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Ernie Johnson Opens Up About Son’s Death With Paul Finebaum

“Charles is great to work with and he has a heart of gold.”

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Longtime Turner broadcaster and personality Ernie Johnson was on The Paul Finebaum Show yesterday to discuss a number of different topics, including his co-host Charles Barkley.

“If you think about our show and how long we have all been around, the fact that we have a group that has remained in tact for as long as we have is remarkable. Usually someone has an idea, oh this will work better than this. I grew up with older sisters, and this is as close as I will ever come to having brothers,” said Johnson.

Finebaum also asked Ernie Johnson about his dad, who was also a legendary broadcaster himself. Ernie Johnson Sr. called Braves games from 1962 until 1999.

“It was terrifying to work with my dad,” the younger Johnson said. “In the early to mid 90’s when we got a chance to work together for 3 or 4 years of Braves baseball. My Dad had been doing games there for ages. It was definitiely nerve-racking.”

Johnson has also been very public about his son, who lost his life recently after a long battle with a progressive form of muscular dystrophy.

“At first, we didn’t talk much about what was going on in our lives. Our adoptions, we have adopted 4 kids out of our 6. People asked me about my journey as a broadcaster and my personal life is certainly a part of that. Jeremey Schaap’s E60 on us shined a light on adoption and special needs kids and going through cancer like I have, and a father and son relationship and it made a difference for people.”

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Omaha Productions Eyes Investment From Peter Chernin’s Content Studio

An investment from Chernin’s group to Omaha Productions would allow the company to “expand further into digital content, podcasts and sports-adjacent entertainment”.

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A report from Axios’ Sara Fischer claims Omaha Productions is in discussions with The North Road Company, a content studio founded by Peter Chernin, for a substantial investment in Peyton Manning’s production company.

Chernin launched The North Road Company in July with $800 million in funding to create scripted and unscripted projects for TV and film distributors.

According to Fischer, an investment from Chernin’s group to Omaha Productions would allow the company to “expand further into digital content, podcasts and sports-adjacent entertainment”.

Omaha Productions has most recently expanded into more digitally focused, sports-adjacent programming. It recently announced an expansion of it’s Places franchise with non-sports subjects like Luke Bryan, LL Cool J, and Admiral William McRaven.

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Washington Post Reporter Sally Jenkins Details Jerry Jones Reporting to Dan Le Batard

“We just started to research to ask him questions about it and we came across that photo.”

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A report from The Washington Post that featured a photo of Dallas Cowboys owner Jerry Jones witnessing the controversial integration of North Little Rock High School in 1957 caused a stir late last week, and one of the reporters on the project, Sally Jenkins, detailed how it came to be to Dan Le Batard Monday.

“It was part of a larger project,” Jenkins said of the discovery of the photo. “We came across this photo of Jones. It’s at the start of the school year at North Little Rock High School. He’s on the cusp of his 15th birthday and he’s very clearly identifiable in the photo, which ran on the front page of The New York Times in 1957 because Little Rock was undergoing a real crisis of desegregating it’s schools to the the point that (President Dwight D.) Eisenhower had to send the 101st Airborne into Little Rock to quell violence over black kids trying to go to white schools.

“We knew that Jerry Jones had witness — or at least lived through — a tough civil rights era in Little Rock, and we wanted to talk to him about that. We just started to research it to ask him questions about it and we came across that photo.”

The Washington Post debuted a nine-part series entitled “Blackout” that dove into why there are not more minority head coaches in the NFL. They asked every NFL owner for an interview for the project, but Jones was the only one to agree.

Stugotz asked Jenkins if it was fair to judge someone from a photo taken of them while they were a child, referring to some of the media backlish pushed towards Jones because of the photo.

“Of course not,” Jenkins said. “What is fair is to ask him about what he witnessed, ask him what he experienced, ask him how his views may have changed, or if they did change at all, ask him how he has evolved on issues of social justice or racial justice. And the fact is he has evolved, particularly recently. He started out as a real hard-liner on the Colin Kaepernick situation. At one point, Jerry Jones said ‘The Dallas Cowboys will stand for the anthem and tow the line’, and he’s really softened on that.”

She later conceded the answers Jones provided won’t satisfy everyone, and said there are legitimate questions about his positioning in the photograph, noting the Little Rock Six were spit on, and had the n-word shouted at them from those standing on the steps where Jones was located.

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Mike Francesa: George Steinbrenner’s Idea to Put Mike and The Mad Dog On YES Network

“It was George’s idea. So give him credit for it. He wanted Mike and The Mad Dog as part of the CBS Radio contract, and we were.”

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Mike and The Mad Dog is often cited as one of, if not the, best sports radio shows of all time. The show saw an expanded reach with its partnership with the YES Network beginning in 2002. During his podcast Tuesday, Mike Francesa gave all the credit to the simulcast hitting the air on YES Network to the late Yankees owner George Steinbrenner.

“It was George Steinbrenner that came up with the idea of Mike and The Mad Dog being on the YES Network. No one else,” Francesa said.

“They came to us when they were negotiating a new radio deal with him and they said ‘Hey, we need a quick answer on this. Would you guys want to be on the YES Network every day, simulcasting? You know what Imus is doing with MSNBC? We wanna do it with you guys, but we need a very quick answer’.”

Francesa said the show airing on YES Network was a sticking point for the Yankees in negotiations with CBS Radio to continue airing the franchise’s broadcasts.

“Our first deal with them were not for a lot of money. Our later deals with them were for a very significant amount of money. But it was George’s idea. So give him credit for it. He wanted Mike and The Mad Dog as part of the CBS Radio contract, and we were. Our joining the YES Network was part of the CBS Radio contract.”

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