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How Are ESPN and TNT Treating the NHL?

“Last week, I watched a game on both outlets and was a little surprised at what I saw.”

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It’s a new era of television for the National Hockey League. Gone are the days of NBC, NBCSN, CNBC, USA and wherever else the games were airing. While I enjoyed the NBC telecasts, mainly because of Doc Emerick, it was time for something new. There was a need to freshen things up and get the NHL in front of different eyes and perhaps even a younger audience. 

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The league is now in business with both ESPN and TNT. The deals are each for 7 years. ESPN is paying around 400-million a year, while Turner is paying around 225-millon annually. ESPN has the ‘upper hand’ in the broadcast arrangement because ABC will air four of the next seven Stanley Cup Final series every other year starting in 2022. Turner will broadcast the three Stanley Cup Final in the years between. 

Before the Cup Final, the two networks will split the first two rounds of the playoffs and the conference finals.  Turner will have the broadcasts for the annual Winter Classic on New Year’s Day.

I realize at the beginning of this column I said there was a need to ‘freshen things up’. While the games are on new networks, there are some familiar faces and voices still bringing you the action. I still say it’s ‘fresh’ because the presentation is a lot different and some of these voices have been cast in new and better roles, showing off personality and deep knowledge of the NHL. 

The broadcasts on TNT and ESPN are very different. That includes the pregame, intermission and postgame shows as well. Last week, I watched a game on both outlets and was a little surprised at what I saw. Keeping in mind, the studio shows featured some different cast members than the opening week of the season. Wayne Gretzky was absent from the TNT set and John Buccigross, who is sharing hosting duties with Steve Levy, was at the helm of the ESPN studio show. Also keep in mind that both shows were dealing with the serious subject of the Kyle Beach sexual assault case against the Chicago Blackhawks. Beach had just been interviewed by TSN and the subject matter was deep.  

TNT STUDIO SHOW

NHL on TNT Face Off is hosted by Liam McHugh, the former host on NBC’s intermission reports under the former contract. This night he was joined by Rick Tocchet, Anson Carter and Paul Bissonnette on the show. 

McHugh is a seasoned pro, that actually gets to show off a little personality on this show. With NBC it seemed as though, McHugh was limited to a much more, straight forward approach, which allowed at times, a little humor. This TNT production allows him to really loosen up and run the show with fewer restrictions. His personality really comes out. He recently told the AP, basically the same thing. 

“It felt like they wanted me to do what I do best, which is interact, and to keep a loose show,” McHugh said. “In the past, and it definitely occurred, I self-edited or I held back at times. In most cases, that’s gone. … And that was something that really appealed to me, it was more natural to me.”

Tocchet is an 18-year NHL veteran and coached for 6 seasons including the last four for the Coyotes. Tocchet can offer perspective as not only a high-level player, but as a coach just last season. He understands the mindset of today’s hockey player and that insight will be good as he gets more comfortable in the role. I like that he’s raw right now. 

Bissonnette is the wildcard of the group. He’s probably the one most likely to drop a ‘bomb’, but that’s not an act, it’s all real. Hopefully he will be able to contain himself, but there’s no telling. During a Bleacher Report fans’ Q&A he told everyone what he’s most excited about, in joining the TNT crew. 

“The advice I keep getting, especially from Wayne, is just be yourself. Turner tells us they want us to be ourselves. That was really refreshing. I’m excited to just get in there and let it fly with the guys. Whether it’s diving into a serious topic or breaking a video down, it’s just gonna be a very good time and a lighthearted feeling to the broadcast. Just having fun and just bringing my silly, goof personality.”

Carter is smooth on the set. No subject seems too much for him. He’s got a very calm demeanor about him, but that doesn’t mean he isn’t passionate. Watching him react to the Beach story and the Blackhawks, saying how it hits home to him with two daughters was powerful. Carter also made the comment that the hockey community is so close knit that the Hawks upper management failed to ‘take care of Kyle Beach’. 

This production is terrific. It is very closely modeled after Inside the NBA on TNT. It’s irreverent at times, but mainly it’s fun. TNT showed us photoshopped pictures like the NBA show and also included instant reaction from fans and some famous folks on Twitter and social media. It’s almost like the folks at TNT are saying, ‘if you’re a fan of our NBA show, wait until you see what we can do for the NHL’. I loved the pacing of the show and everyone having a chance to take a ‘shot’ at the other. 

TNT's NHL broadcast lineup: Schedule, play-by-play, analysts and hosts for  2021-22 season | Sporting News

This show featured a pregame interview with Oilers’ star Connor McDavid. Tocchet had the line of the interview when he prefaced his question by saying, “Hey Connor thanks for putting me on this panel, having to coach against you the last four years.” It was a fun interview that had its serious moments, but mainly showcased the personalities of the panel and of McDavid. The latter is so key for the development of the NHL on television. You have to let viewers get to know some of the big-time players and this was a mission accomplished. 

Through all the fun, this show was able to turn into a very serious and informative program. With the seriousness of the Kyle Beach and Chicago Blackhawks situation, balance had to be struck. It was time to be serious and the balance was struck well. Carter was well spoken during the segment and spoke from the heart when he said, “this really hits home to me, I have two daughters,” he continued to call out the former Hawks executives, saying the hockey culture is all about looking out for each other and “they didn’t protect Kyle Beach”. 

NHL ON TNT BROADCAST

Game broadcast has a familiar tone to the NBC telecasts of the past. That’s because this booth featured Kenny Albert, Eddie Olczyk and Keith Jones, guys that used to call games for NBC and NBCSN. 

I think Albert is always solid. He has the ability to rise to the occasion when the moment calls for it and at the same time, he knows when to clear out to let Olczyk do his thing. Olczyk is hands down the best hockey analyst in the game, with a great feel for television and the game of hockey. He’s a great ambassador and a great teacher of the game for those that may have tuned in for the first time. Jones also moves from the NBC studio to the “inside the glass” position for the TNT broadcast. Unlike Pierre McGuire who made it more about himself than the game, Jones is now afforded the chance to analyze what he’s seeing at ice level and provides great insight. 

The TNT scorebug is great as well. It’s just big enough not to be obtrusive. It’s clean and colorful and has excellent information. The thing most hockey fans truly appreciate about the TNT ‘bug’ is that the ‘Shots on Goal’ stay on it at all times. 

ESPN STUDIO SHOW

In watching the first few minutes of this particular show, it kind of gave me the same feel as the old NBC telecast. It’s a little more “buttoned up” than the TNT show. Hockey lover Buccigross hosted this installment, he will split time with another hockey guy, Levy in hosting the show for the season. Both will also call games on ESPN’s coverage of the NHL. The ESPN studio show has two analysts. They are well known names to hard core and casual hockey fans. Mark Messier and Chris Chelios make up the panel. They are decorated players and big names in hockey circles. 

Messier brings a wealth of experience and success to the ESPN show. He’s a six-time Stanley Cup champion and Hall of Fame center. His prior television experience includes work as an in-game analyst for the All-Star Game and making occasional guest commentator appearances for NHL on NBC. Messier is somewhat soft spoken on the ESPN set. But what he says packs a punch thanks to his credentials. You can tell he takes meticulous notes on each game he’s watching, now it’s just a matter of being able to speak without having to refer to them on air. Messier seems a bit fidgety in his chair at times, but that will change as he gets a little more experience. I was happy to see that he’s not so super serious all the time, playing well off his teammates on set. 

Chelios is also a Hall of Fame player. He’s currently an ambassador for the Blackhawks. He previously worked for Fox Sports 1 back in 2013. He was part of the coverage of the 2014 Winter Olympics. Chelios is the ‘fun-loving’ side of the ESPN studio show. He smiles a lot and genuinely looks like he’s having a great time. He is dialed in on the current players in the game and is not afraid to express opinions. Chelios handled the Kyle Beach situation very well, when pressed during this particular show. While he still works for the Blackhawks, he didn’t mince words in stating how awful this situation was. Chelios looks very comfortable in the chair and is able to get Messier to smile and engage during the show. 

NHL ON ESPN BROADCAST

There is a ‘newness’ to the telecast, just because it’s been so long since ESPN televised the NHL. Sean McDonough was named the lead play-by-play broadcaster and this night he was joined by a former NBC voice, Brian Boucher and reporter Emily Kaplan.

McDonough is a terrific broadcaster, versatile and solid. He’s called MLB, NCAA and NFL games. His foray back into hockey is taking a little time to get back on solid ground. It’s a different sport with different flow than the ones he’s more recently called. There were a few times that he was a little slow on the action. I’m sure as the season goes on, that will change, but right now it’s noticeable. 

Boucher is solid as well. He was a rising star in the analyst world at NBC, so it makes sense that ESPN scooped him up. Boucher has a deep working knowledge of the NHL and has a clear and concise way of presenting information to the fans at home. 

ESPN to Present NHL Games and Studio Coverage with Innovative Production  Approaches and New Technologies - ESPN Press Room U.S.

The ESPN scorebug is simple, maybe too simple. It doesn’t provide much other than the essentials, like the score and time left, etc. It’s larger than the one on TNT, but it features less. Shots on Goal are not regularly a part of it, once in a while the SOG is flashed up, but it’s not a fixture. The bug does expand to include penalty, power play time. I think it needs some work.  

Overall, from the one watch of both networks, I’m kind of partial to the TNT telecast as a whole. From the studio show to the game broadcast, it just seemed more upbeat and cleaner. I think both broadcasts are a step up from the NBC broadcasts. Both are taking a few more chances visually. Whether it be penalty time actually displayed on the ice (TNT) or unique camera angles that capture more of the game from different perspectives (ESPN). Hockey is in good hands for the next seven years.

BSM Writers

Is There Still a Place for Baseball Talk on National Sports Shows?

“Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance.”

Demetri Ravanos

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Last week at the BSM Summit, I hosted a panel focused on air checks. I wish I could say we covered the topic thoroughly, but we got derailed a lot, and you know what? That is okay. It felt like real air checks that I have been on both sides of in my career. 

Rob Parker of The Odd Couple on FOX Sports Radio was the talent. He heard thoughts on his show from his boss, Scott Shapiro, and from his former boss, legendary WFAN programmer Mark Chernoff. 

Baseball was the topic that caused one of our derailments on the panel. If you know Rob, you know he is passionate about Major League Baseball. He cited download numbers that show The Odd Couple’s time-shifted audience responds to baseball talk. To him, that proves there is not just room for it on nationally syndicated shows, but that there is a sizable audience that wants it.

Chernoff disagrees. He says baseball is a regional sport. Sure, there are regions that love it and local sports talk stations will dedicate full hours to discussing their home team’s games and roster. National shows need to cast a wide net though, and baseball doesn’t do that.

Personally, I agree with Chernoff. I told Parker on stage that “I hear baseball talk and I am f***ing gone.” The reason for that, I think, is exactly what Chernoff said. I grew up in Alabama (no baseball team). I live in North Carolina (no baseball team). Where baseball is big, it is huge, but it isn’t big in most of the country. 

Now, I will add this. I used to LOVE baseball. It is the sport I played in high school. The Yankees’ logo was on the groom’s cake at my wedding. Then I had kids.

Forget 162 games. Even five games didn’t fit into my lifestyle. Maybe somewhere deep down, I still have feelings for the sport, but they are buried by years of neglect and active shunning.

Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance. 

Me, and millions of sports talk listeners like me, look at baseball like a toddler looks at broccoli. You probably aren’t lying when you tell us how much you love it, but damn it! WE WANT CHICKEN FINGERS!

A new Major League Baseball season starts Thursday and I thought this topic was worth exploring. I asked three nationally syndicated hosts to weigh in. When is baseball right for their show and how do they use those conversations? Here is what they had to say.

FREDDIE COLEMAN (Freddie & Fitzsimmons on ESPN Radio) – “MLB can still be talked nationally IF there’s that one player like Aaron Judge or Shohei Ohtani can attract the casual fan.  MLB has definitely become more local because of the absence of that SUPER player and/or villainous team.  I wonder if the pace of play will help bring in the younger fans that they need, but the sport NEEDS that defining star that is must-see TV.”

JONAS KNOX (2 Pros & a Cup of Joe on FOX Sports Radio) – “While football is king for me in sports radio, I look at baseball like most other sports. I’m not opposed to talking about it, as long as I have an angle or opinion that I am confident I can deliver in an entertaining manner. A couple of times of any given year, there are stories in baseball that are big picture topics that are obvious national discussions. 

“I think it’s my job to never close the door on any topic/discussion (except politics because I don’t know anything about it).

“But also, if I’m going to discuss a localized story in baseball or any other sport for that matter – I better have an entertaining/informed angle on it. Otherwise, I’ve let down the listener and that is unacceptable. If they give you their time, you better not waste it.”

MAGGIE GRAY (Maggie & Perloff on CBS Sports Radio) – “While I was on WFAN there was almost no amount of minutia that was too small when it came to the Mets and Yankees. On Maggie and Perloff, our baseball topics have to be more centered around issues that can be universal. For example, ’Is Shohei Ohtani the face of the sport? Is Ohtani pitching and hitting more impressive than two sport athletes like Bo Jackson and Deion Sanders? Do you consider Aaron Judge the single-season homerun king or Barry Bonds?’ Any baseball fan or sports fan can have an opinion about those topics, so we find they get great engagement from our audience.”

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BSM Writers

Who Can Sports Fans Trust Once Twitter Ditches Legacy Verified Blue Checks?

The potential for Twitter chaos after April 1 is looming.

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As of April 1, Twitter will finally make a dreaded change that many will view as an April Fools’ prank. Unfortunately, it won’t be a joke to any user who cares about legitimacy and truth.

Last week, Twitter officially announced that verified blue checkmarks will be removed from accounts that have not signed up for a Twitter Blue subscription. Previously, accounts whose identity had been verified were allowed to keep their blue checks when Twitter Blue was implemented.

But shortly after Elon Musk purchased Twitter and became the social media company’s CEO, he stated his intention to use verification as a revenue source. Users would have to pay $8 per month (or $84 annually) for a Twitter Blue subscription and blue checkmark verification. Paying for blue checks immediately set off red flags among users who learned to depend on verified accounts for accredited identities and trusted information.

The entire concept of verification and blue checks was simple and effective. Users and accounts bearing the blue checkmark were legitimate. These people and organizations were who they said they were.

As an example, ESPN’s Adam Schefter has faced criticism for how he framed domestic violence and sexual misconduct involving star NFL players, and deservedly so. But fans and media know Schefter’s tweets are really coming from him because his account is verified.

Furthermore, Twitter took the additional step of clarifying that accounts such as Schefter’s were verified before Twitter Blue was implemented. He didn’t pay eight dollars for that blue checkmark.

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The need for verification is never more vital than when fake accounts are created to deceive users. Such accounts will put “Adam Schefter” as their Twitter name, even if their handle is something like “@TuaNeedsHelp.” Or worse, some fake accounts will create a handle with letters that look similar. So “@AdarnSchefter” with an “rn” in place of the “m,” fools some people, especially at a quick glance when people are trying to push news out as fast as possible.

Plenty of baseball fans have been duped over the years by fake accounts using a zero instead of an “o” or a capital “I” instead of a lowercase “l” to resemble Fox Sports and The Athletic reporter Ken Rosenthal. That trick didn’t get me. But when I covered Major League Baseball for Bleacher Report 10 years ago, I did fall for a fake Jim Salisbury account that reported the Philadelphia Phillies traded Hunter Pence to the San Francisco Giants. Capital “I,” not lowercase “l” in “Salisbury.” Pence was, in fact, traded to the Giants two days later, but that didn’t make my goof any less embarrassing. I should’ve looked for the blue checkmark!

But after April 1, that signifier won’t matter. Legacy blue checkmarks will be removed from accounts that haven’t paid for Twitter Blue. Some accounts that were previously verified might purchase a subscription to maintain that blue check. But those that were deemed legitimate prior to Musk taking over Twitter likely won’t. (There are also rumors that Twitter is considering a feature that would allow Twitter Blue subscribers to hide their blue check and avoid revealing that purchase.)

That could be even more true for media organizations, which are being told to pay $1000 per month for verification. Do you think ESPN, the New York Times, or the Washington Post will pay $12,000 for a blue check?

We’ve already seen the problems that paying for verification can cause. Shortly after Twitter Blue launched, accounts pretending to be legacy verified users could be created. A fake Adam Schefter account tweeted that the Las Vegas Raiders had fired head coach Josh McDaniels. Users who saw the “Adam Schefter” Twitter name went with the news without looking more closely at the “@AdamSchefterNOT” handle. But there was a blue checkmark next to the name this time!

The same thing occurred with a fake LeBron James account tweeting that the NBA superstar had requested a trade from the Los Angeles Lakers. There was a “@KINGJamez” handle, but a “LeBron James” Twitter name with a blue check next to it.

Whether it’s because fans and media have become more discerning or Twitter has done good work cracking down on such fake accounts, there haven’t been many outrageous examples of deliberate deception since last November. But the potential for Twitter chaos after April 1 is looming.

If that seems like an overstatement, it’s a very real possibility that there will be an erosion of trust among Twitter users. Media and fans may have to take a breath before quickly tweeting and retweeting news from accounts that may or may not be credible. False news and phony statements could spread quickly and go viral across social media.

Even worse, Musk has announced that only verified Twitter Blue accounts will be seen in your “For You” timeline as of April 15. (He can’t claim it’s an April Fools’ Day joke on that date.)

Obviously, that carries far more serious real-world implications beyond sports. Forget about a fake Shams Charania account tweeting that Luka Dončić wants to be traded to the Lakers. It’s not difficult to imagine a fake Joe Biden account declaring war on Russia and some people believing it’s true because of the blue checkmark.

We may be nearing the end of Twitter being a reliable news-gathering tool. If the accounts tweeting out news can’t be trusted, where’s the value? Reporters and newsmakers may end up going to other social media platforms to break stories and carry the viability of verification.

When Fox Sports’ website infamously pivoted to video in 2017, Ken Rosenthal posted his MLB reporting on Facebook prior to joining The Athletic. Hello, Instagram. Will someone take their following and reputation to a fledgling platform like Mastodon, Post, Spoutible, or BlueSky, even if it means a lesser outlet?

If and when that happens, Twitter could still be a community but not nearly as much fun. Not when it becomes a matter of trust that breaks up the party.

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BSM Writers

There’s a Lesson For Us All in Florida Atlantic’s Elite 8 Broadcast Struggle

“It is a ton of faith our industry has been forced to place in a single mode of delivery.”

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Ken LaVicka and Kevin Harlan probably don’t have a ton in common. Both of them were announcing an Elite Eight game over the weekend, that is one thing tying them together, but their experiences were wildly different. Harlan is on CBS with a production crew numbering in the dozens making certain all goes smoothly. LaVicka, the voice of the Florida Atlantic Owls, is a production crew himself, making certain those listening in South Florida heard the Owls punch their Final Four ticket. At least, that was LaVicka’s plan.

The Florida Atlantic Owls are going to the Men’s Final Four. Even while typing that sentence, it still seems odd to say. Do you know how many college basketball teams are thinking “how can Florida Atlantic make the Final Four and we can’t?” These are the types of stories that make the NCAA Tournament what it is. There is, literally, no barrier stopping any team from this tournament going on the run of their life and making it all the way.

Everyone listening in South Florida almost missed the moment it all became real for the Owls. With :18.6 to go in Florida Atlantic’s Elite Eight game against Kansas State, the Madison Square Garden Ethernet service to the front row of media seating went completely dark. 

It was on that row that Ken LaVicka was painting the picture back to South Florida. Well, he was until the internet died on him.

Nobody does a single show away from their home studio anymore without trying to avoid the nightmare of Ethernet failure. Gone are the days of phone lines and ISDN connections, all the audio and video is now sent back to the studio over the technological miracle that is the internet. It is a ton of faith our industry has been forced to place in a single mode of delivery.

Take that anxiety and multiply it by 1,000 when that Ethernet line is connected to a Comrex unit for the most important moment of your career. LaVicka had the great fortune of a Kansas State timeout to try something, anything, to save the day. In his quick thinking, he spun around and grabbed an ethernet cable from row two which, as it turns out, still had internet access flowing through it’s cables. That cable, though, was the equivalent of an iPhone charging cord; never as long as you need it to be.

One of LaVicka’s co-workers from ESPN West Palm held the Comrex unit close enough to the second row for the cable to make a connection and the day was saved. LaVicka was able to call the last :15 of the Florida Atlantic win and, presumably, get in all the necessary sponsorship mentions.

It was an exciting end to the FAU v. Kansas State game, a great defensive stop by the Owls to seal the victory. LaVicka told the NCAA’s Andy Katz he tried to channel his inner Jim Nantz to relay that excitement. The NCAA Tournament excitement started early this year. In the very first TV window 13 Seed Furman upset 4 Seed Virginia with a late three pointer by JP Pegues, who had been 0-for-15 from beyond the arc leading up to that shot. It is the type of play the NCAA Tournament is built upon.

It was called in the manner Kevin Harlan’s career was built upon. Harlan, alongside Stan Van Gundy and Dan Bonner, called the Virginia turnover leading to the made Furman basket with his trademark excitement before laying out for the crowd reaction. After a few seconds of crowd excitement he asked his analysts, and the world, “Did we just see what I think we saw? Wow!” Vintage Kevin Harlan.

One reason we are so aware of what Harlan said, and that he signaled his analysts to lay out for the crowd reaction, was a CBS Sports tweet with video of Harlan, Van Gundy and Bonner in a split screen over the play. It gave us a rare look at a pro in the middle of his craft. We got to see that Harlan reacts just like he sounds. The video has more than six million views and has been retweeted more than 6,000 times, a lot of people seem to like it.

Kevin Harlan is not in that group. Harlan appeared on Richard Deitsch’s Sports Media podcast after the video went public and said he was embarrassed by it. Harlan added he “begged” CBS not send the tweet out but to no avail. Harlan told Deitsch “I don’t know that I’m glad that they caught our expression, but I’m glad the game was on the air. I think I join a chorus of other announcers who do not like the camera.”

There’s a valuable announcer lesson from Harlan there; the audience is almost always there for the game, not you. Harlan went on to describe the broadcast booth to Deitsch as somewhat of a sacred place. He would prefer to let his words accompany the video of the action to tell the story. Kevin Harlan is as good as they come at his craft, if he thinks that way, there’s probably great value in that line of thought.

We can learn from LaVicka, as well. You work in this business long enough and you come to accept technical difficulties are as much a part of it as anything. They always seem to strike at the worst times, it is just in their nature. Those who can find a way to deal with them without everything melting down are those who can give their audience what they showed up for. Those who lose their mind and spend time complaining about them during the production simply give the audience information they don’t really care about.

The Final Four is an unlikely collection of teams; Miami, San Diego State, Connecticut and Florida Atlantic. You all had that in your brackets, right? Yep, the Florida Atlantic Owls are going to the Final Four and Ken LaVicka will be there for it. Now, if the internet will just hold out.

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