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Howard Eskin Still Has Plenty To Say

“He (Cataldi) says if he’s going to take calls from the Secret Service, then he should take calls from you. He gave out my cell number on the air. I mean come on, man. What are you doing?”

Brian Noe

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Sports radio is sometimes too polite. “Well, in my humble opinion,” and that sort of thing. Every once in a while it’s nice to hear a host say, “Eat it if you don’t like it.” Enter Howard Eskin. The radio and TV personality has showcased a no-holds-barred style that has gained notoriety on the Philadelphia airwaves since 1976. There are times when the truth is ugly and grimy. Eskin hasn’t been afraid to get his hands dirty along the way in pursuit of honesty.

As you will be able to tell from our chat below, Eskin doesn’t offer wishy-washy stances. His opinions are strong and his responses are direct. That doesn’t mean Eskin hasn’t had fun along the way as well. He once did an interview with the San Diego Chicken on a news telecast. Eskin offers an unfiltered response to a recent criticism from fellow WIP host Angelo Cataldi. Eskin also destroys a myth about older hosts and offers thoughts about the success of his son, Spike Eskin, who’s now the program director at WFAN. Enjoy!

Brian Noe: Where have you worked outside of Philadelphia during your lifetime?

Howard Eskin: I worked in New York earlier in my career. I worked in the Maryland, Washington D.C. area at the beginning of my career. I was a disc jockey. I was a production engineer for a classical station. I had done a lot of things and then I spun records for guys here in Philadelphia. George Michael, who I worked with in Philadelphia who had the Sports Machine, I did segments on the Sports Machine for 11 years. He was a disc jockey up in New York before he went into television.

But that was it, New York and Washington. Then since the mid-to-early ’70s, I’ve been in Philadelphia. I’ve been on the air since ‘76 in Philadelphia, which is a long time. I’ve been on TV and radio since ‘82. Philadelphia is my home and this is what I like. I’m just happy that I can work in the town that I grew up in, which doesn’t always happen. It’s not necessary, but I don’t know if my career would have been the same if I hadn’t been here in Philadelphia. That’s what it comes down to; this is where I was meant to be.

BN: What would you say is the most fun you’ve had during your broadcasting career?

HE: I have fun doing what I do on the air. I don’t want to say I have fun arguing with players and coaches but we kind of get to know each other. Dick Vermeil invited me to his Pro Football Hall of Fame induction. At the beginning, Dick Vermeil didn’t like me a little, tiny bit because I was critical of how hard he worked players. At UCLA where he came from, he never got criticized. It was different for him, L.A. to Philadelphia now, people are going to say things.

He told his players not to listen to me. Herm Edwards came out to practice one time, and said ’hey man, what did you do to coach’? I go ‘what are you talking about’? He says, ‘he told us you’re talking out your ass’. And then my first day in television I was at the head table, September 20, 1982 and Dick Vermeil was one of the speakers. He buried me at the Maxwell Club. It was a luncheon back then. Buried me. I said that’s okay, Dick. Now we’re really good friends. I’ve been over to his house. We’ve been out to dinner. He’ll text me when I’m on the air if he thinks he can help me with some kind of info.

It’s kind of interesting, but there’s been players that want to kick my ass. Mitch Williams wanted to punch me in the mouth. You go right down the list and now Mitch Williams and I are friends. They understand after they’re done playing that that’s really my job. But I’d go into the locker room, I’d yell at Larry Bowa and Darren Dalton. I would yell at Lenny Dykstra who was crazy. And then 30 seconds later we’re laughing because we get over it and we move on. I don’t know that it’s always that way now.

I’ll give you a couple of cool moments; I’m on the sidelines for an Eagles’ game and Bradley Cooper walks up to me and says ‘hey Howard, Bradley Cooper’. I said, ‘come on, man, I know who you are. How do you know me’? He said, ‘I grew up in the area. I listened to you and watched you for all of those years’. Will Smith did the same thing. Those are just really cool moments. Then whenever they see me they’re always very nice. You never know who’s out there.

Allen Iverson, he was interesting. We got along great his first few years. Then the guys he hung with told him not to listen to me because I was trying to tell him to do the right things especially with Larry Brown. He wasn’t all about listening to the coach, so then after a few years it was a little adversarial. 

So he’s walking in the hallways at a Sixers game and he sees LeSean McCoy. Obviously I knew LeSean playing here, and LeSean says what do you think of this guy? He says that MF — I use MF because regardless of where this goes, I still don’t think it’s proper to put it in print and these people on satellite can use the four letter word — that MF he was always killin’ me. Killin’ me. And then Allen says to LeSean McCoy, but I love him. I love him.

Now every time he sees me he gives me a hug and says you’ve got to let the past be the past. I think he understood because he always tried to keep it real and I always tried to keep it real. So in the end, after it’s all over, I think he respects me for that.

BN: Angelo just did an interview with The Ringer…

HE: Angelo who?

BN: [Laughs] That’s right.

HE: Obviously, I’m kidding.

BN: Oh yeah, I know. Angelo said that he has a classic love/hate relationship with you. On the bright side he gave you compliments and said that he loves your work ethic and especially what you mean to Philly sports. But he also said that he didn’t think you were a great team player. What’s your reaction to that?

HE: You know what, I have no idea where that comes from. I work my ass off. I don’t know if he was kidding because sometimes when you see it written — I didn’t hear it. If they ask me to do something whether it’s help with a client or help in other ways, my biggest problem is I don’t say no. I don’t say no to charities. I don’t say no to the people I work for. I don’t say no. There have been management people I haven’t agreed with. I may not agree, but I’ll sit down and talk to them about it. I really have no clue what he was talking about. It’s the pot calling the kettle black.

I do whatever they ask me to do and what I think I have to do. I go to games and talk to players and connect with people. It gives me information. I consider what I do on the air, I inform and I entertain. You can do both with the correct information. I don’t have to do all those things. I don’t have to share it with WIP, and I do share a lot of things with them. I really have no clue what he was talking about. Absolutely no clue because I don’t want to say I’m the best team player, but I’m somewhere at the top of the list. Whatever they ask me to do, and those people will tell you that too, the management people, the people I’ve worked with over the years, they’ll all tell you that.

I don’t know if Angelo is somewhat jealous on the way out that I lasted longer than he did. It’s hard to get up in the morning. Doing those morning shows I’m sure is no piece of cake. He was compensated well for it so that’s the benefit of that. But I can’t answer that question because it surprised me not a little bit, it surprised me a lot with all I do.

I don’t want to go down that road and be critical of things that he’s done, although I will tell you one thing he did when he was a complete jerk. He wanted to get Bill Clinton on the air and I had a connection with Bill Clinton through the Secret Service. One night a bunch of Secret Service guys were coming to town and one guy called me, my phone rang. I didn’t have it on vibrate at the time while I was doing a show. I went to a break. I went back on the air and said that was somebody from the Secret Service that wanted to get in touch with me from the White House.

He got so angry because at that time the governor of the state told him he was going to get Bill Clinton on the air. It was Ed Rendell. That wasn’t going to happen. So anyway, he says if he’s going to take calls from the Secret Service, then he should take calls from you. He gave out my cell number on the air. I mean come on, man. What are you doing? Why would you do that? There was obviously a jealousy there, which I had a connection. That was wrong but I didn’t dwell on it afterwards and I’m not going to dwell on the things that he says now. [Laughs]

BN: [Laughs] As far as uncovering news, you’re known for going to great lengths to break stories. Why do you find it important to do so?

HE: When there’s something there that’s interesting to sports fans, I’m lucky enough, in my phone I have 5600 contacts. If I ever lost that — you can go right down the list, there’s always somebody that you can call and try to get some info on a situation when you hear about it. A lot of times there are stories I have and I try to pass them along but I always try to check. Luckily enough, I have a lot of people to check. 

I’ll tell you a story outside of sports to show you maybe my reach. There was a friend of mine who had brain cancer. Very, very, very devout Catholic. I knew someone at the Vatican. Like, how do I know anyone at the Vatican? I mean you’ve got to be kidding me. And I asked to get a letter from the pope to this guy. He passed away like five months later after he got the letter. I didn’t get the letter, but I got the pope to send a letter to this guy. [Laughs] It’s like are you kidding me?

You get to know people, and it doesn’t always have to be sports, but people are people. It’s not like you ever count favors, you just do for people because they do for you. That’s why, I’m not a team player? I don’t know what the hell that’s all about. And I’m not going to worry about it. If you hadn’t brought it up, I wouldn’t have brought it up either.

BN: Is the Pope one of the 5600 contacts? [Laughs] Do you have the area code and everything?

HE: [Laughs] I don’t, but I have a bishop in the Vatican’s number. So that’s one of the 5600. Can you imagine? I’m a Jewish guy and I’ve got someone’s number in the Vatican. 

BN: [Laughs] That’s great. Did you know that Spike’s (Eskin) career would unfold the way that it has?

HE: He did it by himself. I’ve got to give him credit. There’s only two things I helped him with. I helped him get an internship in the company at that time. And then when he was thinking about coming back to Philadelphia from Chicago — he was a disc jockey and then a music director and all of that — the general manager at the time didn’t want to pay him more money. He wasn’t going to come back. 

I said hey listen, you’re letting this guy go in the morning; you’re going to save hundreds of thousands of dollars. You can’t give him, I don’t know if it was $25,000 or $30,000 more a year to convince him to come back to Philadelphia? I just was trying to help him. That’s the only involvement I ever had. I didn’t tell him what I think he should do. There may have been one time or another where I had an opinion, but I wouldn’t really say that to him because he could do it on his own especially when he became the program director.

I knew he was a bright guy, bright kid at the time. He’s not a millennial although he wants to be a millennial. He’s out of that range now. But yeah, he was creative. I’ve got to say that all my kids are creative and he’s one of them. He works hard. He’s firm. If he would tell me something that I needed to do, he didn’t tell me much because I kind of knew what had to be done, I never really debated him on it. I just did it. If I didn’t agree with it, I kind of would go halfway, but I knew he was pretty sharp.

He was very good at what he does and I know he’s doing a great job up there. I’ve known his boss, Chris Oliviero, for 25 years and he’s a great guy and a very, very creative guy. But those two together I know they’re doing a great job and WFAN is doing terrific. I’m glad to see that he works well with Craig Carton. I like Craig a lot. I know he had problems, but I think Craig is a brilliant, creative air talent. Brilliant and creative. He really is good. I wished in some way, shape or form he could have come back to Philadelphia and work, but he’s doing what’s good for him. His wife’s from Philadelphia so he still has connections here.

BN: Who would be on your Mount Rushmore of Philly sports radio hosts?

HE: Wow, putting me on the spot here. I don’t want to say I’m egotistical, but being I started this whole thing I would have to be up there somewhere. Rather than leave Angelo off there so he has something to whine about, he’d have to be on it because he worked a long time and the morning show was very successful. I don’t agree with everything he does, but he doesn’t agree with everything I do, so he’d have to be up there.

Craig Carton was here. Craig is funny, he’s bright and even though he wasn’t here that long I’m telling you I’m a big, big fan of Craig Carton. I’d have to put him on there. So now we’ve got three and maybe I’ll leave the fourth spot open for somebody that takes over the morning show. We’ll kind of leave that there.

There have been guys that have come through here, but if they didn’t stay here that long they can’t be on the Mount Rushmore. How about if I leave that fourth spot open on that Mount Rushmore. People will criticize me, what are you doing on it? Put yourself on that? No, I don’t put myself on Mount Rushmore, others put me on Mount Rushmore. So, eat it. Eat it if you don’t like it.

BN: [Laughs] What do you think about the word retirement?

HE: People say are you going to retire? Or when are you going to retire? I says if you can spell that word for me because I can’t spell it, maybe I’ll think about it. But I can’t spell that word. When people say retire, no. What, do you think I should retire? No, no, no. I’ll tell you the joy that I have, there is a belief in radio that older people don’t get younger people who listen to them. That’s such BS because when people come up to me, because I’m at a lot of games, I’m in the public a lot, people come up hey man, I listen to you. If you’re good, or what you do is interesting and they think it’s good, then that’s all that matters to me.

BN: If you could pick one thing on your list that you want to accomplish going forward, what would you say it is?

HE: That is a really difficult question. I’ve been successful in the Philadelphia market, which is obviously not the easiest market to work in. It’s my home. I’ve known a lot of people here. I’ve met a lot of people. I just want to continue to do what I do and have the passion. If there’s anything I want to accomplish, I just want to have the passion and the love to do what I do. Whether it’s radio or TV.

Unfortunately, it’s kind of sad. Television sports is really — what a waste. I’ve told people this, it’s like it’s an afterthought on television. You know what, if there’s anything I want to do, I want to get TV to realize that sports on television is ridiculous. It’s not anything anybody tunes in to watch because on our phones you have the highlights before you get to the news. We have the news before we get to the news. You’ve got six different segments of weather, but I get them on my phone updated every 10 minutes, so I don’t need that.

Publishers have asked me to write a book. I have notes that I put down, different things that have happened to me in my career that I think would be interesting to people. I got my leg broken at a game on Christmas night in 2017, the year the Eagles went to the Super Bowl. I worked five games with a broken leg, but I didn’t tell anybody and I didn’t put a cast on it. It was a non-weight-bearing bone; I wouldn’t have been able to be on the sidelines if I had a cast on. I tell Nick Sirianni now for all your players that are soft, I worked five games with a broken leg. Stop already with all of these guys. [Laughs]

So someday, because you have to sit down, you really have to put some time into it and I wouldn’t write it myself, I would get a writer to help me write it. There’s some really interesting experiences. Again, stories I can, and stories I can’t tell. The can’t-tell stories are good, but the can-tell stories are still good too.

BN: Would there be anything about Angelo in there?

HE: You know, the one thing I didn’t do but I’ll wait till he retires, is rip Angelo a new ass. [Laughs]

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Ryan Clark is Ready for ‘The Pivot’ to Grow with Channing Crowder, Fred Taylor and Fanatics

“We want to be a place where you can just be yourself and you can love yourself and truly tell your story and show people who you are.”

Derek Futterman

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Ryan Clark
Courtesy: The Pivot

Answering a call from Emmy Award-winning producer Alicia Zubikowsi, Ryan Clark learned of a potential new media venture in a niche space. Zubikowski had produced the I Am Athlete podcast for nearly two years, which rapidly proliferated in size, scope and prominence. A financial dispute among the colleagues, however, led to the departures of Channing Crowder and Fred Taylor from the roster, along with Zubikowski, and they branched out on their own to actualize a new vision. After speaking with Zubikowski, Clark met with Crowder virtually and evinced compatibility that compelled him to become involved in the project.

Less than two years later, The Pivot Podcast has quickly amassed notoriety and prestige within sports media. The athlete-driven podcast contains weekly conversations with contemporaries and luminaries alike, to talk sports, music and entertainment. Clark, Crowder and Taylor possess an evident rapport and retains the audience while encouraging prospective listeners to hear the genuine endeavor.

“We felt like there was some synergy there, we thought we could do some good things and we decided to give it a try,” Clark said. “I had already been doing my own podcast that I was funding myself, editing myself and cutting promos myself just because I understood what the space was and I knew that that’s where a lot of media was going, and at the time I didn’t have a partnership or anyone kind of showing me the way, but I was like, ‘These people have already been successful.’”

Since its launch in the winter of 2022, The Pivot Podcast has amassed over 158 million views and 870,000 subscribers on YouTube alone. The show has welcomed guests across a variety of professions, some of whom have included Caleb Williams, Snoop Dogg, Gayle King and Travis Kelce. During its time in circulation, it has made an indelible impact on the landscape and recently agreed to a multi-year partnership with Fanatics.

Through the deal, The Pivot Podcast will feature Fanatics’ verticals surrounding commerce, betting, collectibles and events, and the Fanatics Sportsbook garnering the title of the “official sportsbook” of the show. Additionally, the program will be part of company events such as Fanatics Fest NYC and its annual Super Bowl party.

“Luckily for us, it’s been such a blessing,” Clark said. “Some of the stories we’ve been able to tell, the people we’ve been able to work with and have as guests on the show, and then obviously now having an opportunity to partner with Fanatics and be a part of Michael Rubin’s team and sort of head their media division, especially when you’re speaking of Alicia and what she’ll be able to do, it just makes so much sense.”

Fanatics itself had inked some deals in the sports media space over the last year, including agreements with Bleacher Report and Overtime, but they were largely under the aegis of merchandising and/or live events. The company also hired Ed Hartman as its chief strategy officer in media, trying to discover content that fits various key business sectors. For The Pivot, retaining creative control and autonomy over the content was essential and being involved in other ventures added more value to the proposition.

“To be a part of those things and bringing those things to the world, but also an opportunity to showcase the athletes and entertainers that are part of the Fanatics family – and I think that’s a different and a bigger opportunity than any podcast has ever had with any partnership, and that is why it was important for us to find the right partnership,” Clark said. “And if I’m being honest, our producer has turned down multiple deals saying that she believed that this was the one before this was ever even a thing that Michael Rubin was talking about.”

Reaching this point required hard work, consistency and confidence that The Pivot would ultimately resonate with audiences and establish a rapport in the space. Luckily for Clark, he had a viable fallback plan in that he was working at ESPN as an NFL analyst, a role he had positioned himself to attain while he was still an active player.

During his career, he had worked on 93.7 The Fan hosting a radio show from a hibachi restaurant in Pittsburgh and also appeared on local television. Clark played 13 years in the NFL as a safety and won a Super Bowl championship as a member of the Pittsburgh Steelers in the 2008 season.

Although Clark had been told as a player that he had a chance to thrive in sports media, his formative years in the business broadened his understanding of the landscape and how to achieve success. Upon retiring from the NFL, he signed a multi-year agreement with ESPN to appear on NFL Live, SportsCenter, ESPN Radio shows and additional network programming.

Over the last several years, he has been a consistent part of NFL Live. Clark explained that the show contains underdogs who have crafted chemistry that has coalesced into an on-air product and meaningful friendships. Laura Rutledge, Dan Orlovsky, Marcus Spears, Mina Kimes and Adam Schefter work with Clark and blend their football knowledge and expertise with entertainment.

“I could see how much work they all put into their craft, and I respected that, and then once you get that respect and you start to work together, now you get to know the people,” Clark said. “You get to know about their kids, you get to know about their home life, you get to know about what makes them tick and what makes them themselves, and then we care about each other.”

As members of the show watch NFL games every week, they remain in constant communication through a group chat. Additionally, Clark ensures that he is actively listening to what his colleagues say on the air so he can disseminate informed, substantive opinions that play a part in the overall product.

“The smartest of analysts understand what they have to be on each show based on who they’re working with,” Clark said. “I think you just also have to be versatile enough to do that. You have to know when you’re on NFL Live, that show is so heavy X and O; that show is so heavy, ‘Let’s educate – let’s talk about the things that are important in ball, even if they aren’t the most popular things.’”

Starting last season, Clark was added to Monday Night Countdown as a studio analyst as part of a revamped iteration of the program hosted by Scott Van Pelt. Joining Clark as analysts on the show were his NFL Live colleague Marcus Spears and incumbent analyst Robert Griffin III. While there were some memorable moments both in studio and on site throughout the year though, Clark felt that the show struggled to capture an essence on the air.

“I think the show is just hard because it’s sort of like rolled over the entire infrastructure and changed the people, and it happened so late that I don’t think we ever got an opportunity to find our voices on that show, and we tried to work through that throughout the season,” Clark said. “….I think last year was a learning experience where if I’m being really honest, we did bad TV sometimes, which was new for me because I felt like I haven’t done bad TV in a very long time, and it was embarrassing for me because I put so much time into it.”

Former Philadelphia Eagles center and Super Bowl champion Jason Kelce is joining the show and was formally introduced this week. During a charity golf outing this offseason, Clark had a chance to meet Kelce and learn more about him as a person while also answering questions about ESPN and the sports media business.

“I told him to be himself because being himself is what got him here,” Clark said. “He’s a first-ballot Hall of Famer in my opinion, so he has so much knowledge, experience and wisdom that people will crave, and he can give it to them uniquely with his personality, with his honesty [and] with the openness and vulnerability about who he is. Other than that, he’s going to have to learn.”

Akin to Clark hosting The Pivot and working at ESPN, Kelce hosts the New Heights podcast with his brother, and will now be joining Monday Night Countdown on ESPN. Clark anticipates that Kelce will be a huge addition, referring to him as the “hottest free agent ever,” and hopes to grant him longform chances to express himself on the air. Being on the show for a second season, however, nearly was not a reality for Clark amid an expiring contract at ESPN.

“I was gone,” Clark said. “I wasn’t considering – I was done. Normally they extend your contract until it gets done most times. I was out – my contract had ended.”

Clark took part in discussions with other people in the business, some of which included having his own show and organizations starting networks around him. Throughout the process, he was cognizant about the relationships and memories he had built at ESPN and was appreciative for various personalities speaking up for him, including Mike Greenberg and Stephen A. Smith. In the end, Clark signed a multi-year extension with the network that implemented a raise and additional responsibility while also continuing his other projects.

“Obviously my family is the NFL Live crew,” Clark said. “Scott Van Pelt and I probably share one of the most memorable nights in television when Damar Hamlin went down. And so those relationships were things that I didn’t want to leave unless there was a good enough reason to leave, and I don’t think that’s just money.”

Clark started hosting Inside the NFL last season on The CW, a storied sports franchise that presents highlights, analysis and interviews every week during the NFL season. After spending approximately four decades on HBO and subsequent years on Showtime and Paramount+, the program moved to broadcast television for the first time. Clark conceptualizes his role as a point guard who is able to score when necessary and successfully facilitate his colleagues Jay Cutler, Chad “Ochocinco” Johnson, Chris Long and The Pivot co-host Channing Crowder.

“I think that was the hardest adjustment with Inside the NFL initially was like, ‘Okay, how do I set these guys up for success while still doing something I’m really good at, which is analyzing football?,’” Clark said, “and it’s taken some time to really sort of find a space for it, but I think I did find that on Inside the NFL.”

In working on The Pivot, Clark built relationships organically through conversations surrounding strategy, content creation and lifestyle. One episode in particular that stands out to him is when the show interviewed former NBA forward Michael Beasley where he opened up about his mental health struggles and hardships he has endured throughout his life. Furthermore, he talked about struggling to find the right people and explained that everyone stole from him except his kids. Clark, Crowder and Taylor sympathized with Beasley and offered him assistance, underscoring the unscripted, genuine nature of the show.

“Everybody wants The Rock to be able to come on their show and talk about his battles with depression, but we also want Kevin Hart to be able to come on the show and invite him to nudist camp too,” Clark said. “We want to be a place where you can just be yourself and you can love yourself and truly tell your story and show people who you are. And I don’t necessarily know if it’s distinctive in effort or goal; I think it’s been distinctive in execution, which, in the end, is what we deliver to people.”

Through the new partnership with Fanatics, Clark looks forward to continuing to take part in candid conversations and storytelling on The Pivot while continuing to thrive in his work with ESPN and The CW. As someone who attained a successful NFL career after signing as an undrafted free agent, he maintains a mentality built on an indefatigable work ethic and resolute dedication towards his professional endeavors. Once the show signed the partnership with Fanatics, it had an opportunity to interview Tom Brady, who discussed topics including his experience being the subject of a Netflix roast and the lessons he learned playing in the NFL.

“Not everybody understands Tom Brady, right?,” Clark said. “Who knows that story? Who has ever lived that, ‘I’m the greatest to ever do something’? But everybody has understood what it’s like to struggle; what it’s like to doubt yourself, right? And so we bring them that story, and in bringing them that story, we talk about the things that Fanatics is doing and the ways that they are now moving in the sports world.”

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Christopher ‘Mad Dog’ Russo Making the Most of His Resurgence with the Help of ESPN

Far from a close-minded fuddy-duddy. He is an open-minded observer of sports, one of the greatest of all time.

John Molori

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Screengrab of First Take on ESPN with Chris Russo
Screengrab from ESPN/First Take

The true essence of Christopher ‘Mad Dog’ Russo, Version 2024 can be found in the open to the May 15 edition of First Take on ESPN.

In the aftermath of the Knicks defeating the Pacers in Game 5 of the Eastern Conference Semifinals, superstar showstopper Stephen A. Smith opened the program with an emotionally joyous soliloquy lauding his favorite New York basketball team. Smith was jubilant, ebullient, and thrilled.

The segment ended with Smith walking over to panelists Russo and Kendrick Perkins and hugging them in glee. After the show’s open, the Knick rapture continued, that is, until “Mad Dog” was let out of the kennel.

Russo brought things back down to earth, predicting that Indiana would win Game 6 of the series. He then went through a mental historical timeline of the Knicks choking in playoff games at home. This level of historic context is largely lost on modern sports fans, many of whom believe that nothing existed before LeBron James or Tom Brady.

Russo’s beautiful dose of reality ticked off the jovial Smith but set the discourse on a more levelheaded road. Russo is a talking history book, and let’s face it, not everybody likes history class. The difference, however, is that Christopher Russo lived this history, and indeed, made history himself. A 2022 National Radio Hall of Fame inductee, he has uniquely entertained sports fans for more than four decades, becoming one of the most memorable and imitated personalities ever.

He created Mad Dog Sports Radio on SiriusXM in 2008 and headlines the channel with his popular Mad Dog Unleashed show. In addition, he hosts the daily High Heat program on MLB Network. Still, it is one of Russo’s earliest and most recent gigs that set him apart.

Beginning in 1989 and for the next 19 years, Russo and Mike Francesa hosted the landmark Mike and the Mad Dog afternoon driveshow on WFAN radio in New York. It was a ratings mammoth and ensconced Russo as a stone-cold sports media legend.

I am going to make the case that Russo’s latest incarnation as a First Take Wednesday regular is just as significant. It has exposed a whole new audience to the Russo experience. On a more basic level, it is just really special to see a classic radio guy like Russo welcomed into the most progressive and popular sports talk show on the air right now.

Kudos to Stephen A. Smith for making Russo a regular on his program. You can tell that Smith, author of an historically significant media career himself, truly respects those who came before him and blazed the trail. In fact, to a certain extent, Smith is a media offspring of Russo. They both possess riveting personalities, unquestioned bravery, and on-air dominance. Like or dislike, agree or disagree, these are two men who must be listened to and respected.

With Max Kellerman’s 2021 exit from First Take, I was doubtful as to what would happen to the program. My worst thought was that Smith would bring in a bevy of co-hosts who would bow to his greatness – like Jerry Jones’ Cowboys’ coaching hires since Jimmy Johnson. Thankfully, Smith went in the other direction. Russo has the same cache as Smith, so there is no hero worship. He says what he feels and talks straight – real talk in a colorful and exciting manner.

As the Knicks discussion continued, Smith wanted to tap into Russo’s New York sports sensibilities and emotion asking Russo if he felt Madison Square Garden shaking during the Knicks’ Game 5 win. It didn’t work. Russo responded that at 65 years-old, he has been in the Garden for many big games and then cautioned Smith to take it easy with the Knicks.

He again harkened back to New York’s less than sparkling history in big games and menacingly joked that it is his job to “spoil Stephen A’s fun.” Russo then spectacularly took the air out of the building with an ominous What If asking what the Knicks would do if it came down to a Game 7 and the game was tied with the clock winding down.

Russo is also self-deprecating. When host Molly Qerim asked him for a prediction on the Nuggets-Timberwolves series, Russo said that he predicted that the Bills would blow out the Giants in Super Bowl XXV – the famed Scott Norwood missed field goal game. Qerim, who does an excellent job in controlling Hurricane Christopher, acknowledged the obscure reference.

While Russo has a database of past stats and stars, he is not lost in history. In fact, on this edition of First Take, he made a bold statement that the Nuggets’ Nikola Jokić has the greatest offensive skill set of any center in the history of the NBA. These are not the words of a stodgy curmudgeon whose mind cannot be changed.

Russo is an astute observer of our games. He sees greatness and gives that greatness credit. Far from a close-minded fuddy-duddy. He is an open-minded observer of sports, one of the greatest of all time. His opinions are not to be chided. They are to be listened to and appreciated.

During First Take’s Quick Takes segment, Russo ably put his encyclopedic knowledge to use. The question posed was whether the Celtics or Lakers are the greatest franchise in NBA history. Russo’s analysis was spot on and long overdue. First, he discounted the Minneapolis Lakers’ five titles as part of the pro-Lakers argument. He also cited the Celtics’ overall dominance when the two franchises have met in the NBA Finals over the decades.

Lastly, he remarked that the Celtics have had four eras of greatness: Russell in the 1960s, Havlicek-Cowens in the 1970s, Bird in the 1980s, and Pierce-Garnett in the late 2000s, while the Lakers have only two: Magic-Abdul-Jabbar in the ‘80s and Shaq-Kobe in the 2000s. It was the best analysis of a longtime debate.

In a debate about Bronny James and his NBA hopes, Russo again was the voice of reason giving a very realistic analysis of why he is not a top pro prospect. It is clear that Russo has nothing to prove, nobody to impress, and no apple to polish. He made his bones years ago, and his takes are refreshing and objective.

The cherry on top of Russo’s First Take sundae was his What Are You Mad About? segment. Viewers tuning into this part of the program are no doubt wondering who the hell, and at times, what the hell they are watching. Russo pushes the limits of his angst, heart rate, blood pressure, and decibel level picking apart several news items from the week in sports. At times, he closes his blurbs screaming to the heavens, “May God strike me down!”

In this particular segment, he went off on late NBA playoff start times, the intrigue surrounding the 2024 NFL schedule release, and his distaste towards the vulgar humor in the Tom Brady roast. Russo gets up close to the camera and goes off in a boisterous way. It is simultaneously fantastic and frightening.

In his last piece on the roast, Russo looked into the camera and yelled to Brady, “How stupid can you be!” This is the same question I will pose to anyone who dismisses Russo as an out of touch old guy. This cat is no curmudgeon. He is a killer. Elderly? No, epic. Bygone? How about straight up bad ass. That is Christopher “Mad Dog” Russo, Version 2024.

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How to Renegotiate Your Annual Sports Radio Advertising Contract

Reducing expenses within an annual radio agreement takes a strategic negotiation and budget management approach.

Jeff Caves

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Graphic that shows two people negotiating
Graphic Courtesy: Soject.com

If you are a small to medium-sized business, there is no doubt you are facing rising costs, and making ends meet is a top priority. Sometimes, that means cutting expenses on things you have committed to via contract, like a 2024 annual radio advertising agreement with level monthly payments. You are on the air each month and appreciate the value of advertising consistently. You understand the necessity to maintain a market presence within the budget you laid out last year. You negotiated a win-win contract and are happy with it. However, with your costs spiraling to deliver your services, cost-cutting measures have become critical for financial viability in the long term and better cash flow in the short term. You are now tasked with the need to reduce expenses wherever you can, and your sports radio advertising is next on the list. The station doesn’t want to lessen your committed budget. It’s time for strategic negotiation and decision-making. Here are some effective strategies to accomplish this objective while keeping your annual budget intact:

Pricing and Rates

Initiate negotiations on pricing and rates for ad spots with the radio station. They know where they have more demand than supply and could even make more money by freeing up some of your commercials to be sold to other clients, sometimes at higher rates. This is typically during the weekday drive time periods; you probably got an annual rate for your commitment. If the station is willing, you could move into off-peak nighttime buys or weekends. Off-peak hours typically come at a lower cost and can still reach a substantial audience, enabling you to stretch your budget further. Give the station 30 days to see if they can accomplish this, and if not, go to plan ‘B.’

Longer Commitments

Consider committing to a longer-term contract, like a multi-year agreement, to potentially lower your monthly cash commitment. Maybe you could move off $2,000 per month from July to December and move it to the first six months of 2025. Emphasize your dedication to maintaining a consistent advertising presence over time, which can incentivize the radio station to continue the partnership.

Frequency and Unit Length

If the station allows you to reduce the monthly budget, focus on maximizing frequency by strategically choosing the length of ad units. Instead of running only thirty and sixty-second ads, opt for :15 slots to increase frequency without exceeding your budget. Shorter units are more cost-effective per spot and can deliver well-known messages repeatedly.

Budget Reallocation and Trade

Explore avenues for reallocating funds within your annual budget to optimize expenses. For instance, negotiate a reduction in the monthly budget and allocate the saved funds to months where your cash flow is strongest. Having a payment schedule that matches your cash flow will give you the best chance to meet expenses. Furthermore, explore opportunities for service or trade to offset your monthly bill, leveraging resources you have already paid for that may match up well with what the station needs.

Reducing expenses within an annual radio agreement takes a strategic negotiation and budget management approach. Concentrating on pricing, rates, contract length, frequency, and budget reallocation can keep your station relationship intact, honor your contract, and increase cash flow.

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