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If Only All Sports Drama Matched Dodgers-Padres

As a disjointed NBA and other entities suffer ratings crashes, a thrilling first series in baseball’s new rivalry issued the industry a reminder: Games must entertain to guarantee audiences in an evolving America.

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After midnight in L.A., when even the Jenners and Machine Gun Kelly are asleep, I realized why a ballgame had hijacked me as it cannonballed toward a sixth hour. It wasn’t about rivalry hype, a hopeful premise that the Dodgers — baseball’s corporate goliaths — suddenly are being challenged by a revived bottom-feeder in San Diego. It wasn’t the assembled starpower and affluence — the $365 million of Mookie Betts, the $300-million-plus deals of Fernando Tatis Jr. and Manny Machado, Trevor Bauer’s $40 million a year, the batboys making six figures with comped hotel suites (kidding, I think).

Betts Makes Diving Grab As Dodgers Beat Padres 2-0 | San Diego, CA Patch

It wasn’t even the startling element of raucous crowd noise, louder than 15,250 humans seem capable of generating in what surely was the decibels leader of sport’s pandemic era, Super Bowl and Wrestlemania included.

No, I was excited enough to keep watching because: (1) the players showed up for the weekend series, in uniform, even as Tatis, Machado and Betts have battled injuries; (2) they were excited to be at Petco Park, engaged in mid-April fury with the urgency of “a playoff game,” as Dodgers manager Dave Roberts said afterward; (3) not a soul was taking the evening off due to  “rest” or a “minutes restriction” or “load management” or while tending to a “personal matter” or a “mental day;” and (4) the Friday night game was friggin’ great — all four hours and 57 minutes of it, including an incident that emptied dugouts and bullpens — proving that the length of an extra-innings classic doesn’t matter when intensity and quality are next-level and both teams actually are trying to win a championship.

And what happened the next night? Another thriller, crisp and low-scoring, featuring more animosity — a God-fearing Clayton Kershaw, firing f-bombs at Jurickson Profar, who fired them back — and ending with Betts racing 60 feet, laying out his delicate body and saving the 2-0 victory by slamming into the grass and securing a liner in the heel of his glove, an inch or two from a trap. Imagine, a player of that pay grade risking his health so early in a season.

“I just kind of blacked out,” said Betts, who celebrated by pounding his chest four times and shouting into the night. “I was kind of in the moment. I just knew when the ball went up, I had to catch it, and that’s what I did.”

If this is an indirect way of upbraiding the NBA for its disjointed regular season, so be it. Certainly, Major League Baseball is overloaded with its own problems — COVID-19 outbreaks, tanking teams, sexual harassment probes in front offices, ball-doctoring by pitchers such as Bauer, an abysmal percentage of Black players on rosters (7.6 percent) and the darkening clouds of a labor impasse at season’s end. The Minnesota Twins are the latest team to require game cancellations after multiple positive virus tests, making fans think twice about attending games while reminding the sports world that a pandemic still rages. “This is the unfortunate reality that we live in,” Twins manager Rocco Baldelli said. But at least MLB, after weeks of promising special drama in these Dodgers-Padres tussles — “We’re going to get 19 World Series games this year,” the Dodgers’ Justin Turner said — delivered in the first of six series between teams separated by 120 miles of interstate highway.

I have no reason to trust the NBA and its careless competitive breaches. Unspoken tension between the players and commissioner Adam Silver, who insisted on starting a 72-game regular season only 71 days after last season ended, has resulted in an unwatchable mish-mash of athlete and franchise indifference, DNPs and suspicions that some stars aren’t injured as much as they’re being stashed away protectively for the playoffs. And those who are legitimately crippled — Denver’s Jamal Murray is out until next season with a torn ACL, ruining the Nuggets’ hopes — have every right to wonder if a short offseason increased the risk of serious injuries. After losing an estimated $2 billion in the Disney Bubble experiment, Silver saw financial advantages in a Christmas Week start, as encouraged by broadcast partners ESPN and Turner, while ending the postseason just before the Tokyo Olympics in late July.

The players aren’t happy, blaming the league for a spate of injuries both real and imagined. The Toronto Raptors, champions two years ago, are among those deeming “rest” more important than a playoff berth — even in a season when there are 10 qualifiers in each conference. “There’s certainly ups and downs to this thing more than I’ve ever experienced in my life. To be honest, this is probably the most un-pure year of basketball I’ve ever been a part of, just from the whole league and rushing the season back,” the Raptors’ Fred VanVleet said. “It’s pretty much all about business this year on every level and it’s hard to hide it, you know what I’m saying? … I think this year, the industry side has taken precedence over some of the love and joy.”

What Silver didn’t anticipate was an aesthetic disaster, the antithesis of the Dodgers-Padres masterpieces. If you doubt this, consider NBA ratings have dropped again, to the point a TNT doubleheader last week drew only 724,000 viewers, or less than we used to attract on ESPN’s “Around The Horn” during our peak years. The best potential story in Silver’s kingdom is across the bridge, in Brooklyn, where the Nets might be the most potent offensive team ever. Too bad we’ve yet to see the starting core — Kevin Durant, Kyrie Irving, James Harden, Joe Harris — play more than a handful of minutes together. Durant, of course, is returning from a career-threatening right Achilles’ tendon rupture. But it happened almost two years ago. Two months after an unrelated hamstring injury in his left leg, the Nets routinely keep him out of games as a precaution more than a necessity. Harden is out with a hamstring strain, but he’d surely be playing on it in the postseason. Irving? He comes and goes as he pleases, the most maddening free bird in sports, capable of calling in sick or wigging out on a whim. Somehow, Nets general manager Sean Marks is fine with the flim-flamness, which prioritizes playoff health over all else, continuity and chemistry be damned.

Injuries and pandemic give Nets a healthy dose of lineup changes | Newsday

Anyone thinking about the fans in this equation? Last week, the NBA was poised for its potential version of a hot new rivalry: Nets vs. 76ers. ESPN was so juiced, it broadcast the game on its blowtorch feed and two other platforms, ESPN2 and ESPN+, which featured an all-gambling analytical focus for the first time. Hours before tipoff, the Nets announced Durant wouldn’t play, choosing to use him 27 minutes the previous night against the dismal Timberwolves to ensure at least one win in a back-to-back sequence. Across America, viewers flipped channels. The showcase game was a bust, producing numbers lower than AEW, pro wrestling’s junior-varsity brand.

“We want to get everyone healthy, and that’s just as important as circling the calendar for Philly,” Durant said.

“We’ve got to protect him,” coach Steve Nash said.

Ah, Nash. He was leading a comfortable life in Manhattan Beach as a soccer aficionado, an advisor to the Golden State Warriors and Canada’s Olympic team and a philanthropist who once was named one of Time magazine’s 100 most influential people. Why did he take the Nets’ gig again? He has used 30 different starting units and is accustomed to games with 10 or fewer active players. Just when he was excited about acclimating big man LaMarcus Aldridge in the starting unit, the seven-time All-Star abruptly retired due to an irregular heartbeat. If that’s not random, how many times has Blake Griffin suited up compared to his frequent flannel-shirt sightings as a cheerleader?

“We may not get any games with our whole roster. Nothing is promised tomorrow,” Nash said. “I don’t want to worry about or be concerned about things that are out of our control. I also don’t want any excuses. You start playing that game where it’s like, well we haven’t had any games with our full roster. But in a sense, that’s irrelevant. We don’t control that.”

Irrelevant? The Nets are a title contender, not a playoff aspirant. “We just keep moving forward, keep trying to get better, and if we get a full roster that would be great and if we don’t we keep plugging away every day,” he said. “I’m not going to worry about when we’ll have the full roster. We’ll just chip away every day with whoever is available. Continue to build this thing and if we’re fortunate to have everyone back, that will be a blessing.”

Nash won’t say it. I will: The Nets are exploiting their fans, and Marks is on board to avoid a player mutiny. Sunday, Durant was in the starting lineup for an ESPN game against the Heat, who didn’t have star Jimmy Butler, out with what was called a sore ankle. Durant launched an immediate scoring burst — eight points in the first 93 seconds — then was lightly fouled by Trevor Ariza in the hip area. What happened next? Durant walked to the locker room with a “left thigh contusion” and didn’t return. Yet another hyped game was diluted, while NBA insiders asked: If Durant is this brittle, how are the Nets supposed to compete for a title? Or, is he simply a very good actor who’s distracted by his well-chronicled (and foolish) social-media wars?

“He’s sore,” said Nash, “but we don’t know how severe.”

Don’t mistake this as a claim that LeBron James, Anthony Davis, Giannis Antetokounmpo, Joel Embiid, Paul George and Donovan Mitchell haven’t been dealing with daunting setbacks. But I do wonder how many of these cases are being slow-played by teams focused entirely on the postseason, which means the final weeks of the regular season are being tanked by contenders. How can Silver, a self-described integrity enforcer, ignore rampant surrender throughout the league? He’s fortunate ticket-buyers still are kept at a minimum number, or he’d be sued for consumer fraud. He still might be.

This is no way to keep fans watching on TV or luring them to arenas as COVID restrictions ease. The pandemic has jarred many Americans into a pragmatic perspective: Who has time, money or energy for sports when the bigger objective is survival in a swirling, evolving world? As the industry is painfully aware, the ratings continue to crater for the biggest events — the Masters sunk to its lowest spring viewership numbers since 1993. This follows all-time lows for the NBA Finals and World Series and the lowest Super Bowl ratings since 2007. The NCAA tournament title game, which saw Baylor upend Gonzaga’s unbeaten season, was the least-watched since 1982. Don’t accept the easy explanation and assume it’s about cable cord-cutting. Or the premise that politics and anthem-kneeling have killed ratings.

Sports is entertainment.

And if the entertainment sucks, or is unreliable, people won’t watch. That goes for Netflix, the Oscars or the Brooklyn Nets. The NFL is the only league that has stood the test of COVID and continues to expect substantial traffic, which explains why CBS, NBC, ESPN/ABC, Fox and Amazon plunged $113 billion into 11-year deals. When the NBA leaks that it wants $75 billion in the next rights rush, when its current deal doesn’t expire for four more years, I would point to the Nets and other teams in the pattern of sitting players and ask if fans have lost measures of interest. The Western Conference-leading Utah Jazz, already missing Mitchell, rested Rudy Gobert, Mike Conley Jr. and Derrick Favors for “injury recovery” purposes Saturday. Who wants to watch second-rate events? When fans return to games en masse, shouldn’t ticket and concession prices be slashed if roster dilution becomes business as usual?

Utah Jazz: When might Donovan Mitchell return from injury?

The NBA playoffs, starting a month later than usual on May 22, could be a ratings bust if watchability standards don’t improve markedly. This is the summer Americans have awaited for a very long time — free of isolation, who wants to sit at home watching basketball when no one knows who’s injured or not? The play-in format, meanwhile, already has been torched by Mavericks owner Mark Cuban and star Luka Doncic, who suddenly realize Dallas’ No. 7 seeding would require an additional three-game series against Steph Curry, Gregg Popovich or Zion Williamson. Said Doncic: “You play 72 games to get into the playoffs, then maybe you lose two in a row and you’re out of the playoffs. I don’t see the point.” Now that he mentions it, the fans might not see the point of tuning in.

I didn’t plan on watching more than an inning or two of Dodgers-Padres, Night One. The series seemed like a media creation that annoyed the World Series champions. “It’s just another division series,”  Corey Seager said.

“Obviously, we know they’re good,” Betts said of the Padres. “But everyone is good in the big leagues.”

Was this a case of the inferior neighbor to the south, envious of all things L.A. and Hollywood, trying to manufacture a challenge? The Petco DJ played “Dust in the Wind” and “Wreck of the Edmund Fitzgerald” as the Dodgers took batting practice. Really? Hours later, after four late lead changes and 17 total pitchers, Seager finally reminded us of the Dodgers’ supremacy with a modern novelty — a leadoff, two-run homer. Yes, the new extra-inning rules were in play, with a runner starting the half-inning on second base, and wasn’t it a treat watching the Padres finally succumb by using second baseman Jake Cronenworth in emergency relief? He allowed an RBI sacrifice fly to weak-hitting pitcher David Price, who flew out to … Joe Musgrove, last week’s no-hit wonder, who’d been inserted in left field. Later, Cronenworth struck out Betts, who went down swinging on an 89-mph fastball.

“I wanted to maybe throw a little harder,” he told reporters, “but they told me not to.”

All we wanted was more. It was the best baseball game I’ve seen since March 11, 2020 — the start of the COVID calendar — and probably the best wire-to-wire sports event. Night Two came close, with Kershaw and Yu Darvish dueling as a ripple of the sport’s best two pitching staffs. Kershaw smelled a farce when Profar let strike three whiz by him, then intentionally swung late, wanting home-plate umpire Tom Hallion to think he was checking his swing. When his bat grazed the glove of catcher Austin Barnes, Profar remained at home plate.

“That’s a (expletive) swing!” Kershaw shouted. 

“Shut the (expletive) up!” Profar replied.

Padres announcer has hilarious interpretation of Clayton Kershaw-Jurickson  Profar beef (Video)

Hallion, whose performance was wretched all night, somehow let the New York replay crew decide if Barnes committed catcher’s interference, as the Padres were claiming. Meanwhile, Kershaw was yelling and pointing his finger at Profar, who was standing on first base and had to be restrained by coach Wayne Kirby from attacking the regal pitcher. “That’s a little scary,” Kershaw said later. “Barnes could have been seriously injured on that play. He basically swung down and backwards. I’m not saying it was intentional, but that was not a big-league swing.”

Profar was allowed to stay on first — the replay crew, oddly, agreed the catcher had interfered. But Kershaw, as usual, won in the end. With Darvish starting to wobble after retiring the first 14 batters, Kershaw came to bat with the bases loaded … and coaxed an eight-pitch walk that drove in the only run the Dodgers needed. “I was just trying to be annoying, really,” Kershaw said. “I wasn’t going to get a hit off him. He has too good of stuff. I was just trying to be a nuisance to him, fouling off pitches.”

The Padres avoided the sweep Sunday against Bauer, who allowed only a solo home run and two singles with seven strikeouts in six innings. The bullpen let him down, giving the Padres oxygen … until the rivalry resumes Thursday night in L.A. The Dodgers are 13-3, best start ever by a defending World Series champion. Playing in a division with three stragglers and a league with only a smattering of real contenders, why can’t they surpass the 116-win regular seasons of the 2001 Mariners and 1906 Cubs — and the 125 total wins of the 1998 Yankees? That team was the last to repeat as champs, part of a trifecta ending in 2000, and you sense the Dodgers, after years of falling short, are prepared to make the competition pay with a dynastic run.

“When it’s time to make a play or a pitch, we do it,” said Betts, whose 12-year contract extends through the 2032 season. “If we keep doing it, we’re going to be successful for a long time.”

That they rose to match the passion of the moment, with autumn so far off, is a tribute to the organization. The Dodgers are the gold standard in American sports, having mastered modern business practices and analytics and meshing them with MLB financial might matched only by the Yankees. Jerry Jones has the most valuable sports franchise on Planet Earth, but the Dallas Cowboys haven’t reached a Super Bowl this century. The Yankees are second on the list, but they haven’t won the Series since 2009. This season, they are a toxic spill onto themselves, still struggling to beat the team they’ve subsidized in revenue sharing, the Tampa Bay Rays, as fans pelt the field with baseballs and turn the Stadium into a danger zone. The Dodgers are a colossus, the bluebloods who got it right, from the on-field product to a Chavez Ravine experience improved by a $100 million renovation of the outfield pavilion and beyond, including what team president Stan Kasten calls “an open-air baseball history museum.”

Every beast needs an adversary. In a pop-culture context, the Dodgers are the triumphant Godzilla and the Padres are the quashed Kong. Neither the movie nor the first three World Series games, as Turner put it, let us down. “Neither team wanted to lose,” Price said after Night One. “Everybody was playing extremely hard. This is a good rivalry, a fun rivalry to be a part of. Just a ton of really good players.”

“We knew it was going to be emotional and intense coming here,” Roberts said after Night Two. “It’s certainly lived up to the billing.”

Dodgers' Dave Roberts talks racism and George Floyd's death - Los Angeles  Times

“Really fun to watch,” Kershaw said.

By comparison, the NBA tankers remind me of Shaquille O’Neal in his TNT office chair last week, asleep as Dwyane Wade and Candace Parker lobbed grapes at him. They have five weeks to wake up.

Barrett Blogs

Would Local Radio Benefit From Hosting An Annual Upfront?

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How many times have you heard this sentence uttered at conferences or in one of the trades; radio has to do a better job of telling its story. Sounds reasonable enough right? After all, your brands and companies stand a better chance of being more consumed and invested in the more that others know about them.

But what specifically about your brand’s story matters to those listening or spending money on it? Which outlets are you supposed to share that news with to grow your listenership and advertising? And who is telling the story? Is it someone who works for your company and has a motive to advance a professional agenda, or someone who’s independent and may point out a few holes in your strategy, execution, and results?

As professionals working in the media business, we’re supposed to be experts in the field of communications. But are we? We’re good at relaying news when it makes us look good or highlights a competitor coming up short. How do we respond though when the story isn’t told the we want it to? Better yet, how many times do sports/news talk brands relay information that isn’t tied to quarterly ratings, revenue or a new contract being signed? We like to celebrate the numbers that matter to us and our teams, but we don’t spend much time thinking about if those numbers matter to the right groups – the audience and the advertisers.

Having covered the sports and news media business for the past seven years, and published nearly eighteen thousand pieces of content, you’d be stunned if you saw how many nuggets of information get sent to us from industry folks looking for publicity vs. having to chase people down for details or read things on social media or listen to or watch shows to promote relevant material. Spoiler alert, most of what we produce comes from digging. There are a handful of outlets and PR folks who are great, and five or six PD’s who do an excellent job consistently promoting news or cool things associated with their brands and people. Some talent are good too at sharing content or tips that our website may have an interest in.

Whether I give the green light to publish the material or not, I appreciate that folks look for ways to keep their brands and shows on everyone’s radar. Brand leaders and marketing directors should be battling daily in my opinion for recognition anywhere and everywhere it’s available. If nobody is talking about your brand then you have to give them a reason to.

I’m writing this column today because I just spent a day in New York City at the Disney Upfront, which was attended by a few thousand advertising professionals. Though I’d have preferred a greater focus on ESPN than what was offered, I understand that a company the size of Disney with so many rich content offerings is going to have to condense things or they’d literally need a full week of Upfronts to cover it all. They’re also trying to reach buyers and advertising professionals who have interests in more than just sports.

What stood out to me while I was in attendance was how much detail went into putting on a show to inform, entertain, and engage advertising professionals. Disney understands the value of telling its story to the right crowd, and they rolled out the heavy hitters for it. There was a strong mix of stars, executives, promotion of upcoming shows, breaking news about network deals, access to the people responsible for bringing advertising to life, and of course, free drinks. It was easy for everyone in the room to gain an understanding of the company’s culture, vision, success, and plans to capture more market share.

As I sat in my seat, I wondered ‘why doesn’t radio do this on a local level‘? I’m not talking about entertaining clients in a suite, having a business dinner for a small group of clients or inviting business owners and agency reps to the office for a rollout of forthcoming plans. I’m talking about creating an annual event that showcases the power of a cluster, the stars who are connected to the company’s various brands, unveiling new shows, promotions and deals, and using the event as a driver to attract more business.

Too often I see our industry rely on things that have worked in the past. We assume that if it worked before there’s no need to reinvent the wheel for the client. Sometimes that’s even true. Maybe the advertiser likes to keep things simple and communicate by phone, email or in-person lunch meetings. Maybe a creative powerpoint presentation is all you need to get them to say yes. If it’s working and you feel that’s the best way forward to close business, continue with that approach. There’s more than one way to reach the finish line.

But I believe that most people like being exposed to fresh ideas, and given a peak behind the curtain. The word ‘new’ excites people. Why do you think Apple introduces a new iPhone each year or two. We lose sight sometimes of how important our brands and people are to those not inside the walls of our offices. We forget that whether a client spends ten thousand or ten million dollars per year with our company, they still like to be entertained. When you allow business people to feel the excitement associated with your brand’s upcoming events, see the presentations on a screen, and hear from and interact with the stars involved in it, you make them feel more special. I think you stand a better chance of closing deals and building stronger relationships that way.

Given that many local clusters have relationships with hotels, theaters, teams, restaurants, etc. there’s no reason you can’t find a central location, and put together an advertiser appreciation day that makes partners feel valued. You don’t have to rent out Pier 36 like Disney or secure the field at a baseball stadium to make a strong impression. We show listeners they’re valued regularly by giving away tickets, cash, fan appreciation parties, etc. and guess what, it works! Yes there are expenses involved putting on events, and no manager wants to hear about spending money without feeling confident they’ll generate a return on investment. That said, taking calculated risks is essential to growing a business. Every day that goes by where you operate with a ‘relying on the past’ mindset, and refuse to invest in growth opportunities, is one that leaves open the door for others to make sure your future is less promising.

There are likely a few examples of groups doing a smaller scaled version of what I’m suggesting. If you’re doing this already, I’d love to hear about it. Hit me up through email at JBarrett@sportsradiopd.com. By and large though, I don’t see a lot of must-see, must-discuss events like this created that lead to a surplus of press, increased relationships, and most importantly, increased sales. Yet it can be done. Judging from some of the feedback I received yesterday talking to people in the room, it makes an impression, and it matters.

I don’t claim to know how many ad agency executives and buyers returned to the office from the Disney Upfront and reached out to sign new advertising deals with the company. What I am confident in is that Disney wouldn’t invest resources in creating this event nor would other national groups like NBC, FOX, CBS, WarnerMedia, etc. if they didn’t feel it was beneficial to their business. Rather than relying on ratings and revenue stories that serve our own interests, maybe we’d help ourselves more by allowing our partners and potential clients to experience what makes our brands special. It works with our listeners, and can work with advertisers too.

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BSM Writers

Brandon Kiley Doesn’t Pretend To Be Someone He’s Not

“There was a time where the audience probably said, this guy isn’t a St Louisan. But this is home for me now and I’ve adopted it.”

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There must have been something about Brandon Kiley that everyone saw as a young aspiring sports radio host. Nick Wright saw enough to bring him to Houston at SportsRadio 610 as an intern for a summer. Will Palaszczuk saw enough to urge him to apply for his old job in Columbia, MO at KTGR. Ben Heisler saw enough to know he’d fit perfectly with Carrington Harrison in afternoon drive at 610 Sports in Kansas City. 

Maybe you can chalk it up to Kiley being able to make such great contacts. Or maybe it’s just that he was supremely talented at a young age. Odds are it’s a combination of both. But he was destined to be a sports talk host somewhere, it just turns out he’s having success over the air in a city he never imagined he’d work in. 

A Kansas City kid, Kiley knew at 16 years old he wanted to be a sports radio host. He was even more sure of it when he started doing college radio at Mizzou. But it was in Houston where he got his real taste of what sports radio was like.

“I went to 610 in Houston for the morning show with Nick Wright,” Kiley said. “He basically just assigned me as an extra producer. We had known about each other through Twitter and I had a little bit of a relationship with him beforehand. I think he knew I was willing and able to take on more tasks than a typical intern would usually do. Essentially, I became an extra guest booker, cut audio for them, and came up with topics at night. It was like he had an extra producer for the summer and it was my first real experience doing something like that.”

Imagine the confidence he left Houston with as he traveled back to Columbia for another year of college at Mizzou. Few, if any, on campus could have claimed the kind of summer Kiley just had. He parlayed that experience into a once-a-week show at KCOU, the student radio station. The following semester, he pitched the idea of doing a daily show

“I told them I’d take any time slot available,” Kiley said. “The one that I got was the very glamorous 6-7 am time slot. There weren’t a whole lot of college kids that wanted to wake up that early every morning. I ended up having a rotating cast of co-hosts and it ended up being super valuable because I learned how to work with a lot of types of personalities.”

He excelled as a host and found his style behind the mic, and soon after, he got his first big break. In March of 2014, Will Palaszczuk contacted Kiley and told him he was taking another radio job outside the market. The two knew of each other, seeing as both were in Columbia and covering the same games in town. Palacsuk told Kiley he needed to apply for the spot he was leaving at KTGR.

“There was literally one sports station and one sports show in town and it was that one,” Kiley said. “I applied to him the previous semester and said, hey man, if you guys have anything available I would love to come work there. It just so happened he got a job elsewhere and he called me up and said, ‘Hey man, I don’t know what your plans are, I’m about to take another job and they’re going to post my job available. I don’t know if they’re going to make it a producer or co-host gig, but I think you should apply because I think you’d be good at it’. Will’s good work helped a ton in terms of me landing the gig. I graduated and told them I wanted to make it full-time.I was essentially a producer and co-host for the afternoon show. I never even applied anywhere outside of Columbia”

For two years, Kiley stayed at KTGR and covered the Missouri Tigers. He was fresh out of college and living in a college town doing what he loved in his early 20’s. It wasn’t a bad life. But one night in Columbia changed his entire professional career. It just so happened it occurred on the rooftop at Harpo’s, one of the most well-known establishments in town.

“My roommate at the time, we both worked at the radio station in Columbia,” said Kiley. “He worked at the hit music station and I worked at the sports station. We all went out one night at Harpo’s and he said, ‘Hey, I just want to let you guys know I’m getting out of radio and moving to Kansas City.’ I was like, oh shit, what am I going to do? Our lease was up in two months, so the timing worked out well and I was looking at Barrett Sports Media looking where I could go next.”

“My girlfriend at the time, now my wife, was from St. Louis and there was a job available there. I had always thought, that’s not a place I want to live, why would I ever want to live in St. Louis? They didn’t have a football team, it just didn’t seem like a great fit for me. But my buddy tells me he’s moving and I’m like, St, Louis it is! That night I ended up applying for the job and got a call back from Chris “Hoss” Neupert, who at the time was the PD here, and asked if I would be interviewed with him and Kevin Wheeler, whose show I would be producing.”

So off to St. Louis he goes. For three and a half years, Kiley embraces his new city and tries to work his way up at 101 ESPN. 

But the Kansas City kid felt a pull back to his hometown. Oddly enough, Ben Heisler even reached out to tell him he was leaving the station to pursue another opportunity in sports. It felt like the perfect time to pursue his dream of doing sports radio at the station he grew up listening to.

“I’m from Kansas City and grew up listening to 610 Sports Radio,” Kiley said. “A guy I listened to growing up was Nick Wright. I also listened to a bunch of Carrington Harrison, Danny Parkins and Ben Heisler. Those guys had what I consider one of the best shows in Kansas City sports radio history. I got to know them through Twitter and Heisler sent me a text. He knows I’ve always been interested in moving to KC. He tells me he’s about to get out of radio and into more fantasy football stuff and his job is going to come open.

“I had applied for multiple other jobs in KC over the years and had never gotten any real consideration. When Heisler left, I knew Carrington and thought this might work out. I ended up getting in contact with their PD Steven Spector and it felt like a real opportunity. I got what I considered to be my dream job, producing in the afternoons and hosting a Saturday show at 610 Sports. I thought, what could there be more in life than this? This is the best.”

But life happened and he had to make a decision around three months after moving to Kansas City.

“2-3 months later it became clear, it was going to be difficult for my girlfriend, now wife, to move to Kansas City with all of the family ties she had in St. Louis,” said Kiley. “It was the decision of, do you stay in Kansas City and chase the dream or do we alter the dream, in terms of the job, and see if there’s anything in St. Louis?”

He never thought his best years and most successful years as a sports radio host would come in St. Louis but they have. It’s a city he loves and he’s worked hard in hopes it will love him back. But he’s also not going to pretend to be someone he’s not. Though it can sometimes be hard for St Louisans to accept someone that’s not from there, Kiley doesn’t act like he attended World Series games in 1982, listened to Jack Buck growing up or watched Kurt Warner at the Edward Jones Dome. He’s himself.

“That wasn’t my love and I can’t pretend that it was,” said Kiley. “Have there been times, especially early on where that was a potential issue for me? Yeah it was. There was a time where the audience probably said, this guy isn’t a St Louisan. But this is home for me now and I’ve adopted it. It does in a lot of ways remind me of Kansas City, where if you take the time to know what the soul of the city really is, in terms of sports, I think people can appreciate and respect it.”

Kiley doesn’t hold on to his Kansas City roots on the air, in terms of the topics he talks about. He’s a Chiefs fan and even writes for Arrowhead Pride, but he’s not going to talk a lot about the Chiefs in a city that doesn’t have an NFL team. He’s also a Mizzou grad and talks about the teams on Rock M Nation, but again, he’s rarely, if ever, going to do several segments a day on the Tigers. Instead, he knows the audience wants to hear about the Cardinals. Blues talk is clearly next in line. Everything else falls down the order if not off of it completely. 

Kiley grew up watching baseball, so he can easily break down what issues the Cards’ offense may be having in the middle of May, but hockey was different. He didn’t grow up around the game and the transition to having in-depth conversations on the Blues was a more difficult task. 

“When I came here the first time it was during the middle of a Blues’ playoff run. At that time I was just plopped into this thing, and I didn’t know shit about hockey. I had probably watched about 10 hockey games in my entire life. I’m looking at Kevin Wheeler like, I’ve got to be honest I don’t have a lot on hockey I’m going to be able to help you with. If you could help bring me along with it, that would be great. Over the years I’ve been able to take it in. I used to host a show with Jamie Rivers, who’s a former Blues player. If you told me five years ago I’d be able to do that, much less enjoy doing that, I would have said you’re out of your damn mind.”

Whereas most sports radio shows in football markets are searching for content to help fill segments, this is one of the sweetest times of the year for Kiley and everyone at 101 ESPN. The Blues are deep in the playoffs and the Major League Baseball season is underway. His show BK and Ferrario covers it all every weekday from 11 am – 2 pm. 

Kiley never thought this would be his life, but he loves what he’s built in St.Louis and doesn’t give off the vibe he’s looking to leave anytime soon. He’s a great example of someone who didn’t pigeonhole himself into just one market. He was willing to look outside of his hometown and has found true success. 

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Will Middlebrooks Has Been The Breakout Star Of The Red Sox Season

“If I was going to work for an organization or a regional sports network, why not the Red Sox, for someone that I’m actually a fan of?”

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The Boston Red Sox experience in 2022 is just different. In every way.

The team has struggled out of the gate. They certainly aren’t the team that was two wins away from the World Series last year.

Fenway Park doesn’t even accept cash anymore.

But it’s not just that the Red Sox are different on the field or at the ballpark – they are different on television too.

When loveable, longtime Sox broadcaster Jerry Remy died in October 2021 at the age of 68, we knew that consuming the Red Sox on TV would never be the same.

There is no replacing Jerry Remy. One person can’t do it. No way.

And the fans know it.

The bosses at the NESN know it too. They haven’t tried to replace Remy on the broadcasts with just one person. 

In fact, they’ve brought in several new people to the broadcast team. A group of people just rotating in, giving viewers a different experience and a different perspective every night. 

They’ve added former Red Sox players Kevin Youkilis and Kevin Millar to the broadcast booth roster. They’ve added Tony Massarotti of 98.5 The Sports Hub as well.

And in the pre- and post-game studio, they’ve taken a similar approach, which is an extension of previous years, mixing and matching host Tom Caron with a slew of former Red Sox players including Jim Rice, Tim Wakefield, Ellis Burks, Lenny DiNardo, and former Sox infielder Will Middlebrooks, who will be in the studio for about 40 games this season.

I think that NESN has found a formula that works. It’s been fun and informative – and different. In a year that serves as a constant reminder of what’s been lost as a viewer, it’s refreshing to realize that these broadcast teams are giving you something gained.

A star is born.

When I mentioned to Caron that I wanted to write a piece on Middlebrooks, he said: “He’s a rising star.”

And it’s easy to see why he feels that way.

Will Middlebrooks is young (33), accessible, opinionated, active on social media, and he has the playing resume to legitimize his point of view.

But it took some real coaxing to get into the business in the first place. After a devastating leg injury ended his playing career in 2019, Middlebrooks was unhappy.

“I sat around and sulked and was angry about it for about three months,” he said. “And my wife, Jenny (Dell), finally said, ‘You need to get off your butt and do something, find not just, work, but find something you’re passionate about again.’”

He didn’t know at that time that he was passionate about media work, but Dell, who works for CBS Sports, volunteered him to do a show at CBS Sports HQ in Ft. Lauderdale, near where their family resides.

“She said, like it or not, you have a show in three days. You’re going to try it out, and if you’re good at it, they’re going to hire you,” he recounts of their conversation. “I was like, I don’t want to do it. I’m not ready to talk about baseball. I hate baseball right now. I just have such a bad taste in my mouth from everything that happened over the past year.”

But that didn’t deter Dell from pushing her husband to take the chance.

“She said, well, I don’t care. I already told them that said you would do it,” he says. “So she kind of threw me to the wolves, but for the best. And I went in and I gritted my teeth and just got it done and then talked baseball. I did it a couple of more times and they said, ‘Hey, you’re decent at this. We’re going to hire you on for a year!” “And here we are, I’m four years into it,” he joked.

And over those four years, Middlebrooks has ballooned into one of the most recognizable follows for baseball fans. In addition to working at NESN and CBS Sports, he’s also one-half of the Wake and Rake podcast, has appeared on ESPN Radio, has done color commentary for college baseball, and has more than 155,000 Twitter followers.

Resonating with Boston 

When I ask Middlebrooks about landing the NESN gig for 2022, he beams through the phone. He says he wanted the challenge of working in Boston and he welcomed the opportunity to expand his media footprint.

It’s evident that he loves the Red Sox – and the city of Boston. How couldn’t he? He made his Major League debut with the organization, played parts of three seasons with the team, won a World Series with the Sox, and met his wife in the city.

“If I was going to work for an organization or a regional sports network, why not the Red Sox, for someone that I’m actually a fan of?” he said. 

While it’s clear that Will loves Boston, and it’s clear why NESN loves him, what needs more unpacking is the attachment that the Red Sox fans have to him considering he spent just those three seasons there and doesn’t live in New England full-time. 

Middlebrooks can’t quite figure out why the people of the region hold him so close, but he does have a good hypothesis.

“I think that if I left anything, it was people saying, ‘well, he played hard. He gave everything he had,’ he said. “And I know that’s really important in Boston, just the blue-collar mentality of ‘keep your head down, work, play as hard as you can, even if things aren’t going well, just bust your butt and be a good teammate and all that.’”

But there just may be something else at play.

“I think a lot maybe had to do with when the marathon bombings (2013) happened…I’m pretty outspoken on social media about that stuff and with my teammates, we all rallied around each other,” he said. “I think I was just lucky enough to be a part of a team that was really special to everybody in Boston. So they embraced me after that.”

The Family Dynamic 

Dell has been in sports media for more than a decade as a host and sideline reporter for CBS and NESN before that. She knows the business and its nuances. She understands when and how to look at the camera and when and how to ask questions of athletes. She knows the expectations of her husband’s current employers. She’s undoubtedly a great resource to have.

But as Middlebrooks finds his own footing in the business, and as his star grows, what is that dynamic like? She has the answers to the tests already, but how does he balance using that resource versus figuring things out on his own?

“I’m very open to anything she has to say,” he said. “I’ll come out of my office, like, ‘Hey, that was pretty good!’ And she’s like, ‘Yeah, it was good…but…”

“She always has something, and at first it used to really annoy me, because I’m like, man, I thought I was doing really good,” he said. “And she’s like, ‘No, you are doing good. I’m just trying to help you get to that next level. There are just little things here and there that you don’t know.’ And as a competitor, it’s really frustrating. But you know, after a couple of minutes I walk away, I’m like, you know what? I’m really appreciative to have that access to someone that can help.”

What’s Next?

At such a young age with such already vast experiences, it seems plausible that even bigger media steps could be in play for the former infielder. I asked him if he has a goal he’s working towards. Sunday Night Baseball? The MLB Network? Something else?

“One thing I’ve really learned is to not look too far down the road and kind of just live in the moment and enjoy the moment,” he said. “I’m really happy with being with with CBS and with NESN, and within that umbrella, of course, I would like to grow. Does that mean in the booth? Does that mean more games pre and post? Sure I’m up for anything where they want me, because what I’m doing right now, I feel like is a dream job outside of playing and I’m so happy with it.”

Middlebrooks has been on the NESN broadcasts all week and will continue through this weekend as the Red Sox host the Mariners in a four-game series.

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