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The Reasons For Five Reasons’ Success In Miami

“The arrogance of traditional media, which has always been the case, has been really good for us. We’re just building, building, building, and eventually as they regress the advertising money will start to come to us.”

Tyler McComas

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Ethan Skolnick knows what the Miami sports fan wants. Even better, he knows the most effective way to get it to them. To have that strong of a belief, takes a whole lot of experience and a vision that nobody else has. Luckily, he has both. 

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To truly understand why Skolnick feels so strongly about what the Miami sports fan wants, you have to know about both his present and his past. 

For 20 years, Skolnick was one of the best sports media talents in South Florida. Whether it was stops at the Miami Herald, Palm Beach Post, Sun Sentinel or even 790 The Ticket where he replaced Dan Le Batard, he’s always seemed to have a direct pulse on what content the sports fans in the city want to consume. Along with that experience, plus the tireless work of many others, Skolnick is brining Miami sports on demand in the form of podcasts, videos, news stories, etc. to the city like it’s never seen before. 

The Five Reasons Sports Network has taken Miami by storm. 

The Climb

In 2018, Skolnick was out of sports media. After a successful career that saw him have, at one time, the highest rated radio show in South Florida behind Dan Le Batard, he was looking for his next venture. Then, Chris Wittyngham, a former host with Skolnick at 790 The Ticket, came with the idea to start a podcast. The duo started with one to try and get into the swing of things. It was a success. Soon enough, people were all over the idea of hearing the two back together talking sports. Then, things started to expand more once Skolnick took his new product to Twitter. 

“I had built up over 75,000 followers at one point,” said Skolnick. “I’m at like 72,000 now, but I always engaged with people, because I thought it was a big part of my job. Basically I just started using my Twitter account again, created a Five Reasons Sports account, then retweeted a bunch of stuff on that page from my personal account to accelerate the growth and build a following.”

It worked. Shortly after, people who had built a social media following with the Dolphins and Heat started to reach out. But out of everyone that reached out, there was one in particular that stood out. 

“Alfredo Arteaga, “said Skolnick. “He basically said that he and his two buddies, one of them living in England and one of them living in Tampa Bay, they had all this info about the Dolphins, it was incredible, but Alfredo came to me and said he and his two friends were thinking of starting a podcast and asked how I did it. I said I had a better idea, why don’t we work together?” 

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With that conversation, Three Yards per Carry was born. It took off instantly. Today, it’s one of the most successful podcasts in the Five Reasons Sports Network and considered as the possibly the best podcast when it comes to the Miami Dolphins. 

“Those guys nailed 5 of the 7 draft picks a year ago,” Skolnick said “They’re just on top of everything and I don’t touch them. They have this chemistry that’s totally organic. It just works.”

Soon after, others in the social media space reached out to get a better understanding how Skolnick and his new team were creating an in-demand product. The people asking, quickly became a part of the Five Reasons Sports Network. The growth was happening.  

The Secret

Skolnick isn’t shy about his vision of winning Miami in the next two years. That’s not winning in just the podcast space, that’s winning over every single newspaper and sports radio station in the city. He wants to be the destination for every sports fan in Miami. But what’s his plan to get there? 

Social media is a massive component with Five Reasons Sports Network. It’s probably even fair to say it’s the livelihood of the brand with how much emphasis is put on it. 

“We generate anywhere between 5-10 million impressions a month off our Twitter account,” Skolnick said. “Basically by posting polls throughout the day, retweeting everybody’s episodes and posting other content.”

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The Five Reasons Sports Network Twitter account has a little over 12,000 followers. With that page, as well as the other podcaster’s pages, Skolnick feels he’s captured every South Florida sports fan who’s on Twitter. The goal isn’t just to bombard the internet with local sports content, it’s to capture the audience in a way the other outlets in the city are failing to reach. That’s by owning Twitter, Instagram, Facebook and every other social media platform that’s out there. 

“We want South Florida content that’s quick-hitting and draws people in,” said Skolnick. “That’s what I want and I also think that’s what people want these days. I know who we’re competing with, because I worked at all of them and they haven’t taken us seriously yet. We completely out-work them on Twitter and they don’t engage, just post.

“I’m a little stunned they’ve watched us do this, because everyone knows about us here now. We’re credentialed with all the teams. The arrogance of traditional media, which has always been the case, has been really good for us. We’re just building, building, building, and eventually as they regress the advertising money will start to come to us. That’s when things start to really happen.”

The Podcasts

12 total podcasts can be found on the Five Reasons Sports Network. From covering the Heat with the Five on the Floor podcast to A Canes Thing that covers the Miami Hurricanes to even a few podcasts that focus more on culture, South Florida coverage is locked up with multiple podcasts. With Skolnick and other hosts having big connections in the sports world, you’ll often hear riveting content as well as big name guests that both play and cover a respective sport. 

Five Reasons will put its ability to pump podcasts on social media against anyone. But, more importantly, it will put its content against anyone else, too. 

“The consumers want content on demand,” said Skolnick. “They want content that’s tailored to them, on their schedule and they want to be able to stop it and go back to it later. The biggest thing I always tell people about podcasting, literally, if you’re in the car and you have your GPS on, the podcast will stop for you until the GPS is done talking. The radio doesn’t do that. 

“Honestly there’s no reason to listen to radio over podcast anymore. I don’t listen to radio anymore and most people who have switched over to us don’t listen to radio anymore either. We studied the numbers on this. 40% of people leave when you go to a seven minute break. I won’t have a break that’s more than one minute on our podcast.”

More than Just Podcasts

Videos, quick-hitting local stories, there’s a lot you’ll find outside of the 12 podcasts featured on Five Reasons Sports Network. For instance, during halftime of last Saturday’s Miami vs. Florida game, two staff members posted a quick video on Twitter with instant thoughts of the first 30 minutes of action. That was met with 10,000 views and 50 retweets. All from a simple video that featured the quick, halftime thoughts of two fans.  

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Skolnick even brought in writers that have no podcast duties to write stories on the front page of the website that pertain to local teams. On the front page of fivereasonssports.com you’ll see several local stories with headlines that pop and catch the reader. This isn’t just about audio, the goal is to be the ultimate destination for south Florida sports fans. 

“I brought in all these people and I’m not even paying them a salary,” Skolnick said. “It’s just people who want a platform. Now, I have more than 70 contributors total if you include the website folks. I’m not paying salary to anybody, it’s all self-generated and it’s all people believing in it. The people we have here are incredible.”

Last night on Twitter, a video was put up on the company’s official page that creatively highlighted the brand, along with all the podcasts the network has to offer. From the music, to the highlights, it truly had a professional look and feel to it. Most of the time, there’s money and resources that go into making a video like that but Skolnick revealed it was made by a newly hired intern who did it for free. Though it’s just one video, it’s the tireless work of free help that’s put the network in the situation it’s in. 

https://twitter.com/5ReasonsSports/status/1166528076911644673

Expansion 

Though the goal is to win Miami, that doesn’t mean the dream stops there. In fact, the end goal might be to win all of Florida. Initially, Skolnick wanted to be in Tampa Bay, Orlando, Tallahassee, Gainesville and Jacksonville by the fall. However, time ran out with so many things happening across the network.

That desire only grew deeper after Skolnick was recently approached by a member of the PR staff of the Atlanta Hawks. While he was inside the Hawks’ locker room, the PR man came up to Skolnick and asked when Five Reasons was coming to Atlanta. The thought behind the question, is that the team could use more coverage and the ever-growing network based in south Florida might be just the thing to help. 

But whereas several other podcasts networks have chosen to go national with several different podcasts in several different markets, Five Reasons believes in a localized product. 

“I think we’re the only localized podcast network in the country,” said Skolnick. “There’s a lot of national ones, but what I found with those, is that, and this is no disrespect to any of them, I’m friends with a lot of people who run them, but it’s very difficult to understand what the local podcast needs.”

Though expansion is in the cards for Five Reasons, don’t expect a move to a market considerably bigger than Miami. Why? Skolnick is adamant about not going to Boston, Chicago, New York, Philadelphia or Los Angeles because it’s too competitive and the other media outlets in those cities are still relatively healthy. 

“To me, this only works from the ground up in places like South Florida, north central Florida or Atlanta,” said Skolnick. “Places that don’t have the healthiest or most competitive media operations.”

Merchandise

If you’re able to sell merchandise in the sports media world, it’s a sure sign you have a pretty healthy audience. Almost always a profitable venture, Five Reasons Sports Network has ventured into selling merchandise such as shirts, hats, jackets and even socks on its website. 

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“It’s really done well and that’s an easy play for us,” said Skolnick. “I’m very lucky, because a lot of the guys we have are really talented in doing other things. One of the producers of our podcasts, happens to be an extraordinarily good designer that works really fast. When something happens in sports or Miami sports, he literally sends me a T-shirt in the next hour.”

Talk about a potential money making venture. With the cheap cost of making a T-shirt combined with a designer that’s already on staff and puts out creations at a given notice, Five Reasons has found a source of revenue that most in its spot strive for. 

“Some of the stuff we do is for giveaways at watch parties to help with our name building,” Skolnick said. “But when we have a player who’s hot like Preston Williams for the Dolphins, who has taken off as an undrafted free agent, my guy will just send me a design in an hour and we get it up. We just react to trends. Some people may regret buying a shirt if he doesn’t make the team but we’re just trying to have fun with it and be current.”

Monetizing

Ahh, the real question, right?

Everything might sound good up to this point, but how do you make money with it. Well, for starters, Five Reasons Sports Network is already off to a great start with the merchandise sales it has. No, that probably can’t fund the entire network’s ambitious plans, but it’s a steady stream of revenue that can be used. But as for finding money for podcasts, there’s many out there wondering how they can be profitable, even if the download rates are high. 

“Well, this has been the hardest part right?” said Skolnick. “It always is, the monetizing. We’ve kind of gone about it a couple of different ways. I had an ad firm and it didn’t really work out, they just weren’t in position to sell us properly. We didn’t have the numbers at that point to really make it worth their while and drop their other business. 

But what I did, was I went to Twitter and found people with sales experience who are already engaging with us and I’ve been giving them commission to sell us, so they reach out to the companies for me.”

Five Reasons’ plan to sell has landed with good reception. Bigger companies such as AutoNation and BetDSI have signed on, as well as local car dealerships and several south Florida restaurants. Combine that with ads soon coming on the website and the network just might have a solid path to carving out a nice pay day. 

“Are we where we need to be, no, but that is the big push,” Skolnick said. “But my point is that we’re not just selling podcasts, we’re selling content. That means video, tweets, podcasts, it means several things. There’s a lot of different ways you can make money off this.”

Final Word from Skolnick

Though Skolnick might be the face of the company, he strives to make it very clear it’s not just about him. In fact, he says it’s very little about him.

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“There are so many people who are devoting a lot of their time, a lot of it for free, this is about having really talented contributors that should have been snapped up by other outlets. And we’re so fortunate to have them. It amazes me the work they put in.”

The journey is just beginning and nowhere near being completed, but thanks are still in order to the people who helped get the company off the ground. 

“Chris Wittyngham is no longer with us,” Skolnick said. “He was my original partner and he did incredible work to get us started he just decided to pursue soccer play-by-play full-time, which he’s really good at. He’s a really talented person. His role was really major.”

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Mike Silver Has An NFL Backstage Pass

“When you go through a career transition like that, let alone during a pandemic, you find out a referendum on all your relationships.”

Derek Futterman

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It was the 2010 NFL Draft and standout wide receiver Dez Bryant was eligible to be selected by a professional football team. As a journalist, Mike Silver has always looked to enterprise stories and wanted to be with Bryant when the moment he had been waiting for finally arrived.

Through a preexisting relationship with Pro Football Hall of Famer Deion Sanders, he got in touch with Bryant and received permission to attend his draft celebration. Before being selected in the first round by the Dallas Cowboys, Bryant revealed to him that then-Miami Dolphins General Manager Jeff Ireland had asked him during the pre-draft process if his mother was a prostitute.

Once that information was published in Silver’s column, Ireland had to publicly apologize and was subsequently put under investigation by the team’s majority owner Stephen Ross.

“People were like, ‘How did you get that?,’ but I was very proud because really the way I got it was because Deion Sanders respected me enough based on things that had happened decades earlier and the way that I conducted myself that I was able to ultimately get to Dez,” Silver expressed. “That to me is a validation. I’ve nurtured relationships for years and years that have led to zero reporting and thought, ‘It’s okay; it’s just part of the process. It is what it is.’”

From the start, Silver was a believer in journalism and the power the profession had in divulging stories in pursuit of the truth. Born in San Francisco, Calif. and raised in Los Angeles, he would read The Los Angeles Times sports section for a half hour per day, observing the proclivities and vernacular of other writers. As a high school student, he co-authored a sports column in the Palisades Charter High School Tideline with current Warriors head coach Steve Kerr, gaining practical experience in journalism and cultivating professional relationships.

“I was the only Warriors fan in our school because I was born in San Francisco so he used to clown me for being a Warriors and 49ers fan like everyone else in our school – so I ended up having the last laugh,” Silver said. “By old standards, you’d say, ‘You can’t cover Steve Kerr. That’s your friend.’ I think in 2022 if I have to cover Steve Kerr, I’ll just be like, ‘You know what? Everyone knows we’re friends. I’m just going to be up front about it.’”

Silver attended the University of California, Berkeley where he earned his bachelor’s degree in mass communication and media studies. The school was not known for profound levels of success within its football and basketball programs, according to Silver; however, the student newspaper was a place to gain repetitions in covering sports and having finished work published, printed and distributed.

Towards the end of his time in college, Silver wrote stories that were published in The Los Angeles Times, the newspaper he grew up reading and from which he drew inspiration to become a journalist.

“We would tell the players we covered, ‘Hey, we’re trying to go to the pros too, and we’re not going to get jobs in this industry if we don’t write the truth,’” Silver said. “We were trying to break in as legitimate journalists and we definitely ruffled some feathers along the way.”

Once he graduated from school, Silver began his professional career writing for The Sacramento Union where he covered the San Francisco 49ers. Silver grew up as a football fan and was familiar with the team but always tried to find original, untold angles to differentiate his stories from others. Shortly thereafter, he transitioned to join The Santa Clara Press Democrat as a beat writer and used the time to further develop his writing and reporting skills. Five years later, he was in talks to land his dream job as a writer in Sports Illustrated, a prolific sports magazine focused on producing original content.

Sports Illustrated was released on Wednesdays and operated under the belief of trying to omit any stories that may have been reported in the days prior. The goal was to tell stories that were under the radar and would be impactful and memorable for its readers.

During a typical week, Silver would visit both the home and road teams in their own cities with the hopes of connecting with players and team personnel. After a game, he would go to the locker room, yet he would try to avoid doing one-on-one interviews since the content would likely be published elsewhere before the magazine was released.

Then, his writing process commenced and often went through the night, as Sports Illustrated had a 9 a.m. EST deadline the following morning. By taking the approach of enterprising stories, Silver quickly became one of the most venerated and trusted sportswriters in the country, composing over 70 cover stories for the publication.

With the advent of the internet though, journalism and communication was forever changed allowing for the free flow of information and ideas in a timely manner.

“Now I can arrogantly write to whatever length I want and every precious word of mine could be broadcast to the masses, but [back then] you better have it the exact length because it’s going on a page,” Silver said. “You’re maybe reading over a story 15 times or more to get it just right before the seven layers of editing kick in. You’re also leaving theoretically half of your great stuff on the cutting room table never to surface again or seldom.”

Nurturing a relationship built on trust and professionalism is hardly facile in nature, and it required enduring persistence and resolute determination to achieve for Silver. Through these relationships, he has been able to create both distinctive and original types of content. As innovations in technology engendered shifts in consumption patterns though, he decided to do what he originally perceived as being unthinkable and left Sports Illustrated after nearly 13 years.

“When I went there, I felt like we had 30 of the 35 best sportswriters in America and it was murderer’s row,” Silver said of Sports Illustrated. “I had a great, great experience there the whole time so I never thought I’d leave.”

After meeting with Yahoo Sports Executive Editor Dave Morgan and being given an offer with flexibility in the job and a promise of a lucrative salary, Silver knew it was simply too good to pass up. He opted to still write a column on Sundays to counterprogram Peter King at Sports Illustrated, who authored his own weekly “Monday Morning Quarterback” column.

Additionally, Silver agreed to write two additional branded columns per week in a quest to adapt to the digital age of media.

“I was trying to stay current and connect to an internet generation and keep up with the way that people were consuming their content at that time,” Silver said. “….We just had a spirit at Yahoo that we weren’t owned by anyone, we didn’t have a deal with the league and we were going to report the news in a very unfiltered way.”

An advent of the digital age in media has been the practice of writers appearing on television to present their information en masse, requiring changes in their delivery. Unlike in a written piece, reporting on television requires efficiently making key points and speaking in shorter phrases to allow the viewer to easily follow the discussion. Moreover, writers are sometimes presented with questions that may provoke deeper thought or analysis, and occasionally challenge their lines of reporting.

Silver never thought he would work in television, but as a part of his contract with NFL Media, he was writing columns and serving as an analyst on select NFL Network programming. In working on television on a league-owned entity, it forced him to step out of his comfort zone and pursue mastery of a new skill set.

“I never wanted to do TV voice and be cheesy and look like someone who was trained for the medium so my strategy was more to try to be myself on camera and see how that translated,” Silver articulated. “It seemed to work to some degree – and then obviously I picked up a lot of tricks of the trade and techniques and got better reps. Essentially, I think reporting is reporting [and] information is information.”

Moving into television, a medium with sports coverage that is, at its core, nonlinear due to the potential for breaking news and unexpected occurrences, changed the manner in which the information was presented and/or prioritized on the air. In a column, Silver’s goal was to find original angles and obtain anecdotes and quotes to implement into the storytelling. Now on television, sources were still used largely on the condition of deep background, meaning no individual or group could be attributed to the information in any way.

“With TV, there was an element of, ‘Hey man, I’m just trying to sound smart when I talk about you guys,’ which is code for, ‘I don’t have to use your name when I say this stuff, but when I’m weighing on why you just traded for Trent Richardson, help me understand what’s really going on with the Indianapolis Colts at this moment,’” Silver explained. “That’s just a random example. I liked [television] more than I thought I would.”

Silver’s contract was not renewed at NFL Network in 2021, providing a stark change in his lifestyle and leaving him looking for a job in the midst of trying economic times. Through a relationship he had with sports radio host Colin Cowherd, he was given the opportunity to join his upstart podcast platform The Volume as a host. Cowherd eagerly recruited Silver to the platform following a lunch in which the topic came up naturally in conversation about future endeavors.

“When you go through a career transition like that, let alone during a pandemic, you find out a referendum on all your relationships and I have a lot of them from players, coaches, owners and GMs to media people and friends in other industries, etc.,” he explained. “Colin Cowherd is someone I’ll never, ever, ever forget or stop being grateful to…. We were kind of talking some stuff out and he was like, ‘Why don’t we do a show on my network?,’ and we started talking about what that would be. We left lunch… and about 10 minutes later he called me and said, ‘Okay, here’s what I think,’ and kind of continued it.”

Today, Silver is hosting an interview-based program called Open Mike featuring guests from the world of professional football. Recent guests on the program have included Detroit Lions quarterback Jared Goff, New York Jets head coach Robert Saleh and Jacksonville Jaguars wide receiver Marvin Jones. Prior to joining The Volume, Silver had hosted a podcast with his daughter called Pass It Down, which ultimately ran for over 50 episodes and gave him experience working within the medium.

“I’m sitting there spending an hour with [Las Vegas] Raiders GM Dave Ziegler or [Buffalo Bills] linebacker Von Miller or whoever we have on,” Silver said. “You’re not only getting to know that person; you’re watching the way I connect with that person and usually have a body of work with that person, and there’s a comfort level there too.”

John Marvel was Silver’s direct boss at NFL Media and a friend he kept in touch with for many years. Through various correspondences and the dynamic media landscape, they decided to start their own media venture called Backstage Media. The company has a first-look deal with Meadowlark Media – a company co-founded by John Skipper, who also serves as its chief executive officer. Skipper was formerly the president of ESPN and someone Silver wished he had worked for earlier in his career.

“I did not know John Skipper before I left NFL Network,” he said. “I didn’t particularly have a dream to [ever] work at ESPN. We’ve had conversations over the years – ESPN and I – and it never seemed like the perfect fit for me. Now that I know John Skipper, it’s like ‘I would have worked for that guy any time.’ He’s fantastic, [and] I’m just so pumped to be in business with him.”

The company, which focuses on producing documentaries and other unscripted programming through the intersection of sports, music and entertainment, has various projects in development. The idea was derived out of both of their penchants for storytelling and an attempt to utilize new platforms built for engagement within the modern-day media marketplace.

“We’re hoping that documentaries, docuseries [and] episodic podcasts – mostly unscripted – …will be kind of our wheelhouse,” Silver said. “….There’s about four big things that are [hopefully] close to being announced. One’s football; one’s boxing; one is basketball; and one is kind of a blend of some things. I feel like we have a pretty diverse set of interests.”

Joining The San Francisco Chronicle as a football reporter has been indicative of a full-circle moment for Silver, as he is once again around the San Francisco 49ers and writing columns about the team and other sports around the Bay Area at large. Today, he is working with Scott Ostler and Ann Kllion, and directly with Eric Branch on the outlet’s 49ers coverage. Through it all, he seeks to continue gaining access to places that the ordinary person would only be able to dream about in order to tell compelling and informative stories, no matter how they may be delivered or on what platform(s) to which it may be distributed.

“I’m old school in a lot of my mentality in terms of journalism and storytelling and all of that,” Silver said. “I think those things don’t go away. I think it’s journalism first; relationship first; access first; storytelling first; and you figure out the rest.”

As for the future of the profession which has ostensibly become less defined because of the evolution of social media and communication, relationships and storytelling have truly become the differentiators. Silver aims to continue practicing what has allowed him to gain exclusive scoops in the industry and tell stories that would otherwise, perhaps, fly under the radar, but do so in a way that does not jeopardize his sources.

“I’m going to try to develop relationships and cultivate relationships where people trust me and give me a sense of what’s going on,” he said. “I’m going to try to get into places that you, as the consumer, couldn’t otherwise go and take you there, and I’m going to err on the side of the relationship as opposed to finding out one thing that could cause a splash that day on Twitter.”

Some athletes are hosting podcasts or writing columns to directly communicate with their fans, including Cincinnati Bengals quarterback Joe Burrow and Golden State Warriors forward Draymond Green on The Volume, intensifying the quest for engagement and attraction. Yet Silver advises journalists looking to break into the industry not to get distracted in meeting certain metrics, instead adhering to best practices and reporting truthful information without ambiguity.

“Just don’t get undone by the noise,” Silver said. “Put your head down; hyperfocus; grind; tell good stories; do journalism and hopefully over the course of time, that will stand out. I’d still like to believe that.”

Covering professional sports, specifically football, generates a large amount of potential storylines on which journalists can report – and today, digital platforms give them the ability to cover them in different ways. While some scoops may requit a large article, others may be able to be told in 280 characters or less, such as a trade rumor or injury. The amount of information Silver and his colleagues uncovered working for a print publication and then had to omit because of space limitations underscores a key journalistic principle of efficient and truthful storytelling. In today’s media landscape, he hopes to be able to do that regardless of its means of dissemination.

“If you went back and just looked at our normal… feature or story off a game [and] the level we reported on a Wednesday and translated that to a Twitter generation, people would lose their minds about how much we found out and how much we reported with on-the-record quotes usually, and they’d be like, ‘He said what!?,” Silver said. “That’s all we knew and that’s [how] we did it…. I don’t think people understand how much the threshold has changed. It’s all good. The most important things hopefully haven’t changed.”

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Video Simulcasts Are Now A Must Have For Sports Radio

All of these shows have done an amazing job of constantly communicating with their audiences to make sure they’re aware of changes coming their way. 

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Video simulcasts of sports talk radio and podcasts have gone up extraordinarily in quality as of late. The craft started as a novelty that very few participated in. ESPN and YES Network dominated the genre with their simulcasts of Mike and Mike in the Morning and Mike and the Mad Dog respectively. Slowly but surely other sports networks and RSN’s picked up the genre over time and it has now become a major component within sports coverage in the streaming world.

The most popular and prominent shows in the medium right now include The Dan Patrick Show, The Dan LeBatard Show with Stugotz, The Pat McAfee Show, and The Rich Eisen Show. These four shows in particular have done an excellent job of independently producing and building out their video content to look visually appealing while also engage with the audience through graphics, pictures, stats on screen. In McAfee’s case, his company even entered into a rights agreement with the NFL for highlights.

Finding their shows can be difficult at times. Eisen’s show has moved from television to Peacock and to Roku Channel all within the span of a couple years. When LeBatard’s shipping container first began their live video voyage they didn’t have a consistent schedule. Patrick’s show has also leapt between RSNs, national networks, YouTube and its current home on Peacock. But all of these shows have done an amazing job of constantly communicating with their audiences to make sure they’re aware of changes coming their way. 

The video simulcasts have become so lucrative for these shows that they’ve found sponsors to advertise against what they’re offering and they ensure that they pay attention to the look of the show. Commercials that feel like television play during Patrick and Eisen’s shows. Logos are displayed during LeBatard’s broadcast and NFL Films vignettes that you would find on NFL Network air in the middle of McAfee’s broadcast.

McAfee’s show recently moved into a new studio in Indianapolis specifically built for them by FanDuel and just yesterday LeBatard announced they would be moving into their own state of the art studio in Miami that will help expand their creativity. Patrick’s show doesn’t even have guests call into their show anymore – most join via Zoom. Eisen’s guests are more often than not in studio. All of these shows also upload highlights relatively quickly to YouTube. They’re still audio-first but video is no longer secondary. It is 1A in terms of importance.

As much as these simulcasts feel close to real TV, there are still some hijinks that fans have to get used to that aren’t the same as a regular TV broadcast. During LeBatard’s broadcast, a rolling loop of their own self produced album plays during breaks. While the songs are hilarious in nature, if you’re a weekly viewer of their simulcast it might get tiresome to hear every time there is a break.

A loop of some of the show’s greatest moments and some of the side projects Meadowlark Media produces might be more engaging and help reduce drop off rate. McAfee’s show also struggles with white balancing their cameras almost every telecast. At times in the middle of a conversation during the show, discoloration occurs before changing back to normal skin tones.

Patrick’s show has used the same set of graphics since it began simulcasting on NBC’s linear sports network years ago which could be a turnoff for younger viewers of the internet era who always want change in order to grab their attention. Eisen’s show has awkward interruptions happen in the middle of conversations because commercial breaks are different in length on terrestrial radio vs. streaming.

At the end of the day though, these shows are the epitome of what it means to have grit and guts to achieve your American dream. Although their productions are subsidized and/or licensed by big media platforms and sports books, their social media presence and the actual production of these shows was built on their own. During the first couple of weeks after LeBatard’s show left ESPN, the former columnist could often be heard teasing listeners that they were working on building a video enterprise and how difficult it was.

It’s hard to stand on your own in sports talk media without the backing of superpowers like ESPN, Fox, NBC, CBS and Turner who have been producing live broadcasts for decades. But these shows have found a way to do so in a new world that is tailored towards doing everything on your own. 

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5 Ideas For December Sales Success

How much better will you enjoy Christmas and New Year knowing you have some presentations to make to prospects who want to roll into 2023 with a new idea?

Jeff Caves

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Now is the time to put your foot on the gas for a great start to 2023-not waiting til January. With Christmas Eve, Christmas Day, New Year’s Eve, and New Year’s Day all falling on weekends, you can’t count on who will be at work the Friday or Monday around those holidays in December.

So, looking forward from here, you only have 15 or so days that you can count on your clients and prospects to be at work before the end of 2022. And, if they are at work, consider their motivation or lack of it before approaching them. But here are five ways to attack December.

Cutting a year-end deal

Make sure you go back from the potential start date of the schedule and allow for production, proposal, and acceptance. That usually means you need a week from when you present a year-end idea to when the schedule starts. So, aim to have all appointments booked by 12/9, so you can sell 2-week packages that begin Monday, 12/19. That will give you a sense of urgency and gives you five solid business days to sell your ass off starting Monday.

5-day sale

Make all your pricing and payment terms expire by Friday, 12/9. You can always extend if need be once they give a partial commitment. You want anybody involved in the decision to sign off and let you cut this deal! The idea here is to create urgency and work ahead.

Beat the bushes

Do you want to wake up on 1/2/23 with an empty pipeline? How much better will you enjoy Christmas and New Year knowing you have some presentations to make to prospects who want to roll into 2023 with a new idea? Don’t try to qualify these prospects over the phone. Do it in January when both of you are fresh but get that commitment NOW. Look for your new client avatar.

Be gracious

From now til the end of the year is also an excellent time to meet with your sales assistant, traffic manager, production person, or anybody who helps you at the station. Sit down with them face to face and see what you can do better to make their job easier. Give them some ideas on how they can help you as well. Mend some fences or make new friends; the reason tis the season. Surprise them with a Cheetos popcorn tin for less than $10. Please do it. You will be surprised by what you hear because this is a popular time of year for layoffs, transfers, and people taking new jobs.

Practice a new pitch

December is also a great time to record yourself doing a webinar and start planning to let your content do the talking. Wouldn’t it be nice if your 10-minute talk on how to make live reads work, how to buy radio, or why your audience buys the most widgets produced some warm leads? Practice and get going!

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