I’d describe George Wrighster as a man that has controlled strength. He’s motivated by obstacles and driven by naysayers, but it isn’t written all over his face.
It’s a bit like Aaron Rodgers. The Green Bay Packers’ quarterback wasn’t visibly emotional when he slid to the 24th overall pick in 2005, or when his team drafted Jordan Love to possibly take his spot. Best believe Rodgers hasn’t forgotten about being slighted though. I think George is similar. The former NFL tight end is a competitor, but he might not let you see that your doubts ticked him off. He’ll just get back to work and grind so that one day you are eating your words.
George has achieved a lot in sports radio within a relatively short period of time. He can be heard on two national platforms — FOX Sports Radio and SiriusXM’s Mad Dog Sports Radio. His brand new show on Sirius began two short months ago. The Oregon grad shares some interesting thoughts about not being pigeonholed as a former athlete and also what it’s like to help change the landscape in a mostly white dominated industry.
I’ve known plenty of things about George, like how he rages against heavy metal music and trashes Velveeta cheese. Hey, we can’t all be perfect. But the Oregon grad touches on many things that aren’t common knowledge. George shares a wise thought about building a community. He unveils what got him listening to sports radio in the first place when he never listened during his playing days. George talks about the show that freaked him out the most and also shares a list of his strong goals. Makes sense though. It’s his controlled strength at work again. Enjoy.
Brian Noe: How’s everything going with the new gig at Sirius?
George Wrighster: It’s going really good. I got a chance to do a couple of special projects too. I did an MLK special with Kirk Morrison and some stuff with the college football national championship. I hosted some other shows on the network. It’s cool getting more opportunities and more reps, trying to get better.
BN: What’s the main goal you try to accomplish when doing shows, especially your new one?
GW: I want people to feel educated and entertained when they listen to the show. It’s important to me that people also feel like this is a place where they can get the truth and honesty and not just shtick. As you know, it’s easy to just pump out hot takes. But when it’s actually something that you believe and you can support it with some stats and data or personal experience that makes it believable. I think that’s the best thing that you can do. We all see sometimes where people say things and you’re like there’s no way this dude believes that. He’s just saying it because it’s going to get people riled up.
I try to talk about stories in a different way that people normally may not. I try to approach it from the human side of things and not get too far deep in the weeds on the X’s and O’s, but kind of how athletes are real people; how these things impact their sport and their decisions. We also talk a little politics on the show — how politics and business intersect sports in certain aspects too. We’re not debating propositions. No, we’re not doing all that, but we are at that intersection where sports does intersect with politics and business. We do go there.
BN: What do you remember most about your first show on Sirius?
GW: It’s funny because as many shows as I’ve done — solo, with other people, all of that — I remember the first night that the light came on and it was just me. I was nervous that entire day, dude. I went walking around the neighborhood because I would take the baby on a walk every day. I was nervous that whole day. I was like oh my God, what if when the light comes on, I can’t say anything? Nothing comes out?
It’s funny to think about because you’ve done it so many times, but the fact that it was all on me, it was my show, solo, it just hit me like, dude, I’m responsible for this whole ship. But the good part is, I was like if the ship sinks, if the car crashes, it’s going to be because I gave it everything that I had and it just didn’t work. It’s not going to be because I let somebody else control my future.
BN: What happened once you cracked the mic that first night?
GW: Every show has different clocks, how long each segment is and all of that. Our first segment for the opening monologue is between 15 and 22 minutes max. It was funny because that first 20 minutes, or however long I went, it felt like it was two hours long. It was crazy to me because I record my podcast sometimes for 30 minutes straight with nobody talking to me. It’s just me talking to the camera because I do it on a live stream, nobody responding, not taking comments, so it was just funny that it felt so long when I had to do it all by myself. But now it breezes by.
BN: How did that opportunity come about for you at Sirius?
GW: This was years in the making. This is where you say relationships matter and keep banging on the door and then one day it might open. Back in 2014 I finally got into the NFL’s broadcast boot camp. That’s where former and current NFL players can go get media training and get in front of executives. There are executives and actual decision makers from FOX, from ESPN, CBS, a bunch of places, and former athletes who have made it. You get a lot of workshops and they teach you how to interview. They expose you to TV and radio because a lot of times people don’t know which lane they want to be in or if they truly want to be in it. So you get big exposure.
When I got back from it one of the people that I met there was Steve Cohen. Not the Mets’ Steve Cohen, but the Steve Cohen who, at that point in time he may have been the program director or Senior Vice President over at Sirius. I just followed up with him. Every six months, four months I’d shoot him an email telling him what I was doing, letting him know I was available if anything came up.
Fast forward about four months ago, I got an email from Steve Cohen. He was like yo, we may have an opening over at Sirius. What are you doing now? That was weird because I hadn’t emailed Steve in a few months, but I was going to email him soon. I keep these reminders to email all of these people. All of these times he was always like yo George, I’ll keep you on the radar if anything comes up. He sent that e-mail, followed up, and then I tested. Apparently I did pretty well. They offered me the job and here we are.
BN: Was the test a demo or a fill-in show?
GW: It was a demo because they do things a little bit different over at Sirius. If you’re not under contract with them or don’t have an agreement with them, doing an on-air demo there doesn’t happen, I don’t believe. We did it just like an actual show. We produced an actual show except for it was only an hour and a half long. We took breaks; so I had to talk to commercial break and interview guests. And yeah, we did it like a mock show.
BN: What was it about sports radio where you said you know what, this is the road I want to go down?
GW: I’ve done TV, and I do want to do more TV as well, but radio allows you to communicate with people in a different way. In TV you’re speaking in sound bites a lot more. You don’t get a chance to expound, not as much storytelling. With radio you get a chance to build an audience and communicate with them. They become part of your family, part of building a community.
I saw that with a guy out here in LA named Fred Roggin. Fred just builds a community with his family. It’s the same thing with Petros Papadakis on his show Petros and Money. They build a community and the people are so invested. I like that. The idea that you don’t just build a community for that station; you build your community. So when you do move locations or you do change because it’s business — sometimes contract disputes happen, sometimes companies are bought and sold or whatever — then your audience is portable because that’s your family.
BN: When you talk about community, it makes me think about race. Sports radio is a very white dominated industry. As a black host, do you have that at the forefront of your mind that if you do a good job, it might open the door for others?
GW: Absolutely. I look at this as a two-fold thing. Yes there is a racial element and I’ll talk about that next, but the first thing is as a former athlete, they will pigeonhole you as just the sport that you played. That’s the first thing. I started writing to make sure that didn’t happen. Writing on other sports, commenting on other sports and all of that.
As an athlete I didn’t want to be pigeonholed into just football, and also pigeonholed just as an analyst. When you can host the show and be an analyst it opens up more doors for you. So now I don’t have to sit in the two chair. I can sit in the one chair also. It just gives you more diversity. As a former athlete, opening up doors as being a solo host, that’s hard to do.
But as far as a host of color, especially those who sit in a single chair, that’s tough. There aren’t a lot. There are a lot more who do two-man shows, and mind you they do a great job, but I think there is something to be said about the lack of diversity. Colin Cowherd obviously is one of the best to ever do it. So are Dan Patrick and Jim Rome. My goal is to ascend to that level the way some little kid can look at me and say oh wow; I can do this if I want to.
BN: I interviewed LaVar Arrington. He called it having a babysitter when the radio guy is in the one seat and the former athlete is in the two seat. His thought was hey man; two athletes can have a good show too. What are your thoughts on how the former athlete is typically paired with the radio guy?
GW: Yeah, he’s right. LaVar is right when he says that it’s like the babysitter, or the hall monitor where that person has to be the quote-unquote adult in the room. Truthfully it’s literally about the mechanics — tossing to break, watching the clock, understanding how to progress a story, how to manage callers — all the mechanics. That was something that I always pressed. Even when we started doing the show on FOX, I was like yo, I want to have more responsibility on the show. I think that once people see that you want that responsibility, and that you actually will take it seriously, and that you’ll go practice it when nobody’s listening, and then when you get the opportunity you do a good job at it, then they say oh okay, let’s throw him a bone.
Eventually something bad happens. I remember one day on FOX during the Sunday show I do now with Dan Beyer, something happened to Dan’s mic or it was a power issue or something, and he was out. I had to do it for a couple of segments and it was like, oh okay, cool, so now we know that he can do this. The more and more that you do it, then people can believe and trust because the thing that they want the most is to know that you’re not going to burn the house down. That it’s not like Home Alone where you’re going to come back and the house is ransacked or Don’t Tell Mom the Babysitter’s Dead where you’re going to have a party. No, you’re just going to go in there, live life like normal, put out a good show that’s entertaining, and everything will be fine.
BN: Did you listen to sports radio much during your playing days?
GW: Absolutely not. No. Not at all. The thing that started getting me to listen to sports radio was Marcellus Wiley because I had played with him. We were friends, and I just wanted to support him. Then I realized, good God, I love sports radio.
My kids sometimes get annoyed, they’re like dad, do we have to listen to talk radio today? They already know that if it’s 12 o’clock here at home, I’m probably listening to Finebaum. I don’t know why I like Finebaum so much especially during college football season. Schein On Sports. I watch Colin. I like Skip and Shannon. I tune in to Steven A. sometimes. I appreciate how much work they really put in. Yeah it’s easier when you have an army of writers and staff and researchers, but you still have to go out there and deliver it.
BN: Is there anything else about sports radio in general beyond hot takes that turns you off for you when you listen?
GW: I usually only listen to people that I like. The only thing that makes me change the dial now is if it’s a topic that I don’t want to hear about, or I’ve felt like I’ve heard too many times. I’ll turn the dial, but I like this person, so I’ll be back. It’s just I’m tired of you today. I love my kids but some days I want to go to dinner all by myself, or with my wife and leave them at home. That doesn’t mean I don’t like them, but I need a break.
BN: Who have you learned the most from in sports radio?
GW: Dude, easy answer, this guy named Brett Winterble who I hosted my first show with on The Beast 980 here in LA. Brett had been a producer for conservative talk radio but he was a huge sports fan. He was the adult in the room.
Brett actually now has a huge talk show in North Carolina. He just filled in for Rush Limbaugh and had like the highest ratings for any fill-in there. Brett literally had been through the grinder of ascending in this business. We had a producer that was absentee at best. Brett taught me how to produce a show, how to cut sound, how to come up with content. He taught me things that if I were in a normal situation with a producer and all that stuff, they would have done a lot of that work already, so I wouldn’t have learned how to do it as quickly. It would have taken me years to learn something I learned in eight months because it was a crash course. It was either fail or do it.
Brett was just the consummate professional, freaking hard working, just a grinder. He’s just a smart guy too. He showed me the ropes in this business. He gave me a lot of valuable tools and experiences from his life that I wouldn’t have ordinarily gotten. I owe a lot of credit to Brett.
BN: You’ve had a number of partners. Have you taken elements that you think work from those other hosts and molded it to your own style at all?
GW: I would say yes. From Brett I learned that this was his livelihood. He was always the adult in the room. He was always going to make the right decision for the show. To make sure that things did not go off the rails. I took that from Brett.
Oh, I forgot somebody else I learned a lot from was Petros. Petros is just Petros. I think that a lot of times when people get into this business — and I fell victim to it too — of I have to be radio guy. I have to be TV guy when the thing that people really connect with the most is you being you. That’s what Petros showed me was just be you. You don’t have to be anybody else; just be the best George that you can possibly be. I don’t know if there’s anybody more themselves than Petros.
BN: Goals. Is there anything specifically that you want to accomplish in sports radio or beyond?
GW: Yes. I would like to have a simulcast like Colin does. Be number one on the Talkers 100. What that would mean for me, it would be a sense of accomplishment in my second career doing something that wasn’t so physical like sports. Doing something that was foreign, working at it, and then reaching that goal.
I do want to have a simulcast with radio and TV at the same time. But my ultimate goal, if I could be doing either my radio show or a podcast version of it like Joe Rogan does, while hosting a show on the Food Network and College GameDay on the weekends, I would be the happiest person in the whole world.
Adam The Bull Is Giving Cleveland Something It’s Never Had Before
“It was only more recently that I was like why do I have to only be a radio guy?”
After spending 22 years on the radio, Adam “The Bull” Gerstenhaber was ready for a new adventure. In fact, the former co-host of Bull and Fox on 92.3 The Fan in Cleveland did not have a new job lined up when he signed off from his 11-year radio home last month.
“I was already leaving without having a new project,” admitted Gerstenhaber during a recent phone interview with BSM. “I left before I knew for sure I had a ‘next project’.”
Gerstenhaber was preparing for his final show with co-host Dustin Fox on April 1st when he was contacted by an executive producer for TEGNA, a company that was developing a Cleveland sports television show on YouTube. The executive producer, who had just found out that Bull was a free agent, made it clear that he wanted Bull to be a part of the new project.
It all came together very quickly.
“Let’s talk on Monday,” Gerstenhaber told the executive producer. “And within a week they signed me up.”
The Ultimate Cleveland Sports Show on YouTube featuring Gerstenhaber, former ESPN personality Jay Crawford, 92.3 The Fan’s Garrett Bush, and rotating hosts to make up a four-person round-table show, made its debut last Monday. The show, which airs weekdays from 11am to 1pm, features passionate Cleveland sports talk, live guests, either in-studio or via Zoom, as well as interaction from the audience through social media.
“I’m very excited,” said Gerstenhaber. “It’s a definite adjustment for me after 22 years on radio doing television. For the last 11 years, I’ve been doing a radio show with just one other host and I was the lead guy doing most of the talking and now I’m on a show with three other people and it’s such an adjustment. So far, I’m having a ball.”
And so far, the reaction to the show has been very positive.
A big reason why is that it’s something that Cleveland didn’t have and really never had, unlike a city like New York, where there are local radio shows that are simulcast on regional sports channels.
“There’s nothing like that in Cleveland,” said Gerstenhaber. “And there was certainly nothing like this with a panel. Cleveland is such a massive sports town and now people that don’t live in Cleveland that are maybe retired in Florida or Arizona, now they actually have a TV show that they can watch that’s Cleveland-centric.”
The new venture certainly represents a big change in what Bull has been used to in his radio career. He’s enjoying the freedom of not having to follow a hard clock for this show. In fact, there have already been some occasions where the show has been able to go a little longer than scheduled because they have the flexibility to do that on YouTube.
Doing a show on YouTube gives the panel a great opportunity to go deep into topics and spend some quality time with guests. And while there is no cursing on the show at the moment, there could be the potential for that down the road.
Don’t expect the show is going to become X-rated or anything like that, but the objective is to be able to capture the spirit and emotion of being a sports fan and host.
“It’s something we may do in the future,” said Gerstenhaber. “Not curse just to curse but it gives us the option if we get fired up. It is allowed because there’s no restrictions there. The company doesn’t want us to do it at the moment.”
There’s also been the shift for Gerstenhaber from being the “point guard” on his old radio show, driving the conversation and doing most of the talking, to now taking a step back and having Crawford distributing the ball on the television show.
For a guy called “The Bull”, that will take some getting used to.
“Jay is a pro’s pro,” said Gerstenhaber. “He’s the point guard for this but he’s also part of the conversation. I’m not used to not being the point guard so I have to adjust to that. I think it’s gone pretty well and the chemistry is pretty good and with time we’ll get used to the flow of it.”
Gerstenhaber’s move from sports radio to an internet television show is a perfect example of how the industry is changing. A good portion of the listening and viewing audience these days, especially those in the younger demographic, are not necessarily watching traditional television or listening to terrestrial radio. For a lot of sports fans, watching and listening on a mobile device or a computer has become a very important way of life.
The desire to adapt, along with a shorter workday, was very enticing to him.
“It was only more recently that I was like why do I have to only be a radio guy?” wondered Gerstenhaber. “There were things about my job that I was unhappy about. I was doing a five-hour radio show. It’s too long. That’s crazy. Nobody should be doing a five-hour radio show at this point.”
Broadcasting on the internet has arrived and it’s not just a couple of sports fans doing a show from their garage anymore. The business has evolved to the point where the technology has provided more opportunities for those who have already enjoyed success in the industry and are looking for new challenges.
Kind of like Adam The Bull!
“I think years ago, probably like many people in the radio business, we looked at internet and podcasts as like whatever…those guys aren’t professionals…they’re amateurs,” said Gerstenhaber. “But the game has changed.”
Gerstenhaber, Crawford and everyone associated with the “Ultimate Cleveland Sports Show” should not have much of a problem attracting the younger audience. That demographic is already accustomed to watching shows on YouTube and other streaming platforms. The challenge now is to get the more mature audience on board. There are certainly some obstacles there.
I know this from experience with trying to explain to my mother in Florida how she can hear me on the radio and watch me on television simply by using her tablet.
Bull can certainly relate to that.
“My mother is still trying to figure out how to watch the show live,” said Gerstenhaber with a chuckle. “The older fans struggle with that. A lot of my older fans here in Cleveland are like how do I watch it? For people that are under 40 and certainly people that under 30, watching a YouTube show is like okay I watch everything on my phone or device. It’s such a divide and obviously as the years go by, that group will increase.”
With the television show off and running, Gerstenhaber still has a passion for his roots and that’s the radio side of the business. In the next couple of weeks, “The Bull” is set to announce the launch of two podcasts, one daily and one weekly, that will begin next month. But he also hasn’t ruled out the possibility of returning to terrestrial radio at some point.
“I have not closed the door to radio,” said Gerstenhaber. “I still love radio. I would still, in the right set of circumstances, consider going back to radio but it would have to really be the perfect situation. I’m excited about (the television show) and right now I don’t want to do anything else but I’m certainly going to remain open-minded to radio if a really excellent opportunity came up.”
The landscape of the broadcasting industry, particularly when it comes to sports, has certainly changed over the years and continues to evolve. Adam Gerstenhaber certainly enjoyed a tremendous amount of success on the radio side, both in New York and in Cleveland, but now he has made the transition to something new with the YouTube television show and he’s committed to making it a success.
I Heard A Lot of Boring, Uncreative Sports Radio On Friday
“Sometimes your first idea is your best one. You don’t know that though if you stop thinking after one idea. That is what it feels like happens a lot the day after NFL schedules are released”
Maybe this one is on me for expecting better. Maybe I need to take my own advice and accept that there are times the sports radio audience just wants a little comfort food. Still, this is my column and I am going to complain because I listened to probably six different stations on Friday and all of them were doing the exact same thing.
The NFL schedule was released on Thursday night, so on Friday, regardless of daypart, every show seemingly felt obligated to have the same three conversations.
- How many games will the home team win?
- What does the number of primetime games we got mean for how much respect we have nationally?
- Why do the Lions still get to play on Thanksgiving?
Football is king. I get that. Concrete NFL news is always going to take priority. That is understandable. But where was even an ounce of creativity? Where was the desire to do better – not just better than the competition, but better than the other shows in your own building?
I listened to shows in markets from across the league. The conversations were the same regardless of size or history of success. Everyone that picked in the top 5 in last month’s draft is going to go 10-7. Every team that got less than 5 primetime games feels disrespected. It was all so boring.
Those of us in the industry don’t consume content the way listeners do. We all know that. Perhaps I am harping on something that is only a problem to me because I listen to sports talk radio for a living. If you don’t ever want to put more than the bare minimum of effort into your show, decide that is the reason for my reaction and go click on another article here.
Consider this though, maybe the fact that I listen to so much sports radio means I know how much quality there is in this industry. Maybe it means that I can spot someone talented that is phoning it in.
I want to be clear in my point. There is value in giving your record prediction for the home team. Listeners look at the people on the radio as experts. I will bet some futures bets in a lot of markets were made on Friday based on what the gambler heard coming through their speakers. All I want to get across is there is a way to have that conversation that isn’t taking two segments to go through each week one by one. I heard no less than three stations do that on Friday.
Sometimes your first idea is your best one. You don’t know that though if you stop thinking after one idea. That is what it feels like happens a lot the day after NFL schedules are released. It’s a very familiar rhythm: pick the wins, get a guest on to preview the week 1 opponent, take calls, texts and tweets with the listeners’ predictions.
I didn’t hear anyone ask their listeners to sell them on the over for wins. I didn’t hear anyone give me weeks that you could skip Red Zone because one matchup is just too damn good. I didn’t hear anyone go through the Sunday Night Football schedule and pick out the weeks to schedule dates because the matchup isn’t worth it.
Maybe none of those ideas are winners, and that is fine. They are literally three dumb ideas I pulled out of the air. But they are all ways to review the schedule that could potentially leave a smile on your listener’s face.
Show prep is so important, especially in a group setting. It is your chance to tell your partner, producer, or host that you know you can do better than the idea that has just been thrown out. Quit nodding in agreement and challenge each other! It may mean a little more work for you, but it means more reward for the listeners. And if the listeners know they can rely on you for quality, creative content, that leads to more reward for you.
And lay off the Lions. It’s Thanksgiving. You’re stuck at home. The NFL could give you Lions vs Jaguars and you’d watch.
Why You Should Be Making Great TikTok Content
“We’re specially trained in the world of TSL (time spent listening), and the longer people view your content on TikTok, the more the app rewards you by shoving your content into more and more feeds.”
It feels like there’s a new social media platform to pay attention to every other week. That makes it easy to overlook when one of them actually presents value to your brand. It wasn’t long ago that TikTok was primarily used by teenagers with the focus being silly dance trends filmed for video consumption with their friends and followers alike. Now, as the general public has become in tune with how this complicated app works, it’s grown far beyond that.
TikTok is now an app used by all types of demographics and unlike TikTok’s closely related cousins Instagram and Facebook, this app provides a certain type of nuance that I think people in our line of work can really excel in.
Before I get into the nuts and bolts of how you can use TikTok to your advantage and how to make your videos catch on, I think it’s important to first mention why this matters for you. Now, if I’m being realistic, I’m sure there are some that have already stopped reading this or those that could scroll away fast enough when they saw the words TikTok. You might be thinking that this doesn’t fit your demo, or maybe that it’s a waste of time because productivity here won’t directly lead to an uptick in Nielsen ratings. But I’m not sure any social network directly leads to what we ultimately get judged on, and we aren’t always pumping out content directly to our core audience.
TikTok, like any other app you may use, is marketing. This is another free tool to let people out there know who you are and what you offer in this endless sea of content. And the beauty of TikTok is that it directly caters its algorithm to content creators just like us. Bottom line, if you are a personality in sports talk, there’s no reason you can’t be crushing it on TikTok right now. All it takes is a little direction, focus, consistency, and a plan.
Unlike Instagram, Facebook, and Twitter where you can throw a photo up with a caption and be done for the day, TikTok’s whole model is built on creative videos that keep users engaged for longer periods of time. This approach works. According to Oberlo, a social media stat tracking site, people spend more time per day on TikTok than any other popular social media application. 38 minutes per day!
This is where this is good news for us in talk radio. We’re specially trained in the world of TSL (time spent listening), and the longer people view your content on TikTok, the more the app rewards you by shoving your content into more and more feeds. TikTok’s algorithm doesn’t care how many followers you have, your level of credibility, or the production on your video. All ir cares about is 1) Is your content good. and 2) Are people watching it. 3) How long are they watching it. The more people watch and the longer they watch creates a snowball effect. Your videos views will skyrocket, sometimes within hours.
So, how do you create content that will catch on? It’s really not all that different than what you do every day. Create thought-provoking commentary that makes people think, argue, or stay till the end to get the info you teased up for them. I’ve found through my own trial and error that it’s best if you stay away from time-sensitive material, I’ve had more success the more evergreen my content is. That way, the shelf life expands beyond just that day or week. This is different for everyone and there’s no one-size-fits-all, but this is where I’ve seen the most success.
Also, put yourself out there, don’t be afraid to say something that people are going to vehemently disagree with. Again, it’s not unlike what we do every day. It’s one thing to get someone to listen, it’s another to get them to engage. Once they hit you in the comment section, you’ve got them hooked. Comments breed more views and on and on. But don’t just let those sit there, even the smallest interaction back like a shoulder shrug emoji can go a long way in creating more play for your video.
If you want to grow quickly, create a niche for yourself. The best content creators that I follow on TikTok all put out very similar content for most of their videos. This means, unlike Instagram where it’s great to show what a wildly interesting and eclectic person you are, TikTok users want to know what they’re getting the second your face pops up on that screen. So if you are the sports history guy, be the sports history guy all the time. If you are the top 5 list guy, be the top 5 list guy all the time, and on and on, you get the point.
Other simple tricks:
- Splice small videos together. Don’t shoot one long video.
- 90 seconds to 2 minutes is a sweet spot amount of time.
- Add a soft layer of background instrumental music (this feature is found in the app when you are putting the finishing touches on your video)
- Label your video across the screen at the start and time it out so that it disappears seconds later. This way a user gets an idea of what the content is immediately and then can focus on you delivering your message thereafter.
- Research trending hashtags, they are far more important than whatever you caption your video.
- Use closed captions so that people can follow your video without sound.
Finally, don’t be intimidated by it or snub your nose at it. Anything that helps your brand is worth doing and anything worth doing is worth doing well.