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Tim Hall Brings Emotion to Game Day Broadcasts

Tyler McComas



On Saturday, Tim Hall will be like many other hosts across the country, as he takes his place behind the mic for pregame coverage of a college football game. The only difference between Hall and everyone else, is that he’ll be covering the Ohio State vs. Penn State game, which is easily the biggest matchup of the weekend. At 97.1 The Fan in Columbus, Ohio, pregame coverage starts 5 and a half hours before kickoff. The show is designed to set the scene of the game and provide a final breakdown that takes listeners to the action just moments before kickoff. 

During home games, many stations take the opportunity to host their shows in areas where fans are known to mingle before the game, providing the priceless opportunity to be seen by many potential listeners. The great thing about pregame and postgame shows, is that they’re so different from your weekday programming. During a postgame show, it’s all raw emotion from a huge win or tough loss that the team just suffered. Callers want the head coach fired, the referee punished or the starting quarterback benched after things didn’t work out as according to plan. No matter what your weekday structure is, if real emotion is what you’re looking for, a postgame show is always the best bet to provide it. Hall is a host that’s not afraid to show emotion on the pregame show. In fact, he thinks it sounds best for the listener, considering over 90 percent of people tuning in are diehard Ohio State fans.

With such a big game coming on Saturday, you can bet he’ll try to capture the emotions that Buckeye fans are feeling before kickoff. Along with Hall, is his co-host, Jerry Rudzinski, a former linebacker at Ohio State. The duo make up the first two hours of pregame show on 97.1 The Fan, with a show simply called The Fan Pregame Show.

Easy enough, right?

For two hours of the five and a half hours of pregame coverage, Hall and Rudzinksi will breakdown what the Buckeyes have coming up that day, as well as the bigger matchups in the Big 10 and the rest of the country, before handing it over to the next pregame show on the station. 

The Fan has a unique way of hosting its postgame show, as the duties are divvied up between the weekday lineup hosts, instead of just one or two consistent personalities for each game. Due to The Fan carrying the network broadcast for Ohio State football, the station isn’t able to provide its own postgame coverage until an hour or hour and a half after the conclusion of the game. That means if a late kickoff is on the schedule, there’s no postgame coverage that The Fan will provide, seeing it will be late at night before they can even get on the air. 

Like everything else in the industry, there’s a right and wrong way to handle pre and postgame coverage. Location is critical, emotion is necessary and caller interaction is warranted. But what’s the most important aspect of putting out a quality product on gameday? Tim Hall helped answer that question and many more in the pursuit of hosting an ideal pre and postgame show. 

TM: When you do a two hour pregame show, after doing a regular weekday show, how do you keep it fresh and come up with new information on Saturday?

TH: Good question. I would say that’s not a conscious goal of mine. I don’t go into the two hours thinking that I have to say brand new things or that I have to hold something back during the week to save it for game day. If it’s an important story line, you have to hit it.

If there’s a major injury, like Nick Bosa, just because you talked about it on your show during the week, doesn’t mean you can leave it to the side on a two-hour pregame show. It’s just a different sound, I think it’s totally different. I’m with a different host, so the person I’m with working with is different. Jerry Rudzinksi will always bring me a fresh perspective for something that I haven’t seen or thought about.

We have a couple of different features on our pregame show. We have a whip around segment that I think sounds cool, I’ll get a couple of stringers from Big 10 teams or someone covering a big national game for a 2-3 minute quick-hitter interview that highlights all the big storylines for a particular game. 

TM: You just mentioned something interesting that I hadn’t thought about. Do you think it’s best for a pregame show to pair up hosts that don’t do a normal show together during the week?

TH: I do think it works really well. I actually got to do a show with another guy for the TCU game, because my guy Jerry takes one road trip a year to the most fun road game the Buckeyes have. The guy I was able to work with was another former Buckeye football player by the name of Anthony Schlegel. He was a linebacker, he’s got the video on the internet where he tackles a streaker during a game.

He is so energetic, it’s hard to describe. Imagine Nick Swisher doing a football pregame show, that’s what it’s like. He’s like BROhio, deer hunter guy, let’s attack and dominate, ready to go, he stands in the studio and it’s just awesome. Game days are a big money making day for the station and it’s just fun to shake things up a bit and provide a different sound to the listener.

TM: What about phone calls from listeners? Is there any room in a pregame show for that?

TH: I don’t have a strong belief about it, but we haven’t done it. I can’t tell you that there’s a hardcore feeling that I don’t think it sounds good, because, I think for postgame shows, it sounds better.

We’re on the air so far before the game starts, I could envision a caller segment at some point in the pregame show. I don’t know, I would say less of that, I’m not completely opposed to it, but I can’t even remember the last time we did take a call. There’s been times where I’ve had an open segment during a more mundane game day, where it just wasn’t a whole lot going on, much like Tulane last week. So, on game days like that, I could possibly see a segment where you open up the phone lines for people to answer what they hoped to get out of a game such as that.

But I think postgame shows are more for phone calls. That’s way more fun to hear caller reactions with raw emotion to what just happened. 

TM: What do you think about a host tweeting their opinions during a game when they have to do a postgame show? Is that bad? Or does each host have the obligation to provide their followers with thoughts during the action?

TH: The guys that do the postgame show for our station don’t go Twitter silent during the game. I certainly haven’t seen anything to where the postgame shows numbers aren’t doing well because of that. I really don’t think that much into it.

I think you do owe it to your followers on social media to tweet as you would any other game that you’re watching, because you still can’t put that much into it, you know? You can put out a main thought, but there’s always more to layer on top of what you’re going to talk about. The fun thing about Twitter is that you can put out a big, bold statement without backing up and leave it there. For example, I could tweet that Dwayne Haskins is the best quarterback in Ohio State history. You can send that out and reference why you said it on the postgame show. 

TM: Do you think it’s important for the broadcast to be on location and around the fans on game day? 

TH: I love it. I really do. I know when you talk to PD’s and people in management at sports radio stations across the country, there’s mixed opinions on the value of remote broadcasts, but my goodness, we’re here in Columbus where Ohio State football is king. This is the second year where we’re doing our pregame show, the one that I’m a part of, on Lane Avenue just one block north of Ohio Stadium. We’re right in the thick of the foot traffic, where the basketball arena is close by and people are passing by like crazy and stopping by.

We have six or seven tents of sponsors that pay to be a part of the action, there’s a bar about to open up close by, and it’s just really cool. Like I said earlier, it’s just a different feel than during the week. You turn on your radio and you can tell your guys are live and location with a set somewhere, it’s just the old ESPN Gameday mentality, you know? It’s just about setting the scene.

We’re in studio for the road games, but I do think it’s really cool to have the pregame shows out at the stadium. Like, the show that comes on after ours, you get to hear the Ohio State band come marching and playing right up the sidewalk on their way to the sidewalk. You can always hear it and they always pause as they walk by. It’s really cool. 

TM: You always have to be fair, especially on a postgame show, but is it good to have a host that can capture the excitement and almost be a fan after a big win or a loss?

TH: I always just go for a lot of emotion. I really don’t think we need to be afraid of being homers, when you’re in the middle of your Ohio State Network coverage. I kind of like it from Buckeye broadcasters, when you hear Jim Lachey yelling over Paul Keels when a long touchdown happens.

Let’s be honest. 95 percent of the people tuning are Buckeye fans and after a big game, everyone is emotional and that’s okay. If something crazy happened and you hate it, or if you’re upset about how the game plan went or even a call from the referee, chances are that people are going to be emotional, and a lot like you, will be listening saying ‘yeah!’ or ‘damn right he should have gotten the ball more!’ Whatever your true and honest thoughts are, go with them and you can amplify it. Local postgame shows, you know who your audience is, I think it’s perfectly okay to show a lot of emotion. 

BSM Writers

Being Wrong On-Air Isn’t A Bad Thing

…if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign.




In the press conference after the Warriors won their fourth NBA title in eight years, Steph Curry referenced a very specific gesture from a very specific episode of Get Up that aired in August 2021.

“Clearly remember some experts and talking heads putting up the big zero,” Curry said, then holding up a hollowed fist to one eye, looking through it as if it were a telescope.

“How many championships we would have going forward because of everything we went through.”

Yep, Kendrick Perkins and Domonique Foxworth each predicted the Warriors wouldn’t win a single title over the course of the four-year extension Curry had just signed. The Warriors won the NBA title and guess what? Curry gets to gloat.

The funny part to me was the people who felt Perkins or Foxworth should be mad or embarrassed. Why? Because they were wrong?

That’s part of the game. If you’re a host or analyst who is never wrong in a prediction, it’s more likely that you’re excruciatingly boring than exceedingly smart. Being wrong is not necessarily fun, but it’s not a bad thing in this business.

You shouldn’t try to be wrong, but you shouldn’t be afraid of it, either. And if you are wrong, own it. Hold your L as I’ve heard the kids say. Don’t try to minimize it or explain it or try to point out how many other people are wrong, too. Do what Kendrick Perkins did on Get Up the day after the Warriors won the title.

“When they go on to win it, guess what?” He said, sitting next to Mike Greenberg. “You have to eat that.”

Do not do what Perkins did later that morning on First Take.

Perkins: “I come on here and it’s cool, right? Y’all can pull up Perk receipts and things to that nature. And then you give other people a pass like J-Will.”

Jason Williams: “I don’t get passes on this show.”

Perkins: “You had to, you had a receipt, too, because me and you both picked the Memphis Grizzlies to beat the Golden State Warriors, but I’m OK with that. I’m OK with that. Go ahead Stephen A. I know you’re about to have fun and do your thing. Go ahead.”

Stephen A. Smith: “First of all, I’m going to get serious for a second with the both of you, especially you, Perk, and I want to tell you something right now. Let me throw myself on Front Street, we can sit up there and make fun of me. You know how many damn Finals predictions I got wrong? I don’t give a damn. I mean, I got a whole bunch of them wrong. Ain’t no reason to come on the air and defend yourself. Perk, listen man. You were wrong. And we making fun, and Steph Curry making fun of you. You laugh at that my brother. He got you today. That’s all. He got you today.”

It’s absolutely great advice, and if you feel yourself getting uncomfortable over the fact that you were wrong, stop to realize that’s your pride talking. Your ego. And if people call you out for being wrong, it’s actually a good sign. It means they’re not just listening, but holding on to what you say. You matter. Don’t ruin that by getting defensive and testy.


I did a double-take when I saw Chris Russo’s list of the greatest QB-TE combinations ever on Wednesday and this was before I ever got to Tom Brady-to-Rob Gronkowski listed at No. 5. It was actually No. 4 that stopped me cold: Starr-Kramer.

My first thought: Jerry Kramer didn’t play tight end.

My second thought: I must be unaware of this really good tight end from the Lombardi-era Packers.

After further review, I don’t think that’s necessarily true, either. Ron Kramer did play for the Lombardi-era Packers, and he was a good player. He caught 14 scoring passes in a three-year stretch where he really mattered, but he failed to catch a single touchdown pass in six of the 10 NFL seasons he played. He was named first-team All-Pro once and finished his career with 229 receptions.

Now this is not the only reason that this is an absolutely terrible list. It is the most egregious, however. Bart Starr and Kramer are not among the 25 top QB-TE combinations in NFL history let alone the top five. And if you’re to believe Russo’s list, eighty percent of the top tandems played in the NFL in the 30-year window from 1958 to 1987 with only one tandem from the past 30 years meriting inclusion when this is the era in which tight end production has steadily climbed.

Then I found out that Russo is making $10,000 per appearance on “First Take.”

My first thought: You don’t have to pay that much to get a 60-something white guy to grossly exaggerate how great stuff used to be.

My second thought: That might be the best $10,000 ESPN has ever spent.

Once a week, Russo comes on and draws a reaction out of a younger demographic by playing a good-natured version of Dana Carvey’s Grumpy Old Man. Russo groans to JJ Redick about the lack of fundamental basketball skills in today’s game or he proclaims the majesty of a tight end-quarterback pairing that was among the top five in its decade, but doesn’t sniff the top five of all-time.

And guess what? It works. Redick rolls his eyes, asks Russo which game he’s watching, and on Wednesday he got me to spend a good 25 minutes looking up statistics for some Packers tight end I’d never heard of. Not satisfied with that, I then moved on to determine Russo’s biggest omission from the list, which I’ve concluded is Philip Rivers and Antonio Gates, who connected for 89 touchdowns over 15 seasons, which is only 73 more touchdowns than Kramer scored in his career. John Elway and Shannon Sharpe should be on there, too.

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BSM Writers

Money Isn’t The Key Reason Why Sellers Sell Sports Radio

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions.

Jeff Caves



Radio Sales

A radio salesperson’s value being purely tied to money is overrated to me. Our managers all believe that our main motivation for selling radio is to make more money. They see no problem in asking us to sell more in various ways because it increases our paycheck. We are offered more money to sell digital, NTR, to sell another station in the cluster, weekend remotes, new direct business, or via the phone in 8 hours. 

But is that why you sell sports radio?

In 2022, the Top 10 highest paying sales jobs are all in technology. Not a media company among them. You could argue that if it were all about making money, we should quit and work in tech. Famous bank robber Willie Sutton was asked why he robbed twenty banks over twenty years. He reportedly said,” that’s where the money is”. Sutton is the classic example of a person who wanted what money could provide and was willing to do whatever it took to get it, BUT he also admitted he liked robbing banks and felt alive. So, Sutton didn’t do it just for the money.

A salesperson’s relationship with money and prestige is also at the center of the play Death of a Salesman. Willy Loman is an aging and failing salesman who decides he is worth more dead than alive and kills himself in an auto accident giving his family the death benefit from his life insurance policy. Loman wasn’t working for the money. He wanted the prestige of what money could buy for himself and his family. 

Recently, I met a woman who spent twelve years selling radio from 1999-2011. I asked her why she left her senior sales job. She said she didn’t like the changes in the industry. Consolidation was at its peak, and most salespeople were asked to do more with less help. She described her radio sales job as one with “golden handcuffs”. The station paid her too much money to quit even though she hated the job. She finally quit. The job wasn’t worth the money to her.

I started selling sports radio because I enjoyed working with clients who loved sports, our station, and wanted to reach fans with our commercials and promotions. I never wanted to sell anything else and specifically enjoyed selling programming centered around reaching fans of Boise State University football. That’s it. Very similar to what Mark Glynn and his KJR staff experience when selling Kraken hockey and Huskies football.  

I never thought selling sports radio was the best way to make money. I just enjoyed the way I could make money. I focused on the process and what I enjoyed about the position—the freedom to come and go and set my schedule for the most part. I concentrated on annual contracts and clients who wanted to run radio commercials over the air to get more traffic and build their brand.

Most of my clients were local direct and listened to the station. Some other sales initiatives had steep learning curves, were one-day events or contracted out shaky support staff. In other words, the money didn’t motivate me enough. How I spent my time was more important. 

So, if you are in management, maybe consider why your sales staff is working at the station. Because to me, they’d be robbing banks if it were all about making lots of money.  

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BSM Writers

Media Noise: BSM Podcast Network Round Table



Demetri Ravanos welcomes the two newest members of the BSM Podcast Network to the show. Brady Farkas and Stephen Strom join for a roundtable discussion that includes the new media, Sage Steele and Roger Goodell telling Congress that Dave Portnoy isn’t banned from NFL events.

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