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Brett Kane Is Here To Kick Back & Make People Laugh

“They are so much like my group of friends that I hang out with, where, really, it’s all about busting each other‘s balls.”

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Butt dials are almost always a super embarrassing situation. Sometimes it means accidentally dialing an ex, other times it may mean texting absolute gibberish to a contact you’ve made. Regardless, it’s super embarrassing. Oh and I may or may not have experience with one or both of those. 

Poem the News: Butt Dialing The Cops While Choking Your Husband – CBS  Chicago

But there’s at least one known instance where a pocket dial actually benefited someone. In fact, it actually helped create one of the best sports radio segments in Denver. 

Brett Kane was hosting a show at 93.7 The Ticket, near his hometown in Nebraska. While listening to a podcast during a workout, he accidentally hit the speed button you can find at the bottom left hand corner on Apple Podcasts to make it to half-speed. He laughed hysterically, sure, but with that, also, sparked a brilliant idea for a new segment. 

“I think I was listening to a Dan Le Batard Show podcast,” said Kane. “Hearing Stugotz slowed down was the most hysterical thing in the world. I had to pause doing any sort of exercise, because I was dying laughing. I went to one of our podcasts at the time and said, what if I just did this to us? The same thing happened. Now it’s become if you hear anything, and our producer Marty is so good at this, if you hear anything that could remotely sound like it’s funny, mark it and try it and see if it will work. It really was an accident. But it’s one of those things where I heard it and a lightbulb went off.”

Drunk Takes has become one of the best segments on Moser, Lombardi and Kane. It works because it’s both funny and unique content, but also because it fits perfectly with the theme of the show, which, simply, is three guys sitting around and busting each other’s balls. 

Kane isn’t exactly new in Denver, he’s been there for over two years since getting the gig with Altitude Sports Radio. But compared to his two co-hosts, Marc Moser and Vic Lombardi, he might as well be wearing a fanny pack and holding a camera around his neck like a tourist. However, finding chemistry with two longtime Denver personalities wasn’t as difficult as the native Nebraskan initially thought it would be. 

“They are so much like my group of friends that I hang out with, where, really, it’s all about busting each other‘s balls,” said Kane. “That’s honestly what it is. I got in here and it literally took me a week, maybe two, to figure out it was going to be very, very simple. Our sense of humor is the same and they just want to kick back and make people laugh. Everyone’s got their different quirks and you have to find out what makes people tick, but for a starting point, I feel like I was ahead an entire lap when this whole thing started.”

It makes their show super relatable. Three guys sitting around and talking sports while making fun of each other sounds like every guy’s group of friends. If the goal in sports radio is to make it seem like you’re having a conversation in a bar, Moser, Lombardi and Kane accomplish that on a daily basis with their style and humor. 

Moser, Lombardi & Kane morning show simulcasts on Altitude Sports |  9news.com

“It’s funny because we usually get this from people who are new to the show, and if you listen to the show for a while you get it, but poor Moser,” laughed Kane. “He probably gets it the worst out of anybody. We all get our turn on the hot seat, right, that’s what we always say. At the end of it, we get people every once in a while saying something like, do you guys hate him? Why do you keep picking on him?

“It’s almost like we have to explain to people the reason why we do this is because we genuinely like each other. You don’t start crushing somebody you don’t like to their face. That’s not how it works.”

One of the best things about getting hired at Altitude Sports Radio for Kane, was the timeline that it happened on. Dave Tepper, who’s had success in multiple markets, was hired away from 1620 The Zone in Omaha to become the PD at Altitude. It was a huge help for Kane, seeing as his boss was also leaving Nebraska for a new market and near the same exact time as him. 

“It was almost like a buddy who you’re on vacation with,” Kane said. “Like, hey, have you checked the spot out yet? Have you visited here? It was a feeling that we were trying to figure this thing out together, because he was only here a few months before I was. You’re trying to learn a new place, and I love it here, but I’ve lived in Nebraska for basically my entire life and it’s different here.

“You’re just trying to get a feel of what people want, especially coming from a market like I did in Nebraska, where it doesn’t matter if it’s in the middle of football season or in May, it’s Husker football the whole time. You almost recalibrate because there’s so much more here, as far as the sports landscape. Having someone else who had the same perspective as I did, and understood that you almost have to retrain your mind a little bit, was a massive help.”

Altitude has a bit of a different approach to it’s daily content than some of its competitors in town. Whereas some stations in town take the approach of always talking Broncos, Altitude likes the approach of including Rockies, Nuggets and Avalanche talk more than anyone else in the market. 

Does Brett miss talking about college football? Sure, but instead of talking about one team for 12 months, there are enough teams and interest in his new city to spread the wealth around. 

“I think it’s been good,” said Kane. “You almost have to-retrain an audience to a certain extent. Like, no, this is allowed too. You can do this and be successful at it. And I think there’s an appetite for it. The most important part, and I’m not going to force feed anything, there is an appetite for the stuff and it came across pretty clearly. We know the Broncos are king and that’s never going to change, so when you have teams that are as successful as the Nuggets and Avs are, it would almost feel like you’re ignoring that certain segment of people that want that in their daily lives. It’s kind of our way of branching out and being and a bit different.”

With Dave Tepper at PD and the entertaining list of hosts the station has collected, Altitude has made monumental strides. They’ve even expanded their content to TV and Twitch, where listeners can watch each host’s every move from a television, iphone or computer screen. But just because you can watch, it doesn’t mean Kane and his co-hosts are changing the way their radio show is done.

Denver trailblazers Moser, Lombardi, Kane leap from airwaves to eyeballs

“If anything, what it does is give you an extra glimpse, like some of the faces Moser more will make or the body language these guys have, it’s just adds another layer to it. So we can be the most successful Twitch show in the history of Twitch but if the radio staff isn’t there, we’re just placating to that audience. That’s not how it works. We are a radio show and we make sure to say this even we went to television, this is a radio show on TV not a TV show on the radio. We always keep that perspective about it. The only thing that really matters now is don’t pick your nose. That’s kind of it.”

Keep an eye on what Altitude does over the next couple of years. With strong  leadership and talent in place, one would think the station’s best days are ahead. Especially as Moser, Lombardi and Kane continue to put out content that’s relatable to guy’s all over the market. Brett Kane is also further proof that outside talent can come into a new market and not only have success, but quick success. 

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BNM Writers

It’s Time for News Radio to Clean Its Clock

With radio, the top of the hour always begins with a self-aggrandizing, overly-produced introduction to a program I may have been listening to for half an hour already.

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A photo of clocks

News radio is an interruptive format that swiftly moves listeners from one informative topic to
the next but over the years we’ve gotten bogged down with an insufferable amount of clutter: too many commercials, endless promos and teases, and pointless production pieces. All of it
interrupts the flow and cuts into the interesting information you promise to provide.

Let’s clean the clutter, starting with the anachronistic basis for it all: your hourly format clock.

I’ve never understood why radio stations root themselves to the clock. The show starts at the top of the hour and you bury your boring features at the end. Why? Why should the top of the hour be considered the beginning of anything? It’s not how people live their lives. Radio isn’t like TV where shows start at specific times. Hell, TV isn’t that way anymore.

But with news radio, the top of the hour always begins with a self-aggrandizing, overly-produced introduction to a program I may have been listening to for half an hour already. This is especially true with morning shows, where simple logic would suggest that people trying to get to work by the top of an hour begin listening at various times before then.

Who even owns a clock radio anymore?

The 21st century is nonstop. There is no daily news cycle, no beginning or end to anything but
news radio programmers still think of time in divisions of hours, minutes, and seconds. We still draw empty circles depicting analog clocks to plot hourly radio formats.

On news and talk stations, the top of the hour almost always begins with the hourly network
report. It’s the biggest of big-time radio, steeped in tradition, professionally detached, global. In other words, it sounds nothing like your radio station in your unique market and it contains the least interesting content you have to offer.

We cling to the networks at the top of the hour for their prestige, because that’s just how we’ve always done it. Any national or international stories of real interest to Americans, the latest Trump-Biden court decisions, for example, will be well covered in talk shows and you’ll probably want to drop it into your local programming, too. How about a one-minute segment twice an hour, 60 seconds of just the big national and world stuff, in 10-15-second boil-in-the-bag headline segments? I’m just spitballing here. You’re the programmer.

In my heretical news radio mind, the networks do great journalism but they still sound flat,
stuffy, and old-fashioned. They don’t sound like anything else on my station. I’ll dump the top-of-the-hour five minutes and cherry-pick the network sound bites. We’ll deliver them ourselves.

While I’m carving up your format and trying to get you thinking outside the box, do you need
traffic reports every ten minutes? Or, at all? Heresy, I know. Catch your breath and read on.

When we had real-time airborne local reporters telling us what they were looking at it had a gee-whiz factor and the information mattered because it was live, local first-hand reporting. I could imagine the scene as it was being described. Now we have reporters in booths looking at
computer feeds and doing shotgun-style traffic reports for multiple cities. Words without
pictures.

I knew an L.A.-based traffic reporter who did reports for Salt Lake City though she had never even been there. These so-called “real-time traffic” reports are nearly always recorded and delayed for playback. Does this practice serve any purpose at all except to deceive listeners?

Not incidentally, traffic reports are a prime target for AI exploitation. How difficult can it be to
attach state and local transportation agency traffic data to AI voice-to-speech generators? For all I know this is already being done. You can argue it’s cost-efficient but as a longtime morning news host/anchor/personality, I despise it. One of the greatest assets to any morning news team is the interaction between news and traffic people.

When Amy Chodroff and I started working together at KLIF a dozen years ago we had that human contact with remarkable radio veteran Bill Jackson doing traffic from an adjoining studio. Bill wasn’t just a voice, he was a talented news radio veteran and a valued part of our show. He was so good the company, Cumulus, put two more stations on his plate, ripping a valued team member away from us.

As hosts, Amy and I had to assume Bill wasn’t able to listen to the show anymore because he
was too busy gathering and preparing his reports for the other stations. Then he was shipped out of the building to do his work from home which made his insights and witty exchanges
impossible. We couldn’t talk to each other off the air. We couldn’t exchange glances, smiles, and hand signals or bump into each other in the hall. Our show suffered and our audience became a bit more detached.

Bill Jackson, real name Dale Kuckelburg, was also significantly detached from his career.

But I digress. The biggest problem with traffic reports is the shotgun approach I mentioned,
telling everybody in our listening area driving to their unique destinations how traffic is snarled thirty miles away. Good god, we have apps in our cars that do a much better job in real time.

How about the weather? What the hell, we’re swinging the ax here. Let’s be realistic.

There isn’t a day in my life that I don’t wake up with a fair idea of what weather I should expect. I don’t need someone on the radio telling me to carry an umbrella. If it’s iffy the immediate and highly local details are now available at the touch of an app. When the weather becomes of critical and life-threatening importance it’s a major news story and that’s when local radio news shines, making it the center of our continuous attention, not just a regular feature at scheduled times.

It’s your radio station, do what you think is best. I’m only suggesting that you might want to
reevaluate all the things we’ve all taken for granted for far too long.

News radio has always been an interruptive format. We promise listeners “the news you need” in the time it takes them to drive to work. They understand that they’ll receive useful and
interesting content in exchange for frequent subject switching and sponsorships. The great news stations know how to capitalize on that agreement but too many have sold their souls to
commercial clutter that chokes a news team’s ability to serve the promised meal.

As if 22 minutes of inane and repetitive commercials per hour aren’t bad enough programmers, struggling to do their work in a hurricane of increasing spotloads, add to the clutter with recorded promos that simply beseech listeners to keep listening while offering nothing of substance. Meanwhile, the same programmers tell talent to tease, tease, tease the subjects they’ll talk about six, twelve, and twenty minutes from now.

I know the business reality. Radio — especially news radio — is struggling to meet the profit insistence of corporate boards and the overhead needs of staying afloat locally. But at some point, we must answer the question, who do we have to serve first, our clients or our audience?

Station managers and their corporate masters have to stop issuing profit mandates without
offering programmers the opportunity to do their jobs, to provide more valuable content while
limiting commercial minutes, sponsorship rhetoric, and eliminating distracting bells and
whistles.

Clean your clock. Stop filling empty circles with stuff that made sense 50 years ago but is merely clutter today.

The only way to think outside the box is to get rid of the box.

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BNM Writers

AM 680 WCBM Leapt Into Action As the Francis Scott Key Bridge Collapsed

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As Americans woke up to a cargo ship hitting Baltimore’s Francis Scott Key Bridge Tuesday morning, the crew at AM 680 WCBM was already hard at work gathering the facts.

Just before 1:30 AM, a cargo ship lost power exiting the Baltimore harbor, striking a support beam that toppled the 47-year-old structure. In the wreckage, six people working on the bridge died, while drivers were rescued from the rubble in the chilly waters of the Curtis Bay.

The AM news/talk station — which celebrated its 100th anniversary Thursday — went wall-to-wall breaking coverage, something most outlets now avoid because of budget concerns. 680 WCBM morning host and Program Director Sean Casey told BNM in an email exchange how his crews handled the breaking news.


BNM: When did you guys hit the air with breaking news coverage?

Sean Casey: We first broke in with updates at 3:30 AM, approximately two hours after the bridge collapsed. Breaking news updates continued every half hour until 6 AM.”

BNM: How did you coordinate coverage in those moments?

SC: Full wall-to-wall coverage started at 6 AM and included full newscasts as well as interviews with state and local law enforcement agencies, eyewitness call-ins, and our national news partners. Our producer made call-outs and our news department shifted to full-blown local coverage.

BNM: How much experience did you have in putting together coverage of an event like that on the fly?

SC: Having been on the air during 9/11, I used the same formula that listeners want to know: Who, What, When, and Where? The why will come later.

BNM: How does your coverage show the importance of both local radio and AM radio?

SC: In times of breaking news events that impact our listeners, local AM radio stations are more in tune with the local listening audience. Our employees live and work here and know what’s important to our listeners. We also know the local players and officials and can get immediate reaction.

The talk component of our news/talk format offers listeners a chance to vent, share, and communicate with each other in good and bad times. This is why AM radio is still relevant. In some emergencies you can lose your cell service or have too weak of a signal, AM radio remains viable for in-car listening and at home with battery backup.

The AM 680 WCBM morning host and Program Director concluded his thoughts by noting the importance of a team effort, not only in coverage of breaking news events but also in operating a successful station and business as a whole.

“One of the biggest concerns we have is budgetary. More and more AM stations are abandoning the format because of its expense. Very few can afford a live and local news staff and show hosts,” Casey told Barrett News Media.

“Now more than ever, it’s vital that there be synergy between ownership, sales, and programming to maximize ratings and revenue so that we can continue to deliver vital information to listeners in our market.”

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News is the Only Thing Missing From Election Coverage

Coverage of the election is, as we’ve discussed, still very horse-race-centric, and there’s been, of course, coverage of the various Trump court cases, but where is the coverage of exactly what the candidates plan to do if elected?

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A photo featuring I voted stickers

The first thought I had when I heard NBC had hired Ronna McDaniel as a commentator for $300,000 a year was to wonder how many actual journalists they could have hired for that money. Then, I recalled that NBC had laid off dozens of news staffers just a few months ago. Then, I remembered that I had just recently written a column decrying news organizations throwing pretty much anybody on the air as a “pundit” and this….

This was worse. It’s one thing to grab some rando who happened to be a minor functionary for the Executive Branch. It’s another to hire someone whose job was to promote election denialism and pretend that her opinion is something valuable for viewers. And, yes, it’s just as ridiculous when news organizations hire former presidential press secretaries (that’s you, Jen Psaki and Sean Spicer), their very jobs were to spin everything in their bosses’ favor and now you’re going to pay them big salaries for, um, what? Because they “have a name” or you’re afraid someone else will snap them up? Why them?

The McDaniel deal lasted five days, one completely unilluminating interview, and one unexpected Chuck Todd spine-growing outburst, so it’ll all blow over soon enough. The problem is, though, the part about having fired several news staffers, and what it means in an election year on both the national and local levels. If you have the money to hire an alleged pundit – any alleged pundit – you have the money to hire reporters, and I don’t mean anchors or opinion show hosts.

Coverage of the election is, as we’ve discussed, still very horse-race-centric, and there’s been, of course, coverage of the various Trump court cases, but where is the coverage of exactly what the candidates plan to do if elected? Who’s probing Project 2025 and why isn’t it front-page, first-segment news? Who’s pressing the Biden administration on Gaza? Is anyone reporting on the candidates’ record on climate change?

Beyond prescription drug prices, is anyone digging into the broken healthcare system and demanding answers from the candidates about what they’ll do to fix it (and not letting Trump get away with “I’ll have a better plan, a beautiful plan” without a single specific detail, like they did in 2016)? Why didn’t anyone focus on, for example, the GOP candidate for governor of North Carolina and his incendiary past comments well before the primary?

Pundits are not going to do the legwork on the issues; they’ll just talk about swing states while John King and Steve Kornacki point at their touchscreen maps. We need reporting on the things that matter (and can affect that horse race, even if most people have made up their minds). It shouldn’t just be Pro Publica and scattered independent journalists doing the dirty work.

Honestly, I don’t want to hear the complaints about the quality of the candidates or how this is a rerun or any of that. (We’ll leave that to The New York Times.) We are a horribly underinformed electorate and we got the horse race we deserve. It might just be idealists like me who think that, just maybe, the news media can play a role in educating the public and bursting the bubbles and echo chambers. This country has survived and prospered for a few centuries with the press shining a light on injustice and corruption.

Now, when we need that most, they’re more concerned with what they think will bring them ratings and money (although someone will have to explain to me who thought having Ronna McDaniel as a paid commentator would draw a single viewer to NBC).

Here’s a thought: Don’t lay off reporters, especially in an election year.  Assign them to dig deep on issues that matter to the voters.

Let the pundits talk about that.

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