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Who Ever Thought There Could Be a Football Season?

“When a line of scrimmage and locker room are petri dishes for COVID-19 outbreaks, it’s immoral for the NFL and major college programs to launch seasons fraught with enormous health risks for players.”

Jay Mariotti

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Three months, 36 columns and countless radio shows ago, including an ESPN appearance that ended a Kremlin cold war, I wrote an introductory piece titled, “Stop The Delusion: Sports As We Know It Is Finished.’’

Was I wrong? A freaky baseball season is doomed to starts, stops, opt-outs and testing debacles involving a converted PED lab. The NBA’s Disney World bubble is one J.R. Smith after-hours sneakout from mass infection. Hockey is wise to flee the U.S. virus jungle, yet Canada won’t stop players from spraying particles and Brad Marchand from spitting on opponents.

And football? Who ever thought there could be a football season?

The last few hours finally brought an awakening, or a reckoning, that America should find something else to do in the fall. The words dreaded by millions — “We are running out of time …’’ — were uttered by none other than Greg Sankey, commissioner of the Southeastern Conference, from the very sector of a mask-politicized nation that still thinks COVID-19 is the flu and football is bigger than God and disease. What’s happening now is an incremental series of heads-up acknowledgments, soon to include the chiefs of all five power conferences, that college football likely won’t be played in 2020. After months of denial, even the truthers realize that people do get sick from the virus, and do die, and that athletes aren’t the only ones testing positive; Arizona Cardinals owner Michael Bidwill and Pac-12 boss Larry Scott are among the infected. This sweeping reality eventually will be adopted by various NFL megalomaniacs, from Jerry Jones to Roger Goodell to Tom Brady to broadcast executives, once they recognize that they, too, stand no collective chance against the virus.

Hard to believe, I know, but true.

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Never mind the 136,000 deaths, the 5,000 fatalities over the last week, the record U.S. caseloads, the numb fact that many more people on this earth will be saying goodbye before the pandemic does. Football had to wobble for reality to kick in — and America is not handling it well, AT ALL. Baseball? It’s background noise when Sonos isn’t working and Alexa has laryngitis. The NBA? It’s a social media opiate, less sport than glitz-and-snark entertainment. Golf is a joy with Tiger Woods, meh without him, and soccer and auto racing are niche itches. The American soul would be dented without them, hardly totaled.

But an autumn without football? To hear the anguish, the absence of pro and college games would prompt the masses to run into the nearest body of water and never come back. I don’t get it. For the life of me — and life is intended literally, being in a pandemic and all — it’s baffling why reasonable people can’t grasp the obvious: To play football without a vaccine is to invite the coronavirus to blitz unblocked from the blindside, an opportunity for massive outbreaks and spreads in a country already bombarded by enough of them.

The line of scrimmage might as well be renamed “the petri dish,’’ with sweating, panting, bleeding and call-shouting men within inches of each other before the ball is snapped, followed by maniacal blocking, grunting, running, tackling and trash-talking. Then they head to the confined spaces of locker rooms — indoors, mind you — where COVID-19 will pitch tents in stadiums for months throughout the land. Other than rugby, UFC (a lost cause) and the Kiss Cam, no sporting endeavor is less conducive to safety and wellness, and it’s unconscionable to think the powers-that-be would ask players to assume such dangers. As Los Angeles Rams coach Sean McVay put it, while publicizing an HBO “Hard Knocks’’ series also on the endangered list, “I mean, we’re going to social distance but we play football? It’s really hard for me to understand all this.”

Denial sweeps the nation anyway. Fans need their controlled violence, their beloved teams and schools, their fantasy teams, their more serious gambling action. And broadcast networks? They don’t seem to care how many people fall ill in a trigger effect of playing football, petrified by the devastating financial consequences if a $15-billion NFL season and a $4-billion college season are lost. Would Fox Sports pull the plug on ailing FS1? How many of those daily ESPN shows would be shelved? Without football, what would those networks air? Remember, America thrives on football like no other show business genre, including Hollywood, Broadway and music. Even amid the cord-cutting and fragmentation of the television industry, 41 of the top 50 telecasts in the U.S. last year were NFL-related.

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That appetite hasn’t waned during the lockdowns and isolation of a paralyzing health crisis. It only has become more ravenous. The NFL news cycle has thundered on as if the pandemic doesn’t exist: Brady, joined by Rob Gronkowski, thumbing his nose at Bill Belichick from Tampa Bay and believing the TB12 lifestyle is bigger than the virus; Cam Newton, on the cheap, seeking revenge in New England until Belichick orders him to stop the postgame fashion show; Patrick Mahomes, young enough to be Brady’s kid, already the King of Sports and NFL compensation before his 25th birthday. Turn on any sports talk station, and the hosts aren’t focusing on the pandemic or the new round of social activism, though they should be. They’re talking NFL and Power Five, baby.

The rationale is this: If football can get through a concussion crisis, a barrage of off-the-field conduct problems and a Colin Kaepernick protest movement about to return with a furious vengeance — and rightfully so — why can’t it plow through during a pandemic? And it’s not just the fans and media networks embracing that mindset, but football men on the pro and college levels, ego-driven warriors who believe it’s their life mission and duty to take on an infectious disease and beat it down.

Well, I have a news flash for all of the aforementioned.

COVID-19 is invincible, shakeable only by a vaccine. It can wipe out a position group, a locker room, a community, a league. And if football isn’t careful, it might not recover from the resulting massacre. You have to love Richard Sherman, who quickly pointed out the absurd hypocrisy of the NFL’s new post-game policy: Players are banned from swapping jerseys and interacting within six feet of each other. “This is a perfect example of NFL thinking in a nutshell,’’ tweeted the veteran union rabble-rouser. “Players can go engage in a full contact game and do it safely. However, it is deemed unsafe for them to exchange jerseys after said game.’’

He followed with three laughing emojis, but he knows nothing is funny here. The NFL is treating players like pieces of meat. Risk your lives for three hours on a field, then get your asses straight home afterward so you can risk your lives the next week. Which is why the season is jeopardized not only by COVID-19 but the league’s arrogant proposal to hold 35 percent of player salaries in escrow. If it mirrors the strategy of Major League Baseball owners who actually cried poor during their public huff with the Players Association, brace for another round of depressing labor talks. At the very least, the NFL should provide daily virus tests, given the proximity issues inherent to the sport. Nope — the league wants testing every other day, though it will provide face shields to minimize spread during games, which J.J. Watt — among many uncommitted to playing — says could lead to breathing and glare/fog problems. “Huge outstanding issues are still unresolved,’’ said Sherman, the San Francisco 49ers cornerback and NFLPA executive committee member.

So, why play?

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The answer — and the wrong one, the corrupt one — is money. The powers-that-be are so blinded by the horror of lost billions that they’ve de-prioritized health risks for players. College football has tried to hold on as long as possible, riding the indifference and politics surrounding the virus in certain geographical pockets. But common sense and human decency finally are prevailing. Seasons cannot proceed when fraught with health risks, especially for a college player who receives a humble stipend, room and board but otherwise isn’t paid. Imagine the potential for spread when players, in daily close contact during games and practices, venture onto campuses that do allow student bodies. Also consider the alarming rise of COVID-19 cases in fraternity houses, where players might be partying. This explains why Southern states, filled with people inclined to view the virus as a hoax, are being required to wear masks — ohmygod, masks! — amid the rising death toll.

And why Sankey, in an ESPN Radio interview, said his level of concern is “high to very high’’ about a season ever starting. Said Sankey, who meets Monday with SEC athletic directors: “We put a medical advisory group together in early April with the question, `What do we have to do to get back to activity?’ and they’ve been a big part of the conversation. But the direct reality is not good and the notion that we’ve politicized medical guidance of distancing, breathing masks and hand sanitization, ventilation of being outside, being careful where you are in buildings. There’s some very clear advice about — you can’t mitigate and eliminate every risk, but how do you minimize the risk? … We are running out of time to correct and get things right, and as a society we owe it to each other to be as healthy as we can be.”

He wouldn’t come out and say it, so I will: The COVID-iots who haven’t worn masks have sabotaged football.

At least NFL players would be paid for their roulette game. But if the MLB season is vulnerable to players opting out, Goodell should prepare for a mass exodus, assuming many show up at all. One skeptic is Donovan Smith, who, as the starting left tackle of the Buccaneers, is responsible for Brady’s blind side.

Tampa Bay Lineman Donovan Smith Questions Football During COVID-19 ...

“The unfortunate events of the COVID-19 pandemic have put a halt to a lot of things. Football is not one. To continue discussing the many UNKNOWNS do not give me the comfort,” Smith wrote on Instagram. “Risking my health as well as my family’s health does not seem like a risk worth taking. With my first child due in 3 weeks, I can’t help but think about how will I be able to go to work and take proper precautions around 80+ people everyday to then go home to be with my newborn daughter.

“How can a sport that requires physical contact on every snap and transferal of all types of bodily fluid EVERY SINGLE PLAY practice safe social distancing? How can I make sure that I don’t bring COVID-19 back to my household? Yes, we can get tested every day, but if it takes 24 hours to get my results, how can I know each day that I am not spreading this virus or contracting it?’’

Amen. Yet for every thoughtful commentary, there is lunacy from the likes of college coaching legend Lou Holtz, who emerged from cobwebs with a curious plea: Play the season, risks be damned. Said Holtz: “The way it is right now, they just don’t want to have sports and there’s no way in this world you can do anything in this world without a risk. People stormed Normandy. They knew there was going to be casualties, they knew there was going to be risk, but it was a way of life.”

Until a way of life becomes a way of death.

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Kim Mulkey Now Has Everyone Anticipating Washington Post Story

I can’t imagine what headline, under normal circumstances, the Washington Post would have to put on a Kim Mulkey story to make me want to read it.

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photo of LSU women's college basketball coach Kim Mulkey
Credit: Dailymail.co.uk

The Washington Post, you might’ve heard, has a story coming out about controversial LSU women’s basketball coach Kim Mulkey. The reason you might’ve heard is because Kim Mulkey told you. The Tigers coach read a fiery prepared statement just before her team started the Women’s NCAA Tournament. In the statement, Mulkey threatened to sue The Post for defamation before the first word was even published.

Now, I’ve never run a public relations firm but that did not seem like a good idea. The Washington Post story on Mulkey is one of the bigger stories in sports right now and nobody even knows what’s in it. The reason the story, apparently unflattering to Mulkey, is even on anyone’s radar screen is Mulkey herself.

It all started with an innocuous social media post by Sports Illustrated’s Pat Forde right in the middle of the most anticipated two days in sports, the NCAA Tournament Round of 64. On his X account, Forde posted: “Hearing some buzz about a big Washington Post story in the works on LSU women’s hoops coach Kim Mulkey, potentially next week. Wagons being circled, etc.”

You know what generally will go unnoticed at 4:00 on the first Friday of the NCAA Tournament? A post on X about a women’s basketball coach. But don’t tell Mulkey, she saw Forde’s post and decided to fight fire with nuclear weaponry. The result: the average person like me now is really interested in what has Mulkey so incensed. By “average person like me” I mean that I can’t imagine what headline, under normal circumstances, the Washington Post would have to put on a Kim Mulkey story to make me want to read it. Maybe:

“LSU Women’s Coach Discovers Ark of the Covenant”

Or:

“Mulkey Reveals True JFK Assassin(s)”

Perhaps:

“Famed Women’s Basketball Coach Reveals the Mystery Behind Slow Drivers in the Left Lane”

Literally any of those catch my attention more than whatever will likely be the Washington Post headline about Mulkey. But now Mulkey is “Mad as Hell and is not going to take this anymore” so I now have an interest I would never before have had in this story. It has been fascinating to watch the online speculation about the subject of the article and all we really know, as of now, is that it will be written by Kent Babb. This is a dream come true for Babb; he writes an article that is, presumably, not flattering about Kim Mulkey and, before it is even published, she gives the article the greatest commercial anyone could give it. Babb couldn’t have entered into a business agreement with Mulkey and had this turn out better for him.

For those who don’t follow Babb, he is a former NFL reporter who now is an award-winning writer for the Washington Post. In his 14 years with The Post, he has written sports features and authored a couple of books. One of those sports features stories was a deep dive into what he viewed as a large inequity in the level of pay for LSU head football coach Brian Kelly and his LSU players. It is this piece Mulkey described as a “hit piece” and, based on that piece, referred to Babb as a “sleazy reporter.” Babb, and many others, resented the fact his story was labeled as a hit piece. In fact, Babb essentially confirmed he was the author Mulkey was referencing when he shared the original article on X with the comment: “Hit piece?”

Whether a printed piece or a recorded interview, I can’t imagine a better promotion for it than the subject of the interview threatening a libel/slander lawsuit, especially before it is even released. That simply screams “This piece is salacious!!” Also, libel and slander suits get settled all the time, right? Of course they don’t, they seem to never even get filed. That little thing called discovery is a scary thing for most public figures.

The NCAA Tournament has been very entertaining, and I think the Sweet 16 and Elite Eight will be terrific. For only the fifth time ever, the top two seeds have advanced to the third round which sets up for a remarkable weekend. For me, I guess it will now include a Washington Post article, not a sentence I’d normally say.

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Ian Eagle Crushing It for CBS As Replacement for Jim Nantz

Eagle continues to be a shining example of what a network play-by-play announcer should be.

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Photo of Ian Eagle and the CBS Sports logo

I’ll admit, it’s been a little strange not hearing Jim Nantz during this year’s NCAA Tournament. Nantz stepped aside to concentrate on golf and the NFL after a long run covering the Final Four. Change is sometimes hard to accept, we are all creatures of habit, and I’m sure it’s a little weird for Nantz himself this time of year. But change doesn’t always have to be a bad thing. When it comes to Ian Eagle, not that I’m surprised, so far, so good.

Eagle is no stranger to CBS viewers. He’s been with the network since 1998 calling college basketball games and the NFL through the years. That certainly made the transition a little easier for everyone involved. CBS, the viewers and Eagle himself. Familiarity in these cases doesn’t breed content, it breeds a more comfortable broadcast and an easier handle on the change itself.

For Eagle, one of the other benefits for him was working with familiar folks, Bill Raftery, Grant Hill and Tracy Wolfson. Eagle estimates that he and Raftery have called 600 basketball games together, because they were longtime partners on the NBA’s Nets broadcasts. Eagle has also previously worked with Hill in college basketball, the same for Wolfson.

“To do this with Bill, Grant, and Tracy, it really is going to feel very seamless. In many ways, it will feel like we’ve been doing it together for many years,” says Eagle on a conference call before the Big Dance.

It sounds seamless too. It’s not underrated to have a good rapport with the folks that you’re working with. Everyone is trying to get used to a new voice and the idiosyncrasies of a new announcer. It’s much less of a chore, when you know and have worked with your co-workers and partners before.  You know what to expect from them, and they know what to expect from you. That’s good.

I think Eagle is killing it in his new role. You could even tell during the Big Ten Tournament that led up to the “Big Dance” that he was not only ready, he was ready to roll. It’s easy to hear how much he loves doing what he’s doing. That’s the case in all of the sports he calls.

Eagle continues to be a shining example of what a network play-by-play announcer should be. He has the ability to combine his talent with some personality, but never at the expense of the action he’s calling. His broadcasts always hit the mark, as he rises to the occasion when the moment calls for it.

What do I mean by personality? He manages to make us laugh, even in some tense moments of a game. He also manages to articulate our thoughts in some situations, like this example from the first weekend of the NCAA Tournament. 

Sideline reporter Tracy Wolfson had a report during the UConn/Northwestern game about the superstitions of Huskies’ coach Dan Hurley. He wears the same red dragon underwear and suit as he did last year. Wolfson said Hurley’s wife travels with a portable washing machine to make sure his clothes stay clean. Leading Eagle to ask the question on all our minds:

“Who has a portable washing machine?! I didn’t even know that existed!”

Also in that game, Eagle had a couple of other great moments. UConn big man Donovan Clingan had a couple of swats on one play.

“Denied! Clingan! Denied! Two for the price of one!” Quick thinking and entertaining at the same time. Later when a ball got pinned between the basket and the backboard, Eagle said, “Oooh! A Brooklyn wedgie!”

Great stuff. None of his ‘ad-libs’ sound like they are forced. It’s within the flow of the action and just seem to come to him. It’s pretty amazing to be that quick on your feet, when you’re trying to make sure to get the call correct above all else. I’m sure we’re all in for many more treats like that along the way from Eagle.

In general, when fans are watching a tournament game, they probably aren’t thinking about the preparation that goes into a broadcast. Especially for a play-by-play announcer. The first weekend network announcers calling a couple of games in the same day. There’s also only a day in between the first and second rounds to prep for teams that you may or may not have seen during the college season.  The turnaround is quick and demanding.  

“It feels like an information avalanche in many ways,” Eagle said recently on 670 The Score. “The fact that I’ve done it for so long would make you think, ‘oh, he’s got it down, he has the system, he found the secret sauce.’ No, it feels the same way every year.”

Eagle says even veteran announcers like himself have to manage stress levels and work efficiently once they know which games they’ll call. “The two or three days leading up to the tournament, I must admit, are probably the most angst-riddled of the year because it’s a little bit out of your control.” Eagle told 670 The Score.

Yes, the stress level is great on the broadcasters, but how about what Clark Kellogg continues to do at the NCAA Tournament and the Final Four? For the 8th year, he’ll join Kevin Kugler and Jim Jackson on Westwood One’s broadcast of the Final Four and Championship Game on radio. At the same time, Kellogg will be a studio analyst for the television coverage. How does he pull it off? Following the pregame show broadcast on TV, Kellogg will make his way courtside to the radio broadcast position to join Kugler and Jackson. Then, he will rejoin TV for halftime before repeating the process in the second half and postgame. 

Working this tournament isn’t easy for these broadcasters. It’s a big stage for sure, but as you’ve read, there’s big pressure that goes along with it. The audience is usually huge, and announcers are constantly put under the microscope. Fans want to make sure that you know their team, pronunciations and all. Stories. Bios. All of it. Cut these folks a little slack, information gathering with little time to do it, isn’t exactly simple. They do a damn good job.

Eagle himself, is doing a tremendous job. The 3-man booth works so well because of his ability to keep it all together. He can set up either Raftery or Hill with a serious basketball question, or deliver a great ‘straight line’ to bring out their personalities. It’s a gift. Eagle has that knack for knowing when to go ‘rogue’ and go for that entertaining line, that seems to fit in perfectly. Speaking of fitting fine, those rather large shoes he had to fill, they’re becoming the perfect size.

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Andrew Salciunas Aims to Thrive in Morning Drive on 97.5 The Fanatic

“We are two radio guys that kind of know what we’re doing.”

Derek Futterman

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Andrew Salciunas
Courtesy: Beasley Media Group

When 97.5 The Fanatic midday host Anthony Gargano agreed to a deal to contribute to PHLY Sports, a local digital venture within ALLCITY Network, he was promptly suspended by Beasley Media Group and subsequently sued for breach of contract. Although the two sides eventually reached a settlement and officially parted ways, the future of the daypart was still in question. In the interim time period, the station granted Andrew Salciunas the opportunity to lead a four-hour solo program with producer Ray Dunne. Salciunas had served as Gargano’s producer in the midday slot and still has a strong relationship with the sports media personality today despite no longer working together.

The onerous aspect of the situation, however, was in recognizing that Salciunas was being afforded a chance to prove himself as a host in the marketplace. In the past, he had filled in when Gargano took vacations, but it was not for an extended period of time. Although he was familiar with the flow of a midday program, achieving a successful, yet sudden assimilation into a regular timeslot without a partner was an invigorating circumstance.

“I knew that it was going to be a learning experience because it’s one thing to host a show on Saturday or it’s one thing to host a weekly podcast and you have a week’s worth of content at your disposal,” Salciunas said. “It’s another thing to [be] hosting every single day and needing to come up with new ideas and new angles and new twists on things, so it was a challenge knowing that I was going to have to do that for however long the process was going to be.”

Salciunas received help from program director Scott Masteller, a sports radio veteran who has helped elevate brands and nurture budding talent. Several months later, Masteller asked Salciunas how he would feel about working with morning program host John Kincade. Salciunas replied by saying that it was something he would be interested in doing, and he later added that he already wakes up early and could easily work in morning drive. Salciunas was somewhat nonplussed when he discovered that Masteller’s intention was to have him anchor the program rather than Kincade, who has been hosting in the daypart since January 2021.

In the weeks and months ensuing, Salciunas and Kincade were involved in meetings to plan the new program, which officially made its debut on 97.5 The Fanatic last week and is titled Kincade & Salciunas. Both hosts knew about the program for roughly two months, and Salciunas is surprised that it was kept a secret for as long as it was. Outside of their scheduled meetings, Salciunas was able to speak with Kincade between their shows since they occurred after the other as well. From the onset, he wanted to make his thoughts about the program clear to ensure a smooth transition amid a quest to inform and entertain the audience.

“The first thing I told John when they told us that this was the plan moving forward was that, ‘This is going to be our show,’” Salciunas recalled. “Yes, I might be the guy running the ins and outs out of commercial breaks. I’m the guy that brings on the guests; I’m the guy that brings on the callers, but this is our show. We both have ideas, we’re both passionate about Philadelphia sports teams, we’re both high-energy people, we’re both opinionated and we’re also respectful of each other.”

While there is natural disagreement between Salciunas and Kincade on a variety of sports topics, they make sure not to fabricate their discussions and engender debate for the sake of the show. Instead of feigning their contrarian discourse, there is a legitimate willingness to be genuine with their audience while continuing to put radio first. Salciunas, Kincade and show producer Connor Thomas all contribute ideas for the program to appeal to the audience and continue building the show as a whole. Thomas also had familiarity in working with Kincade since he served as an associate producer on his previous morning program.

“I’m not a former journalist; he’s not a former professional athlete,” Salciunas said. “We are two radio guys that kind of know what we’re doing. Even though our opinions might differ on sports-related stuff, we see doing radio in a similar way.”

Upon Kincade officially joining 97.5 The Fanatic, he demonstrated his magnanimity and commitment to his colleagues by offering to take all of them out to lunch individually to learn more about them. It was a gesture that surprised Salciunas and something that stuck with him, ultimately helping familiarize themselves with one another and subsequently creating a viable on-air product.

“He’s one of those guys who likes getting to know people, and I think that’s helped a lot,” Salciunas said. “We already had that sort of knowledge of one another [and] we already had that relationship, and because we’re just both so bought in and both so hungry, that’s made it so much easier that we’re willing to do whatever it takes to make the show work.”

Before arriving at 97.5 The Fanatic, Kincade had worked at sports radio both at the local and national levels while also hosting a podcast with Hall of Fame center and Inside the NBA studio analyst Shaquille O’Neal. Bringing him back to his home marketplace and realizing success in the morning daypart was valuable as the sports media ecosystem underwent stretches of change. Transitioning to the new morning show iteration without colleagues Bob Cooney and Pat Egan presented its challenges, but Salciunas has had no qualms that Kincade was invested to win. As a result, the transition has been relatively simple in terms of building palpable chemistry among the on-air team.

“He believes in anybody that he works with,” Salciunas said of Kincade, “and knowing that somebody has worked that long as long as he has in sports radio that he values the young person’s opinion, not just in sports but in terms of radio, that goes a long way.”

There is constant communication between the morning show team leading up to a program outside of typical pre-show meetings and twice-weekly conversations with their boss. Salciunas arrives at the station well before the start of the program and compiles ideas from the previous day into a document, along with ideas from others that come during their commutes. Additionally, they continuously monitor the news cycle and determine what to address on the air while also interviewing special guests throughout the week.

Effectuating a fully prepared show rundown by 6 a.m. EST has been marginally difficult, along with the fact that it can be difficult to book guests on short notice before sunrise. Because of this, the program frequently outlines its guests early in the week and makes adjustments as necessary while maintaining fealty towards conveying their true, authentic personalities.

“I’m a little bit more energetic on the radio because I understand the entertainment portion of doing what we do and having to properly express myself,” Salciunas said. “I’m probably not going to scream at a bar, but when I converse with callers; when I converse with John [or] producers… that’s who I am as a person. There’s just a microphone in front of me.”

When he first started working at 97.5 The Fanatic as an intern, Salciunas did not have a goal of eventually becoming an on-air talent. He was content with his role as a producer, which was borne out of an internship where he worked with Jon Marks and Steve Vassalotti. Both station members served as mentors that he utilized to gain information and advice, a fortuitous outcome after Salciunas impetuously applied for the opening.

While Salciunas was matriculating at Temple University, he needed at least three internship credits in order to qualify for graduation. Reflecting back on his education days, he does not regard himself as the best student and recognized that he needed to intern with the radio station to set himself apart. Honing his focus in sports media took time since he had varied interests in areas such as reporting, podcasting and play-by-play announcing, but he ultimately gravitated towards the sports radio format during his time in Philadelphia.

Salciunas made a favorable impression on those with 97.5 The Fanatic and ended up being hired as an associate producer where he learned more about the format and its programming. Eric Camille, a former executive producer at the station, is someone Salciunas regards as seminal to his professional development.

“He was the guy that hired me out of my internship, and then once I started working, he really helped me,” Salciunas said. “He kind of took me under his wing and helped me out a lot.”

Once Salciunas was hired as a full-time producer, he began to work with Mike Missanelli on his midday program, providing an invaluable learning experience to gain a more comprehensive understanding of the sports media industry. As a veteran host who has captivated Philadelphia sports fans and media consumers at large, Salciunas noticed that collaborating on Missanelli’s program was a different experience than the other shows he had done. Whereas a morning drive show is oftentimes one of the first points of reaction on a given day, Missanelli knew that he would need to approach his daypart differently and adopted a paradigmatic style implementing second-level topics.

“It’s not just going on the air and reacting to an Eagles loss,” Salciunas explained. “It’s reacting to a storyline within an Eagles loss or reacting to a storyline within an Eagles win that may generate conversation. Trying to figure out topics that generate conversation but are not just the, ‘Oh wow, I’m angry they lost today,’ and give out the phone number. It’s [trying] to find topics that make people think and make yourself think and make the audience think.”

When Missanelli left the station, Salciunas began his stint working with Anthony Gargano where he began occasionally hosting select programs. The rationale behind his decision to go behind the microphone was that when the Eagles won a Super Bowl championship, the station needed someone to host from 2 to 5 a.m. Salciunas decided to volunteer for the program, presuming that it sounded fun. From that shift on, he continued his work as a producer while also refining his craft behind the microphone in a major market. It deviated from a philosophy perpetuated by former program director Matt Nahigian of limiting the amount of time producers were on the air, assuming that consumers listened to hear the hosts.

“Now you have to be a producer,” Salciunas affirmed. “You look at both radio stations in Philadelphia – a lot of the hosts now were former producers, and so you learn so much of the craft and then you figure out your own role. You figure out how you handle yourself as a host, so I think producing first before becoming a talk show host should be the way to go moving forward.”

Beasley Media Group’s 97.5 The Fanatic shares the Philadelphia marketplace with Audacy-owned SportsRadio 94WIP, and both stations have had intense battles in the ratings over the years. Salciunas shared that most people between the two stations have worked with their competitors at some point in their careers, and there is an evident respect that exists between the two entities. With both outlets introducing new morning shows within the last two years though, Salciunas understands there is a chance to gain ground on the WIP Morning Show, which finished ahead in the four Nielsen XTrends quarterly ratings books last year.

“Clearly if somebody’s behind a microphone in Philadelphia, everybody’s talented, and we’re going to do whatever we can to try to bridge that gap a little bit, and we’re seeing some good strides already,” Salciunas said. “I think having a new show is a big part of that trying to grab that initial audience, but then it’s holding on to that initial audience.”

Being able to achieve this outcome, however, requires a commitment to showcasing talent and different personalities. Salciunas referenced how there was a point in John Kincade’s stint hosting mornings in the daypart’s previous iteration where he gained ground on his crosstown competitor Angelo Cataldi with WIP. Kincade, of course, used to work with Cataldi’s show as a contributor and received a chance to take the air while with the outlet.

“I’ve seen the turn of tides of ratings over the years for every show [and] every time slot, so there’s always an opportunity, but that means we always have to be on our game; that means we always have to be doing the best show possible,” Salciunas said. “We can’t go in the next day and say, ‘Wow, that show was really good yesterday. Let’s have some fun today; let’s make this a lighthearted show.’ No, we always have to be thinking about, ‘Alright, what can we do next to put on another great entertaining four-hour radio show?’”

Over the last several years, there have been several leadership changes at 97.5 The Fanatic responsible for overseeing the slate of programming and station operations. Scott Masteller currently leads the outlet, someone in whom Salciunas has confidence that he can continue to elevate the standing of the station. In his earlier years working with 97.5 The Fanatic, Salciunas had an innovative spirit but was discouraged from taking steps to align with the multimedia evolution. For example, when he offered to do a podcast several years ago, someone at the station questioned his judgment and the reasoning behind the idea.

“I was told by someone, ‘What’s the point in doing that? We’re a radio station,’ and I knew back then that that was a mistake to say,” Salciunas explained. “You shouldn’t say, ‘We’re a radio station;’ that was years ago, so seeing that bosses and market managers and hosts and producers all realizing, ‘Alright, we have to adapt,’ that excites me.”

Possessing the background as a producer lends shrewd and calculated judgment on how to include members of the audience into the program. While there are still open phone lines for callers to chime in, the program has introduced a text line and also engages with the audience through the live chat functionality of YouTube. Having Thomas as a producer of the show has helped in this area as well, with Salciunas sharing that he has a strong understanding of how to create and optimize content for various platforms of dissemination.

“We have a great YouTube audience where they basically have their own community all of a sudden,” Salciunas said. “They’re constantly talking about the show, and sometimes we grab what they’re saying on that YouTube feed because that’s another area of today’s new media where you have another avenue to communicate with people.”

As Salciunas grows accustomed to the early start on 97.5 The Fanatic and his new colleagues in morning drive, he is filled with enthusiasm and the prospect of possibility. The radio station has been the only outlet by which he has been employed since the start of his media career, and he hopes to work there for as long as possible. National radio and television intrigue him going forward, but his priority centers on thriving in the new role.

“I want to try to get 97.5 The Fanatic – because it starts in the morning – back up in the map; back in the top five of the ratings books – and that’s going to take some time,” Salciunas said. “We’re a new show – we’re going to have to figure each other out.”

Salciunas expressed that the last year-and-a-half has been “hectic” in the midday daypart, but there has also been excitement surrounding the ephemerality as well. Taking the microphone in a major market with a dedicated sports fanbase such as Philadelphia is a privilege he does not take for granted, and he aspires to continue excelling in the marketplace for years to come.

“I just started, so I’m not thinking about the next step just yet,” Salciunas said. “I want this to last for a long time – for a very long time. If I never have to leave, that would be great.”

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