big part of our mix but can’t be the only thing we do.

Having spent nearly seven years growing this brand, I don’t claim to have all the answers. I just know what’s worked for us, and it starts with vision, hard work, consistency, and a willingness to adapt quickly. There are many areas we can be better in whether it’s social media, editing, SEO, sales, finding news, producing creative original content or adding more staff. Though there’s always work to be done and challenges to overcome, when you’re doing something you love and you’re motivated to wake up each day doing it, that to me is success.

But lately there’s one part of the job that I haven’t enjoyed – the hiring process. Fortunately in going through it, I was able to get to know Arky Shea. He’s a good guy, talented writer, and fan of the industry, and I’m thrilled to share that he’s joining us as BSM’s new night time editor. I’ll have a few other announcements to make later this month, but in the meantime, if you’re qualified to be an editor or social media manager, I’m still going through the process to add those two positions to our brand. You can learn more about both jobs by clicking here.

Working for an independent digital brand like ours is different from working for a corporation. You communicate directly with yours truly, and you work remotely on a personal computer, relying on your eyes, ears and the radio, television, and internet to find content. Because our work appears online, you have to enjoy writing, and understand and have a passion for the media industry, the brands who produce daily content, and the people who bring those brands to life. We receive a lot of interest from folks who see the words ‘sports’ and ‘news’ in our brand names and assume they’re going to cover games or political beats. They quickly discover that that’s not what we do nor are we interested in doing it.

If you follow us on social media, have visited our website or receive our newsletters, you’ve likely seen us promoting openings with the brand. I’ve even bought ads on Indeed, and been lucky enough to have a few industry folks share the posts on social. We’re in a good place and trying to make our product better, so to do that, we need more help. But over the past two months, Demetri Ravanos and I have easily done 50-60 calls, and it’s been eye opening to see how many mistakes get made during the hiring process.

Receiving applications from folks who don’t have a firm grasp of what we do is fine. That happens everywhere. Most of the time we weed those out. It’s no different than when a PD gets an application for a top 5 market hosting gig from a retail employee who’s never spoken on a microphone. The likelihood of that person being the right fit for a role without any experience of how to do the job is very slim. What’s been puzzling though is seeing how many folks reach out to express interest in opportunities, only to discover they’re not prepared, not informed or not even interested in the role they’ve applied for.

For instance, one applicant told me on a call ‘I’m not interested in your job but I knew getting you on the phone would be hard, and I figured this would help me introduce myself because I know I’m a great host, and I’d like you to put me on the radar with programmers for future jobs.’ I had another send a cover letter that was addressed to a different company and person, and a few more applied for FT work only to share that they can’t work FT, weren’t interested in the work that was described in the position, didn’t know anything about our brand but needed a gig, were looking for a confidence boost after losing a job or they didn’t have a computer and place to operate.

At first I thought this might be an exclusive issue only we were dealing with. After all, our brand and the work we do is different from what happens inside of a radio or TV station. In some cases, folks may have meant well and intended something differently than what came out. But after talking to a few programmers about some of these things during the past few weeks, I’ve been stunned to hear how many similar horror stories exist. One top programmer told me hiring now is much harder than it was just five years ago.

I was told stories of folks applying for a producer role at a station and declining an offer unless the PD added air time to the position. One person told a hiring manager they couldn’t afford not to hire them because their ratings were tanking. One PD was threatened for not hiring an interested candidate, and another received a resume intended for the competing radio station and boss. I even saw one social example last week of a guy telling a PD to call him because his brand was thin on supporting talent.

Those examples I just shared are bad ideas if you’re looking to work for someone who manages a respected brand. I realize everyone is different, and what clicks with one hiring manager may not with another, but if you have the skills to do a job, I think you’ll put yourself in a better position by avoiding these 5 mistakes below. If you’re looking for other ways to enhance your chances of landing an opportunity, I recommend you click here.

Educate Yourself Before Applying – take some time to read the job description, and make sure it aligns with your skillset and what you’re looking to do professionally before you apply. Review the company’s body of work and the people who work there. Do you think this is a place you’d enjoy being at? Does it look like a job that you’d gain personal and professional fulfillment from? Are you capable of satisfying the job requirements? Could it potentially put you on the path to greater opportunities? If most of those produce a yes, it’s likely a situation to consider.

Proofread Your Email or Cover Letter and Resume – If the first impression you give a hiring manager is that you can’t spell properly, and you address them and their brand by the wrong names, you’re telling them to expect more mistakes if they hire you. Being detail oriented is important in the media business. If this is your introduction to someone and they have a job you’re interested in, you owe it to yourself to go through your materials thoroughly before you press send. If you can have someone else put an extra set of eyes on your introduction to protect you from committing a major blunder even better.

Don’t Waste People’s Time – You’d be annoyed if a company put you through a 3-4 week process only to tell you they didn’t see you as a viable candidate right? Well, it works the other way too. If you’re not seriously interested in the job or you’re going into the process hoping to change the job description later, don’t apply. If the fit isn’t right or the financials don’t work, that’s OK. Express that. People appreciate transparency. Sometimes they may even call you back in the future when other openings become available. But if you think someone is going to help you after you wasted their time or lied to them, trust me, they won’t.

Don’t Talk Like An Expert About Things You Don’t Know – Do you know why a station’s ratings or revenue is down? Are you aware of the company’s goals and if folks on the inside are satisfied or upset? Is the hiring manager someone you know well enough to have a candid professional conversation with? If the answers are no, you’re not helping your case by talking about things you don’t have full knowledge of. You have no idea how the manager you’re talking to has been dealing with the challenges he or she is faced with so don’t pretend you do. Just because someone wrote an article about it and you read it doesn’t mean you’re informed.

Use Social Wisely – Being frustrated that you didn’t get a job is fine. Everyone goes through it. Asking your friends and followers for advice on social of how you could’ve made a better case for yourself is good. That shows you’re trying to learn from the process to be better at it next time. But taking to social to write a book report blasting the hiring manager, their brand, and/or their company over a move that didn’t benefit you just tells them they made the right move by not bringing you in. Chances are, they won’t be calling you in the future either.

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Would Local Radio Benefit From Hosting An Annual Upfront?

Jason Barrett

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How many times have you heard this sentence uttered at conferences or in one of the trades; radio has to do a better job of telling its story. Sounds reasonable enough right? After all, your brands and companies stand a better chance of being more consumed and invested in the more that others know about them.

But what specifically about your brand’s story matters to those listening or spending money on it? Which outlets are you supposed to share that news with to grow your listenership and advertising? And who is telling the story? Is it someone who works for your company and has a motive to advance a professional agenda, or someone who’s independent and may point out a few holes in your strategy, execution, and results?

As professionals working in the media business, we’re supposed to be experts in the field of communications. But are we? We’re good at relaying news when it makes us look good or highlights a competitor coming up short. How do we respond though when the story isn’t told the we want it to? Better yet, how many times do sports/news talk brands relay information that isn’t tied to quarterly ratings, revenue or a new contract being signed? We like to celebrate the numbers that matter to us and our teams, but we don’t spend much time thinking about if those numbers matter to the right groups – the audience and the advertisers.

Having covered the sports and news media business for the past seven years, and published nearly eighteen thousand pieces of content, you’d be stunned if you saw how many nuggets of information get sent to us from industry folks looking for publicity vs. having to chase people down for details or read things on social media or listen to or watch shows to promote relevant material. Spoiler alert, most of what we produce comes from digging. There are a handful of outlets and PR folks who are great, and five or six PD’s who do an excellent job consistently promoting news or cool things associated with their brands and people. Some talent are good too at sharing content or tips that our website may have an interest in.

Whether I give the green light to publish the material or not, I appreciate that folks look for ways to keep their brands and shows on everyone’s radar. Brand leaders and marketing directors should be battling daily in my opinion for recognition anywhere and everywhere it’s available. If nobody is talking about your brand then you have to give them a reason to.

I’m writing this column today because I just spent a day in New York City at the Disney Upfront, which was attended by a few thousand advertising professionals. Though I’d have preferred a greater focus on ESPN than what was offered, I understand that a company the size of Disney with so many rich content offerings is going to have to condense things or they’d literally need a full week of Upfronts to cover it all. They’re also trying to reach buyers and advertising professionals who have interests in more than just sports.

What stood out to me while I was in attendance was how much detail went into putting on a show to inform, entertain, and engage advertising professionals. Disney understands the value of telling its story to the right crowd, and they rolled out the heavy hitters for it. There was a strong mix of stars, executives, promotion of upcoming shows, breaking news about network deals, access to the people responsible for bringing advertising to life, and of course, free drinks. It was easy for everyone in the room to gain an understanding of the company’s culture, vision, success, and plans to capture more market share.

As I sat in my seat, I wondered ‘why doesn’t radio do this on a local level‘? I’m not talking about entertaining clients in a suite, having a business dinner for a small group of clients or inviting business owners and agency reps to the office for a rollout of forthcoming plans. I’m talking about creating an annual event that showcases the power of a cluster, the stars who are connected to the company’s various brands, unveiling new shows, promotions and deals, and using the event as a driver to attract more business.

Too often I see our industry rely on things that have worked in the past. We assume that if it worked before there’s no need to reinvent the wheel for the client. Sometimes that’s even true. Maybe the advertiser likes to keep things simple and communicate by phone, email or in-person lunch meetings. Maybe a creative powerpoint presentation is all you need to get them to say yes. If it’s working and you feel that’s the best way forward to close business, continue with that approach. There’s more than one way to reach the finish line.

But I believe that most people like being exposed to fresh ideas, and given a peak behind the curtain. The word ‘new’ excites people. Why do you think Apple introduces a new iPhone each year or two. We lose sight sometimes of how important our brands and people are to those not inside the walls of our offices. We forget that whether a client spends ten thousand or ten million dollars per year with our company, they still like to be entertained. When you allow business people to feel the excitement associated with your brand’s upcoming events, see the presentations on a screen, and hear from and interact with the stars involved in it, you make them feel more special. I think you stand a better chance of closing deals and building stronger relationships that way.

Given that many local clusters have relationships with hotels, theaters, teams, restaurants, etc. there’s no reason you can’t find a central location, and put together an advertiser appreciation day that makes partners feel valued. You don’t have to rent out Pier 36 like Disney or secure the field at a baseball stadium to make a strong impression. We show listeners they’re valued regularly by giving away tickets, cash, fan appreciation parties, etc. and guess what, it works! Yes there are expenses involved putting on events, and no manager wants to hear about spending money without feeling confident they’ll generate a return on investment. That said, taking calculated risks is essential to growing a business. Every day that goes by where you operate with a ‘relying on the past’ mindset, and refuse to invest in growth opportunities, is one that leaves open the door for others to make sure your future is less promising.

There are likely a few examples of groups doing a smaller scaled version of what I’m suggesting. If you’re doing this already, I’d love to hear about it. Hit me up through email at JBarrett@sportsradiopd.com. By and large though, I don’t see a lot of must-see, must-discuss events like this created that lead to a surplus of press, increased relationships, and most importantly, increased sales. Yet it can be done. Judging from some of the feedback I received yesterday talking to people in the room, it makes an impression, and it matters.

I don’t claim to know how many ad agency executives and buyers returned to the office from the Disney Upfront and reached out to sign new advertising deals with the company. What I am confident in is that Disney wouldn’t invest resources in creating this event nor would other national groups like NBC, FOX, CBS, WarnerMedia, etc. if they didn’t feel it was beneficial to their business. Rather than relying on ratings and revenue stories that serve our own interests, maybe we’d help ourselves more by allowing our partners and potential clients to experience what makes our brands special. It works with our listeners, and can work with advertisers too.

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